A practical and inspirational guide to choosing, blending and spinning richly textured artisan yarn for weaving, knitting and other textile art applications. Imogen Bright Moon is a British Romani textile artist who creates richly textured, highly tactile woven textile works from yarn that she spins and blends herself. In this elegantly designed book Imogen reveals the secrets of her practice. In evocative, engagingly written text accompanied by sumptuous images of her work in her studio throughout the year, she explains: • How to choose raw fibres for use in your work: the author's are ethically sourced from various ecologically responsible sources, including a rescue flock of sheep on the South Downs. • How to put together different types of fibres – raw sheep's wool, plant fibres such as hemp, soya and wild silk, alpaca hair and much more – to create richly textured yarn. • The delicate art of blending naturally occurring pigments, working with shade and tone to create subtle and nuanced colours, a process that Imogen likens to a painter mixing paints on a palette. • The principles of hand-spinning, from a simple single spun thread to more complicated yarns such as triple-chain ply yarn, using a traditional floor spindle. • How to skein, soak and wet-finish your yarn, and how to store your yarn stash. • Ideas for taking your yarn into finished craft and art projects, with details of the author's own work. With an emphasis on engagement with nature, the rhythms of the seasonal craft cycle, ethical making, sustainability and mindfulness, this book is ideal for weavers, textile artists and anyone seduced by the joys of yarn.

An examination of the uses, meanings, and social impact of Viking Age textiles. This volume offers the first full study of archaeological fabrics and their decoration found in the North Atlantic region and dating broadly from the Viking or Norse period. With contributions from both academic scholars and practitioners, it shows how approaching early medieval textiles from archaeological, historical and literary contexts, and through the processes of learning and employing the traditional skills of making them, brings about a more nuanced understanding of early medieval cloths: their creation, use and meanings within their respective societies. The book is divided into two parts. The first, "Textiles and their Interpretation", takes the reader on a journey from how wool was processed in the Viking Age, and the conservator's role in preserving and interpreting archaeological textiles, to different types of analyses that researchers use to understand and explain textiles from across the wide area of the Viking-influenced North Atlantic region. The second, "Understanding through Replicating", investigates the results of practical experiments in the reconstruction of surviving medieval fabrics and the resulting empirical conclusions that can be made about their manufacture and wider cultural implications.

"A new and expanded edition of the work originally published by William Collins Sons & Co Ltd, London, and Van Nostrand Reinhold Company, New York, in 1984"--T.p. verso.