Synaesthesia: Theoretical, artistic and scientific foundations Editorial Board Sean A. Day (Trident Technical College, USA. President of the American Synesthesia Association) Maria José De Córdoba (Granada University, Department of Drawing) Emilio G. Milán (Granada University, Department of Experimental Psychology) Ed Hubbard (Vanderbilt University, Department of Psychology and Human Development) Dina Riccò (Politecnico di Milano University, Department of Design) Editorial Staff Edited by: Maria Josè De Cordoba, Dina Riccò, Sean Day The three editors have worked in collaboration on the entire book. In particular: M.J. De Cordoba has edited chapters I.2, I.4, I.5., II.2, II.6, II.7, II.8; D. Riccò chapters I.1, I.3, II.1, II.3, II.4, II.5; and Sean Day has edited the English revision of the whole book. Chapters written in native English by the respective authors: I.1, I.2, I.5, II.1. English translation from Spanish: Julia López de la Torre Lucha (Foreword, Preface, chapters I.4, II.2, II.7, II.8); Donald Hubert Duffy III (chapter II.5). English Translation from Italian: Margaret Wood / Intras Congressi Bologna (chapters I.6, II.4), Peter Deville (chapter I.3), John Lander, Annarita Guidi and Maria Catricalà (chapter II.3). English Translation from Russian: Anton V. Sidoroff-Dorso (Chapter II.6). Special thanks to Timothy B. Layden. Graphic coordination: Dina Riccò Graphic design: Giulia Martimucci Visual: Alessandro Zamperini © 2014 Ediciones Fundación Internacional ArteCittà, Granada (Spain) Original Title: Sinestesia. Los fundamentos teóricos, artísticos y científicos, by Maria José De Cordoba, Dina Riccò et al. First Spanish Edition published in 2012 by Ediciones Fundación Internacional Artecittà (Granada, Spain) eBook Edition ISBN: 978-84-939054-9-1 D.L.: GR 1383-2014 (14.07.2014) Produced by Fundación Internacional Artecittà, Granada, Spain Printed Edition ISBN: 978-84-939054-6-0 D.L.: GR 1382-2014 (14.07.2014) Printing: Imprenta Del Carmen, Granada, Spain First English Edition: July 2014

ACTAS DEL “VI CONGRESO INTERNACIONAL DE SINESTESIA, CIENCIA Y ARTE + ACTIVIDADES PARALELAS 2018”. Alcalá la Real, Jaén (España). Sedes: Convento de Capuchinos, Palacio Abacial, Teatro Martínez Montañés, Alcalá la Real (Jaén) y Conservatorio Superior de Música Victoria Eugenia, Granada, España. Facultad de Bellas Artes, UGR Granada, España Versión digital, Abril de 2018. Primera Edición/First edition: April 2018 E-book ISBN: 978-84-948665-0-0 Comité editorial: Mª José de Córdoba Serrano; Julia López de la Torre Lucha; Timothy B. Leyden. Diseño imagen, trípticos de promoción y cartel: Víctor Parra ©Editorial: Fundación Internacional Artecittà. Granada. 2018 C/Doctor Medina Olmos nº 44. 18015-Granada, España [email protected] http://www.artecitta.es Nota aclaratoria: E-book interactivo. Formato PDF. Todo el material recogido en este libro de Actas está protegido por copyright, ley internacional, y no debe ser reproducido, distribuido, ni publicado sin el permiso expreso solicitado previamente a sus autores/ All materials contained on this Book are protected by International copyright laws and cannot be reproduced, distributed, transmitted, displayed, published or broadcasted without the prior written permission of the publisher. Los textos se presentan como han sido enviados por los congresistas/ investigadores, respetando si han querido publicar sus textos completos o sólo los resúmenes. Comité Organizador/Organization Committee: Comité de dirección: Dra. Mª José de Córdoba. F.I.A.C. y UGR. Coordinador General: Dr. Francisco Toro Ceballos. Jefe de servicio. Técnico de Cultura del Excmo. Ayuntamiento de Alcalá la Real, Jaén. España. [email protected] Juan M. Martín Afán de Rivera. Técnico de Cultura. Excmo. Ayuntamiento de Alcalá la Real, Jaén. España. [email protected] Dirección MuVi5: Dra. Dina Riccò (Univ. Politecnico di Milano) & Dra. María José de Córdoba UGR. Coordinador Internacional: Dr. Sean A Day (IASAS) and Dr. Antón Sidoroff Dorso (Artecitta Ru). Coordinación Interna: Dr.Timothy B Layden y Julia López de la Torre Lucha (Artecittà) Comité Científico: Dr. Edward M. Hubbard (University of Wisconsin-Madison); Dr. Joerg Jewansky; Dr. Markus Zedler; Dr. Sean A Day, Dra. DinaRiccò (Politecnico di Milano) Coordinador interuniversitario: Dr. Juan García Villar (FIAC). Colaboradores / Delegaciones: Dr. Víctor Parra (UPEL, Venezuela); Dr. Wilmer Chávez (UCLA, Venezuela); José Antonio Fernández (Synlogic, FIAC. Asesor psicopedagógico FIAC); Dr. Mohamed Radi Abouarab y Prof. Dr. Maged ABDELTAWAB AHMED ELKEMARY, Rector de la Universidad de Kafrelsheikh, (Egipto). Dra. Helena Melero (Univ. Rey Juan Carlos III. Madrid y FIAC, Madrid); Master Dibujo, Producción y Difusión, Dra. Mari Carmen Hidalgo y Dr. Jesús Pertíñez López. UGR; Ninghui Xiong and Tong Jung Ding (Artecittà China); Dra. Coral Morales, Ciencias de la Educación, UJA. Instituto de Estudios Giennenses (IEG): Dr. Pedro Galera Andreu y Dra. Adela Tarifa Fernández. Concejalía de Cultura, Excmo. Ayuntamiento de Alcalá la Real: Sr. D. Juan Francisco Martínez. Ayudante Comunicación Diseño e Imagen Ayto. Alcalá la Real, Jaén Federico Barquero Mesa. Traducción simultánea: Julia López de la Torre, Timothy B Layden (FIAC). y Dr. Víctor Parra, (F.I.A.C). Colaboración especial: Sr. D. Jesús Caicedo Bernabé. Presidente de la F.I.A.C.

Libro de Actas del VII Congreso Internacional de Sinestesia, Ciencia y Arte celebrado en Granada y Alcalá la Real, Jaén ( España) Sedes: Facultad de Bellas Artes Alonso Cano, Universidad de Granada, España. Convento de Capuchino, Alcalá la Real (Jaén), España. Teatro Martínez Montañés, Alcalá la Real (Jaén), España. Versión digital, Septiembre de 2022. Primera Edición/First edition: Septiembre 2022 E-book ISBN: 978-84-948665-6-2 Comité editorial: Mª José de Córdoba Serrano; Dina Riccò; Timothy B. Layden. Diseño imagen, trípticos de promoción y cartel: Federico Barquero Mesa. ©Editorial: Fundación Internacional Artecittà. Granada. 2022. C/Doctor Medina Olmos nº 44. 18015-Granada, España. [email protected] http://www.artecitta.es Nota aclaratoria: E-book interactivo. Formato PDF. Todo el material recogido en este libro de Actas está protegido por copyright, ley internacional, y no debe ser reproducido, distribuido, ni publicado sin el permiso expreso solicitado previamente a sus autores//All materials contained on this Book are protected by International copyright laws and cannot be reproduced, distributed, transmitted, displayed, published or broadcasted without the prior written permission of the publisher. Los textos se presentan como han sido enviados por los congresistas/investigadores, respetando si han querido publicar sus textos completos o sólo los resúmenes. Comité Organizador/Organization Committee: Comité de dirección: Mª José de Córdoba. F.I.A.C. y UGR, Granada, España.; Dina Riccò, Politecnico di Milano y F.I.A.C., Milán, Italia. Coordinadores FIAC: Julia López de la Torre y Timothy B Layden. Coordinadores Internacionales: Sean A Day, (IASAS y FIAC); Anton Sidoroff Dorso (Delegación FIAC Rusia); Ninghui Xiong (Delegación FIAC, (China); Timothy B Layden (Delegación FIAC, Inglaterra); Gaby Cardoso (Argentina). Comité Científico//scientific committee: Sean A Day, Joerg Jewanski, Anton Sidoroff Dorso, Danko Nikolic, Dina Riccò, Mª José de Córdoba, Helena Melero.

This handbook sets out an innovative approach to the theory of law, reconceptualising it in a material, embodied, socially contextualised and politically radical way. The book consists of original contributions authored by prominent academics, all of whom provide a valuable overview of legal theory as a discipline. The book contains five sections: • Spatiotemporal • Sense • Body • Text • Matter Through this structure, the handbook brings the law into active discussion with other disciplines, as well as supra-disciplinary debates on the areas of spatiality, temporality, materiality, corporeality and sensorial studies, capturing the most exciting developments in current legal theory, and anticipating future research in the area. The handbook is essential reading for scholars and students of jurisprudence, sociology of law, critical legal studies, socio-legal theory and interdisciplinary legal studies, as well as those people from other disciplines interested in the way the law converses with interdisciplinarity. Chapter 12 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

The uncommon sensory perceptions of synesthesia explored through accounts of synesthetes' experiences, the latest scientific research, and suggestions of synesthesia in visual art, music, and literature. What is does it mean to hear music in colors, to taste voices, to see each letter of the alphabet as a different color? These uncommon sensory experiences are examples of synesthesia, when two or more senses cooperate in perception. Once dismissed as imagination or delusion, metaphor or drug-induced hallucination, the experience of synesthesia has now been documented by scans of synesthetes' brains that show "crosstalk" between areas of the brain that do not normally communicate. In The Hidden Sense, Cretien van Campen explores synesthesia from both artistic and scientific perspectives, looking at accounts of individual experiences, examples of synesthesia in visual art, music, and literature, and recent neurological research. Van Campen reports that some studies define synesthesia as a brain impairment, a short circuit between two different areas. But synesthetes cannot imagine perceiving in any other way; many claim that synesthesia helps them in daily life. Van Campen investigates just what the function of synesthesia might be and what it might tell us about our own sensory perceptions. He examines the experiences of individual synesthetes—from Patrick, who sees music as images and finds the most beautiful ones spring from the music of Prince, to the schoolgirl Sylvia, who is surprised to learn that not everyone sees the alphabet in colors as she does. And he finds suggestions of synesthesia in the work of Scriabin, Van Gogh, Kandinsky, Nabokov, Poe, and Baudelaire. What is synesthesia? It is not, van Campen concludes, an audiovisual performance, a literary technique, an artistic trend, or a metaphor. It is, perhaps, our hidden sense—a way to think visually; a key to our own sensitivity.

MuVi6 is the sixth edition of the publication dedicated to Visual Music – following MuVi (Granada, 2007), MuVi2 (Granada, 2009), MuVi3 (Almería, 2012), MuVi4 (Alcalá la Real, Jaén, 2015), MuVi5 (Granada and Alcalá la Real, Jaén, 2018) – an event integrated with the VII International Congress: “Synesthesia: Science and Art”, held from the 26th to 29th of October 2022, at the Faculty of Fine Arts of the University of Granada and at the Convento de Capuchinos in Alcalá la Real (Jaén), Spain. This event confirms its primary objective of providing perceivable, aesthetic (and synaesthetic) feedback on the theoretical contents addressed at the conference through lectures, debates and posters, proving over time, in the editions that have followed, to be capable of stimulating debate This particular edition, in line with the conference, aims to underline the challenge between the digital and the material: this is the interpretative key that we asked of both the authors of the preliminary essays anticipating the collection of works, and the authors of the video projects. Hybridisation was expressed on several levels, which can be summarised in two main trends: in the sources, where nature and the kinematics of the elements, e.g. liquids or gasses, are a source of inspiration; or in the hybridisation of techniques where the material and the digital alternate. Each edition surprises us with the richness of the productions, with increasingly complex compositional and technical solutions, undoubtedly facilitated by the evolution of audio/video software and visual programming languages that facilitate new aesthetic experiments. The sound/visual relationships are therefore as much the result of a perceptual analysis as of an algorithmic application that can escape the control of the perceivable