Professor Clark explores the reasons of why humans value precious metals, gems, ivory and pearls so highly.

"A ready reference aid and an inspiration to designers . All in all the best book now available on symbols." --Library Journal This unparalleled reference represents a major achievement in the field of graphic design. Famed industrial designer Henry Dreyfuss recognized the importance of symbols in communicating more quickly and effectively; for many years he and his staff collected and codified graphic symbols as they are used in all walks of life throughout the world. The result is this "dictionary" of universally used graphic symbols. Henry Dreyfuss designed this sourcebook to be as practical and easy to use as possible by arranging the symbol information within ingeniously devised sections: Basic Symbols represents a concise and highly selective grouping of symbols common to all disciplines (on-off, up-down, etc.). Disciplines provides symbols used in accommodations and travel, agriculture, architecture, business, communications, engineering, photography, sports, safety, traffic controls, and many other areas. Color lists the meanings of each of the colors in various worldwide applications and cultures. Graphic Form displays symbols from all disciplines grouped according to form (squares, circles, arrows, human figures, etc.) creating a unique way to identify a symbol out of context, as well as giving designers a frame of reference for developing new symbols. To make the sourcebook truly universal, the Table of Contents contains translations of each of the section titles and discipline areas into 17 languages in addition to English.

The core of the book is a full classification of all the trade marks covering pictures, names and abbreviations. The author analyses and describes the history of trademarks and shows how they have transcended barriers of language and time.

The British archaeologist Grahame Clark was a seminal figure in European and world archaeology for more than half of the twentieth century, but, at the same time, one whose reputation has been outshone by other, more visible luminaries. His works were never aimed at a wide general public, nor did he become a television or radio personality. Clark was, above all, a scholar, whose contributions to world archaeology were enormous. He was also convinced that the study of prehistory was important for all humanity and spent his career saying so. For this, he was awarded the prestigious Erasmus Prize in 1990, an award only rarely given to archaeologists. This intellectual biography describes Clark's remarkable career and assesses his seminal contributions to archaeology. Clark became interested in archaeology while at school, studied the subject at Cambridge University, and completed a groundbreaking doctorate on the Mesolithic cultures of Britain in 1931. He followed this study with a magisterial survey, The Mesolithic Settlement of Northern Europe(1936), which established him as an international authority on the period. At the same time, he became interested in the interplay between changing ancient environment and ancient human societies. In a series of excavations and important papers, he developed environmental archaeology and the notion of ecological systems as a foundation of scientific, multidisciplinary archaeology, culminating in his world-famous excavations at Starr Carr, England, in 1949 and his Prehistoric Europe: The Economic Basis (1952). Clark became Disney Professor of Public Archaeology at Cambridge in 1952 and influenced an entire generation of undergraduates to become archaeologists in all parts of the world. He was also the author of the first book on a global human prehistory, World Prehistory (1961).

The unvarying essential meanings of around 1,000 symbols and symbolic themes commonly found in the art, literature and thought of all cultures through the ages are clarified.

This classic encyclopedia of symbols by the renowned Spanish poet illuminates the imagery of myth, modern psychology, literature, and art. J. E. Cirlot’s A Dictionary of Symbols is a feat of scholarship, an act of the imagination, and a tool for contemplation, as well as a work of literature—a reference book that is as indispensable as it is brilliant and learned. Cirlot was a composer, poet, critic, and champion of modern art whose interest in surrealism helped introduce him to the study of symbolism. This volume explores the space between the world at large and the world within, where nothing is meaningless, and everything is in some way related to something else. Running from “abandonment” to “zone” by way of “flute” and “whip,” spanning the cultures of the world, and including a wealth of visual images to further bring the reality of the symbol home, A Dictionary of Symbols is a luminous and illuminating investigation of the works of eternity in time.

William C. Hackett provides a renewed reading of Christian theology by evaluating the role of anthropomorphism in shaping negative theology. Through this theological history, he addresses the fear of anthropomorphism that prompted early philosophers and theologians to adopt abstract understandings of God. Hackett charts the wide-ranging importance of anthropomorphism to theology through figures including Balthasar, Bultmann, Dionysius the Areopagite, and Cyril of Alexandria. He argues that anthropomorphism highlights the unique conceptual problem between divine presence and absence. By exploring the turn away from practical and embodied views of God in Scripture, this book focuses on anthropomorphic views of God in symbols, images, and narratives. Emphasising these forms promotes an intellectual vision of Christianity that challenges theoretical and conceptual abstraction. Anthropomorphism in Christian Theology further traces the nuances between human and angelic intellect, modern philosophy and theology, negative theology and the concept of transcendence.