"The lectures contained in this volume were given for the University of Edinburgh on Lord Gifford's foundation in the years 1933 and 1934. I have delayed their publication in the hope that with process of time I might, by further reading and thought, be able to expand and modify them, so as to make them more worthy of presentation to the public in the form of a book. This hope has been so meagerly realized that it now seems best to let them go forth, with all their imperfections on their head, hardly at all altered from the form in which they were delivered." --From the preface

The lectures contained in this volume were given for the University of Edinburgh on Lord Gifford's foundation in the years 1933 and 1934. I have delayed their publication in the hope that with process of time I might, by further reading and thought, be able to expand and modify them, so as to make them more worthy of presentation to the public in the form of a book. This hope has been so meagrely realized that it now seems best to let them go forth, with all their imperfections on their head, hardly at all altered from the form in which they were delivered. Some changes in arrangement have been made in the order of lectures: the two on Time now follow immediately the two on the spatial symbol of Height. Four lectures have been omitted altogether from the present volume, those on image-worship and doctrines condemning the manufacture of images in antiquity and in the Christian Church. Since in the rest of the lectures the symbolism of material objects in worship was not the kind of symbolism under consideration, these four lectures seemed somewhat of a digression from the main line of argument. I hope later on to issue them as a small book by themselves.

“[A] lucid and thoughtful book... In a spirit of reconciliation, Crane proposes to paint a more accurate picture of religion for his fellow unbelievers.” —James Ryerson, New York Times Book Review Contemporary debate about religion seems to be going nowhere. Atheists persist with their arguments, many plausible and some unanswerable, but these make no impact on religious believers. Defenders of religion find atheists equally unwilling to cede ground. The Meaning of Belief offers a way out of this stalemate. An atheist himself, Tim Crane writes that there is a fundamental flaw with most atheists’ basic approach: religion is not what they think it is. Atheists tend to treat religion as a kind of primitive cosmology, as the sort of explanation of the universe that science offers. They conclude that religious believers are irrational, superstitious, and bigoted. But this view of religion is almost entirely inaccurate. Crane offers an alternative account based on two ideas. The first is the idea of a religious impulse: the sense people have of something transcending the world of ordinary experience, even if it cannot be explicitly articulated. The second is the idea of identification: the fact that religion involves belonging to a specific social group and participating in practices that reinforce the bonds of belonging. Once these ideas are properly understood, the inadequacy of atheists’ conventional conception of religion emerges. The Meaning of Belief does not assess the truth or falsehood of religion. Rather, it looks at the meaning of religious belief and offers a way of understanding it that both makes sense of current debate and also suggests what more intellectually responsible and practically effective attitudes atheists might take to the phenomenon of religion.

"The main thrust of this book is to deliver a major critique of materialist and rationalist explanations of social and cultural forms, but the in the process Sahlins has given us a much stronger statement of the centrality of symbols in human affairs than have many of our 'practicing' symbolic anthropologists. He demonstrates that symbols enter all phases of social life: those which we tend to regard as strictly pragmatic, or based on concerns with material need or advantage, as well as those which we tend to view as purely symbolic, such as ideology, ritual, myth, moral codes, and the like. . . ."—Robert McKinley, Reviews in Anthropology

"A wonderful, rich, and fascinating book, and a great read. Biale explores the meanings of blood within Jewish and Christian cultures from the blood of the sacrifices of the book of Leviticus to the blood of the Eucharist to the blood of medieval blood libels and the place of blood in Nazi ideology. Biale shows that blood symbolism stands at the center of the divide between Judaism and Christianity. This book will be the point of departure for all future studies of the subject."—Shaye J.D. Cohen, Harvard University "I know of no other work that, through numerous insights and useful distinctions, so alerts us to and comprehensively documents the ongoing constitutive role of Christian and anti-Semitic perceptions of Jewish existence and the interactions between them. Whereas much contemporary historiography has become so specialized that historians have surrendered the larger picture, David Biale's panoramic perspective reveals the great value and interest of this work."—Steven E. Aschheim, author of Beyond the Border: The German-Jewish Legacy Abroad

Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics