This landmark work is the first academic study of a figure who played a defining role in the Australian evangelical movement of the late twentieth century--the inimitable preacher, evangelist, and churchman John C. Chapman. The study situates Chapman's career within the secularizing Western cultures of the post-1960s--a period bringing momentous changes to the social and religious fabric of Western society. At the same time, global Evangelicalism was reviving, bringing vitality to large swathes in the Global South and a re-balancing in Western societies as conservative religious movements experienced growth and even renewal amidst wider secularizing trends. Against this backdrop the study explores the way in which, across a wide array of domestic and international fora, Chapman contended for the soteriological priority of the gospel in Christian life, mission, and thought. Accomplished via an absorbing blend of personal wit, impassioned oratory, innovative missiological strategy, and striking theological perception, the result was a stimulating history of public advocacy that sought a revival of confidence in Evangelicalism's message, and a constantly reforming vision of Evangelicalism's method. Such a legacy marks Chapman as a central figure within the generation of postwar leaders whose work has given Australian Evangelicalism its contemporary shape and dynamism.

Includes articles on international business opportunities.

This text covers a wide range of issues surrounding nursing, midwifery and health visiting. The topics it covers are the structure and functions of the human body, nursing care and nursing needs, care of the individual with a body system disorder, and special aspects of nursing care. This edition written for Australia and NZ students.

The Theatre of War surveys more than two hundred plays about the First World War written, published and/or performed in Britain and Ireland between 1909 and 1998. Perspectives discussed include: subject matter, technique and evaluation. The result is an understanding of the First World War as a watershed in international history.

Mabel Constanduros was one of the first British radio comediennes and a beloved star of the early BBC, best known as the creator and performer of the comic Cockney family, the Bugginses. In this, the first significant biography of Constanduros, Jennifer J Purcell explores Constanduros's career and influence on the shaping of popular British entertainment alongside the history of the nascent BBC. Mother of the BBC provides new insights into programming decisions and content on the early BBC, deepening our understanding of the history and evolution of situation comedy and soap opera. Further, Constanduros's biography considers class in the representation of the British people on BBC radio, the gendered experience and performance of radio celebrity, and the intersections between BBC entertainment and other forms of popular media prior to the advent of television. Constanduros's emphasis on the everyday and the family had far-reaching impacts on the shape of sitcom and soap opera in Britain, two popular lenses through which the nation sees itself at home. Her role in developing entertainment on the BBC and the ways in which she cultivated her career make her the Mother of the BBC, but in constructing a popular image of family life she might also be considered the Mother of the Nation.