Originally published by LINEBooks in 2008, sybil unrest by Larissa Lai and Rita Wong draws out the interconnections between feminism, environmentalism, and personal–political responsibility, highlighting and questioning notions of "human" and "female" evident in contemporary North American culture. It does so by referencing "Popular cultural icons, political figures, business slogans, transnational corporations, and other presences in our media–saturated world [which] populate the lines," in the words of a reviewer from Asian–Am–Lit–Fans online journal . Yet sybil unrest is more than a glorious odyssey through contemporary culture. Reviewer Sophie Mayer, writing on her blog on Chroma, compares sybil unrest to works by Anne Carson and Mary Shelley. And Lauren Fournier, writing in the Fall 2011 issue of West Coast Line, draws attention to the way sybil unrest unlike the traditional avant-garde poetics, focused only on the cultural and aesthetic, expands outward into the cultural and political social worlds. This book marks its space in 21st century poetics in indelible ink. The focus away from an "I" and onto an interactive and malleable subjective takes this foray into the avant-garde and makes it into "a critique of 'human' as a species," as Sonnet L'Abbe remarks in the Autumn 2011 issue of Canadian Literature. sybil unrest is clever, filled with delirious wordplay, deprecation and a subtle humour that will catch you unawares and make you laugh out loud.

Green Matters offers a fascinating insight into the regenerative function of literature with regard to environmental concerns. Based on recent developments in ecocriticism, the book demonstrates how the aesthetic dimension of literary texts makes them a vital force in the struggle for sustainable futures. Applying this understanding to individual works from a number of different thematic fields, cultural contexts and literary genres, Green Matters presents novel approaches to the manifold ways in which literature can make a difference. While the first sections of the book highlight the transnational, the focus on Canada in the last section allows a more specific exploration of how themes, genres and literary forms develop their own manifestations within a national context. Through its unifying ecocultural focus and its variegated approaches, the volume is an essential contribution to contemporary environmental humanities.

Poetry Matters explores poetry written by women from the United States and Canada, which documents the social and political turmoil of the early twenty-first century and places this poetry in dialogue with recent currents of feminist theory including new materialism, affect theory, posthumanism, and feminist engagements with neoliberalism and capitalism. Central to this project is the conviction that a poetics that explores the political dimensions of affect; demonstrates an understanding of subjectivity as posthuman and transcorporeal; critically reflects on the impact of capitalism on queer, racialized, and female bodies; and develops an ethical vocabulary for reimagining the nation state and critically engaging with issues of democracy and citizenship is now more urgent than ever before. Milne focuses on poetry published after 2001 by writers who mostly began writing after the feminist writing movements of the 1980s, but who have inherited and built upon their political and aesthetic legacies. The poets discussed in this book—including Jennifer Scappettone, Margaret Christakos, Larissa Lai, Rita Wong, Nikki Reimer, Rachel Zolf, Yedda Morrison, Marcella Durand, Evelyn Reilly, Juliana Spahr, Claudia Rankine, Dionne Brand, Jena Osman, and Jen Benka—bring a sense of political agency to poetry. These voices seek new vocabularies and dissenting critical and aesthetic frameworks for thinking across issues of gender, materiality, capitalism, the toxic convergences of nationalism and racism, and the decline of democratic institutions. This is poetry that matters—both in its political urgency and in its attentiveness to the world as “matter”—as a material entity under siege. It could not be more timely or more relevant.

A marathon dance mix consisting of thousands of mashed up text and image samples, In the House of the Hangman tries to give a taste of what life is like there, where it is impolite to speak of the noose. It is the third part of the life project Zeitgeist Spam. If you can't afford a copy ask me for a pdf.

This book examines the cultural work of space and memory in Canada and Canadian literature, and encourages readers to investigate Canada within its regional, national, and global contexts. It features seven chapters in English and five in French, with a bilingual introduction. The contributors invite us to recognize local intersections that are so easily overlooked, yet are so important. They reveal the unities and fractures in national understanding, telling stories of otherness and marginality and of dislocation and un-belonging. Ce livre examine l’importance culturelle de l’espace et de la mémoire en contexte canadien et plus spécifiquement dans les littératures du pays, afin d’inviter des lectures neuves des questions régionales, nationales et globales. Il rassemble sept chapitres en anglais et cinq en français, en plus d’une introduction bilingue. Les contributions, favorisant des approches thématiques et théoriques variées, sont réunies par leur désir de mettre en lumière des croisements inédits entre la mémoire et l’espace en tant qu’ils définissent certains des problèmes les plus brûlants de notre époque au Canada. S’y révèle l’équilibre fort instable entre récits unitaires et fractures communautaires, entre altérité et marginalité, ou entre dislocation et désappartenance. Contributors / Collaborateurs: Albert Braz, Samantha Cook, Jennifer Delisle, Lise Gaboury-Diallo, Smaro Kamboureli, Janne Korkka, André Lamontagne, Margaret Mackey, Sherry Simon, Pamela Sing, Camille van der Marel, Erin Wunker

Journalist Debbie Nathan reveals the true story behind the famous case of Sybil, the woman with sixteen different personalities.

Cover -- Copyright -- Contents -- Illustrations -- Tables -- Acknowledgments -- Part One: Encountering Asian Canada -- 1 Asian Canadian Studies Now: Directions and Challenges -- 2 Nationals, Citizens, and Others -- 3 The Racial Subtext in Canada's Immigration Discourse -- 4 The Muslims Are Coming: The "Sharia Debate" in Canada -- 5 Looking for My Penis: The Eroticized Asian in Gay Video Porn -- Part Two: Ethnic Encounters -- 6 Cartographies of Violence: Creating Carceral Spaces and Expelling Japanese Canadians from the Nation -- 7 Redress Express: Chinese Restaurants and the Head Tax Issue in Canadian Art -- 8 Between Homes: Displacement and Belonging for Second-Generation Filipino-Canadian Youths -- Part Three: Intersectional Encounters -- 9 The Paradox of Diversity: The Construction of a Multicultural Canada and "Women of Color" -- 10 "A Woman Out of Control": Deconstructing Sexism and Racism in the University -- 11 Orientalizing "War Talk": Representations of the Gendered Muslim Body Post 9-11 in The Montreal Gazette -- Part Four: Comparative Encounters -- 12 Decolonizasian: Reading Asian and First Nations Relations in Literature -- 13 Marginalized and Dissident Non-Citizens: Foreign Domestic Workers -- 14 Residential Segregation of Visible Minority Groups in Toronto -- Part Five: Transnational Encounters -- 15 Sweet and Sour: Historical Presence and Diasporic Agency -- 16 Altered States: Global Currents, the Spectral Nation, and the Production of "Asian Canadian" -- 17 Whose Transnationalism? Canada, "Clash of Civilizations" Discourse and Arab and Muslim Canadians -- Part Six: After Encounters -- 18 Global Migrants and the New Pacific Canada -- 19 Asian Canada: Undone -- 20 "Too Asian?": On Racism, Paradox, and Ethno-nationalism -- Contributors