Born into slavery, T. Thomas Fortune was known as the dean of African American journalism by the time of his death in the early twentieth century. The editorship of three prominent black newspapers--the New York Globe, New York Freeman, and New York Age--provided Fortune with a platform to speak against racism and injustice. For nearly five decades his was one of the most powerful voices in the press. Contemporaries such as Ida B. Wells, W.E.B. Du Bois, and Booker T. Washington considered him an equal, if not a superior, in social and political thought. Today's histories often pass over his writings, in part because they are so voluminous and have rarely been reprinted. Shawn Leigh Alexander's anthology will go a long way toward rectifying that situation, demonstrating the breadth of Fortune's contribution to black political thought at a key period in American history.

In discussing the political and industrial problems of the South, I base my conclusions upon a personal knowledge of the condition of classes in the South, as well as upon the ample data furnished by writers who have pursued, in their way, the question before me. That the colored people of the country will yet achieve an honorable status in the national industries of thought and activity, I believe, and try to make plain. In discussion of the land and labor problem I but pursue the theories advocated by more able and experienced men, in the attempt to show that the laboring classes of any country pay all the taxes, in the last analysis, and that they are systematically victimized by legislators, corporations and syndicates.

The National Book Award–winning story collection from the author of The Orphan Master’s Son offers something rare in fiction: a new way of looking at the world. “MASTERFUL.”—The Washington Post “ENTRANCING.”—O: The Oprah Magazine “PERCEPTIVE AND BRAVE.”—The New York Times Throughout these six stories, Pulitzer Prize winner Adam Johnson delves deep into love and loss, natural disasters, the influence of technology, and how the political shapes the personal, giving voice to the perspectives we don’t often hear. In “Nirvana,” a programmer whose wife has a rare disease finds solace in a digital simulacrum of the president of the United States. In “Hurricanes Anonymous,” a young man searches for the mother of his son in a Louisiana devastated by Hurricanes Katrina and Rita. “George Orwell Was a Friend of Mine” follows a former warden of a Stasi prison in East Germany who vehemently denies his past, even as pieces of it are delivered in packages to his door. And in the unforgettable title story, Johnson returns to his signature subject, North Korea, depicting two defectors from Pyongyang who are trying to adapt to their new lives in Seoul, while one cannot forget the woman he left behind. WINNER OF THE STORY PRIZE • A NEW YORK TIMES NOTABLE BOOK NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The Miami Herald • San Francisco Chronicle • USA Today AND ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • Marie Claire • St. Louis Post-Dispatch • BuzzFeed • The Daily Beast • Los Angeles Magazine • The Independent • BookPage • Kirkus Reviews “Remarkable . . . Adam Johnson is one of America’s greatest living writers.”—The Huffington Post “Haunting, harrowing . . . Johnson’s writing is as rich in compassion as it is in invention, and that rare combination makes Fortune Smiles worth treasuring.”—USA Today “Fortune Smiles [blends] exotic scenarios, morally compromised characters, high-wire action, rigorously limber prose, dense thickets of emotion, and, most critically, our current techno-moment.”—The Boston Globe “Johnson’s boundary-pushing stories make for exhilarating reading.”—San Francisco Chronicle

"William Albert Sinclair, born a slave in 1858, grew up in South Carolina during the tumultuous years of the Civil War and Reconstruction. Influenced by his childhood experiences, Sinclair spent his life fighting for the rights of African Americans and was an active member of the Constitution League, and their successor, the National Association for the Advancement of Colored People. Inspired by the scholarship and activism of T. Thomas Fortune and W. E. B. Du Bois, Sinclair published The Aftermath of Slavery: A Study of the Condition and Environment of the American Negro, one of the most complete analyses of slavery and the years immediately following emancipation. First published in 1905, The Aftermath of Slavery provided a historical analysis of the late nineteenth century that underscored the existence of black resistance to white domination during slavery and Reconstruction"--University of South Carolina Press website.

Following her successful Literary Guide to Washington, DC, which Library Journal called "the perfect accompaniment for a literature-inspired vacation in the US capital," Kim Roberts returns with a comprehensive anthology of poems by both well-known and overlooked poets working and living in the capital from the city’s founding in 1800 to 1930. Roberts expertly presents the work of 132 poets, including poems by celebrated DC writers such as Francis Scott Key, Walt Whitman, Frederick Douglass, Paul Laurence Dunbar, Ambrose Bierce, Henry Adams, and James Weldon Johnson, as well as the work of lesser-known poets—especially women, writers of color, and working-class writers. A significant number of the poems are by writers who were born enslaved, such as Fanny Jackson Coppin, T. Thomas Fortune, and John Sella Martin. The book is arranged thematically, representing the poetic work happening in our nation’s capital from its founding through the Civil War, Reconstruction, World War I, and the beginnings of literary modernism. The city has always been home to prominent poets—including presidents and congressmen, lawyers and Supreme Court judges, foreign diplomats, US poets laureate, professors, and inventors—as well as writers from across the country who came to Washington as correspondents. A broad range of voices is represented in this incomparable volume.