When Louise Hawson realised she was a stranger in her own city, she set herself a mission - to explore and photograph one new Sydney suburb a week for a year. Originally presented as a weekly blog that developed a strong following, 52 Suburbs reveals the Sydney beyond the postcard cliches of the harbour and beaches - places most tourists would never think to explore. Inspirational, adventurous and eye-opening, 52 Suburbs captures the beauty of the 'burbs' - the vibrancy, multiculturalism and community - in a refreshingly unconventional way."

"Beginning with Felicity Castagna's warning about the dangers of cultural labelling, this collection of essays takes resistance against conformity and uncritical consensus as one of its central themes. From Aleesha Paz's call to recognise the revolutionary act of public knitting, to Sheila Ngoc Pham on the importance of education in crossing social and ethnic boundaries, to May Ngo's cosmopolitan take on the significance of the shopping mall, the collection offers complex and humane insights into the dynamic relationships between class, culture, family, and love. Eda Gunaydin's 'Second City', from which this collection takes its title, is both a political autobiography and an elegy for a Parramatta lost to gentrification and redevelopment. Zohra Aly and Raaza Jamshed confront the prejudices which oppose Muslim identity in the suburbs, the one in the building of a mosque, the other in the naming of her child. Rawah Arja's comic essay depicts the complexity of the Lebanese-Australian family, Amanda Tink explores reading Alan Marshall as a child and as an adult, while Martyn Reyes combines the experience of a hike in the Dharawal National Park and an earlier trek in Bangkong Kahoy Valley in the Philippines. Finally, Yumna Kassab's essay on Jorge Luis Borges reminds us that Western Sydney writing can be represented by no single form, opinion, style, poetics, or state of mind." - Publisher website.

An electrifying, epic history of the city of Sydney as you have never seen her before. 'To peer deeply into this ghost city, the one lying beneath the surface, is to understand that Sydney has a soul and that it is a very dark place indeed.' Beneath the shining harbour, amid the towers of global greed and deep inside the bad-drugs madness of the suburban wastelands, lies Sydney's shadow history. Terrifying tsunamis, corpse-robbing morgue staff, killer cops, neo-Nazis, power junkies and bumbling SWOS teams electrify this epic tale of a city with a cold vacuum for a moral core. Birmingham drills beneath the cover story of a successful multicultural metropolis and melts the boundaries between past and present to reveal a ghost city beneath the surface of concrete and glass. In Birmingham's alternative history of Sydney, the yawning chasm between the megarich and the lumpen masses is as evident in the insane wealth of the new elites as it was in the head-spinning rapacity of the NSW Rum Corps. This is a city shattered by the nexus between government, big money and the underworld, where the glittering prizes go to the strong, not the just. Combining intensive research with the pace of a techno-thriller, John Birmingham creates a rich portrait of a city too dazzled by its own gorgeous reflection to care much for what lies at its dark, corrupted heart. Illuminated by wild flashes of black humour, violent, ghoulish and utterly compelling, Leviathan is history for the Tarantino generation.

In this lively portrait of Sydney's development, Peter Spearritt traces a century in the life of the city - from the celebrations of the Federation of Australia in 1901 to the 2000 Olympic Games. He describes the extra-ordinary growth of the city and its sprawling suburbs, and the transition from a port and a manufacturing center to an international financial hub.

When Shirley's uncle leaves her a house in his well, she flies in from London. Port Bruce is a remote town in Far North Queensland, and everything is strange to a city girl from England.