Spirited teenager Domino Blackthorne Drake was just a normal girl… until she stumbled upon an alien artifact, acquired uncanny power, and became a beacon for intergalactic trouble! With her tabby cat Cap’n Kidd in tow, Domino joins the motley crew of the Starshadow – a spacefaring pirate ship captained by the charismatic and fearless Raader. Domino embarks on a cosmic odyssey to save her kidnapped parents and overthrow the evil Colonizer Empire. Imagine a young, bright-eyed girl on a galaxy-wide escapade, full of high-energy antics straight out of Guardians of the Galaxy and Pirates of the Caribbean, and you’ve got Swords of the Swashbucklers!

“Like swordplay itself, By the Sword is elegant, accurate, romantic, and full of brio—the definitive study, hugely readable, of man’s most deadly art.”—Simon Winchester With a new Preface by the author Napoleon fenced. So did Shakespeare, Karl Marx, Grace Kelly, and President Truman, who as a schoolboy would practice fencing with Bess—his future wife— when the two of them returned home from school. Lincoln was a canny dueler. Ignatius Loyola challenged a man to a duel for denying Christ’s divinity (and won). Less successful, but no less enthusiastic, was Mussolini, who would tell his wife he was “off to get spaghetti,” their code to avoid alarming the children. By the Sword is an epic history of sword fighting—a science, an art, and, for many, a religion that began at the dawn of civilization in ancient Egypt and has been an obsession for mankind ever since. With wit and insight, Richard Cohen gives us an engrossing history of the world via the sword. Praise for By the Sword “Touché! While scrupulous and informed about its subject, Richard Cohen’s book is about more than swordplay. It reads at times like an alternative social history of the West.”—Sebastian Faulks “In writing By the Sword, [Cohen] has shown that he is as skilled with the pen as he is with the sword.”—The New York Times “Irresistible . . . extraordinary . . . vivid and hugely enjoyable.”—The Economist “A virtual encyclopedia on the subject of sword fighting.”—San Francisco Chronicle “Literate, learned, and, beg pardon, razor-sharp . . . a pleasure for practitioners, and a rewarding entertainment for the armchair swashbuckler.”—Kirkus Reviews (starred review)

Sail with John Paul Jones as he fights to save the crippled Russian fleet from the Turks, one eye always alert for the knives of his czarist rivals. Venture across the desert with a lone American on a desperate venture against the Barbary corsairs. Seek the Northeast Passage, beset by ice, storms, and traitors from within, at the side of explorer Ralph Thorne. Ride the whale road with the Vikings, plying their swords from Iceland to Byzantium. Introduced by best-selling author S. M. Stirling, this volume concludes with a rare behind-the-scenes look at Harold Lamb's writing secrets, penned by the editor who made him famous.

The word “swashbuckler” conjures up an indelible image: a hero who’s a bit of a rogue but has his own code of honor, an adventurer with laughter on his lips and a flashing sword in his hand. This larger-than-life figure is regularly declared passé, but the swashbuckler is too appealing to ever really die. Who wouldn’t want to face deadly danger with confidence and élan? Who can deny the thrill of clashing blades, hairbreadth escapes, and daring rescues, of facing vile treachery with dauntless courage and passionate devotion?The swashbuckler tradition was born out of legends like the Knights of the Round Table and of Robin Hood, revived in the early 19th century by authors such as Sir Walter Scott, then caught hold with the publication of Alexandre Dumas’ The Three Musketeers in 1844. For the next century, it was arguably the world’s leading form of adventure fiction.Featuring selections by twenty hugely popular writers from the last century including Rafael Sabatini; Johnston McCulley (creator of the Zorro character); Alexandre Dumas, Arthur Conan Doyle; and Pierce Egan, author of Robin Hood, this anthology is dedicated to the swashbuckler’s roots: historical adventures by masters of the genre. Most of these stories have been out of print for decades; some have never before been collected in book form.

Postmodern Pirates offers a comprehensive analysis of Disney’s Pirates of the Caribbean series and the pirate motif through the lens of postmodern theories. Susanne Zhanial shows how the postmodern elements determine the movies’ aesthetics, narratives, and character portrayals, but also places the movies within Hollywood’s contemporary blockbuster machinery. The book then offers a diachronic analysis of the pirate motif in British literature and Hollywood movies. It aims to explain our ongoing fascination with the maritime outlaw, focuses on how a text’s cultural background influences the pirate’s portrayal, and pays special attention to the aspect of gender. Through the intertextual references in Pirates of the Caribbean, the motif’s development is always tied to Disney’s postmodern movie series.

For the first time in English in over a century, a new translation of the forgotten sequel to Dumas’s The Three Musketeers, continuing the dramatic tale of Cardinal Richelieu and his implacable enemies. In 1844, Alexandre Dumas published The Three Musketeers, a novel so famous and still so popular today that it scarcely needs introduction. Shortly thereafter he wrote a sequel, Twenty Years After, that resumed the adventures of his swashbuckling heroes. Later, toward the end of his career, Dumas wrote The Red Sphinx, another direct sequel to The Three Musketeers that begins, not twenty years later, but a mere twenty days afterward. The Red Sphinx picks up right where the The Three Musketeers left off, continuing the stories of Cardinal Richelieu, Queen Anne, and King Louis XIII—and introducing a charming new hero, the Comte de Moret, a real historical figure from the period. A young cavalier newly arrived in Paris, Moret is an illegitimate son of the former king, and thus half-brother to King Louis. The French Court seethes with intrigue as king, queen, and cardinal all vie for power, and young Moret soon finds himself up to his handsome neck in conspiracy, danger—and passionate romance! Dumas wrote seventy-five chapters of The Red Sphinx, all for serial publication, but he never quite finished it, and so the novel languished for almost a century before its first book publication in France in 1946. While Dumas never completed the book, he had earlier written a separate novella, The Dove, that recounted the final adventures of Moret and Cardinal Richelieu. Now for the first time, in one cohesive narrative, The Red Sphinx and The Dove make a complete and satisfying storyline—a rip-roaring novel of historical adventure, heretofore unknown to English-language readers, by the great Alexandre Dumas, king of the swashbucklers.

"The Duel on the Beach" is a seafaring adventure novel by the famed Anglo-Italian author Rafael Sabatini. Like the author's earlier book 'Captain Blood', it focuses on piracy in the seventeenth century Caribbean. When Major Sands left Barbados after the death of the governor, Sir John Harradine, he had every reason to congratulate himself that the fortune which he had gone overseas to seek was at last within his reach. For homing with him on the fine ship Centaur was the late governor's daughter, sole heiress to the considerable wealth which Sir John had amassed during his term of office. The long voyage before them with its constant association must afford him opportunities of contriving that the lady and her fortune should be contracted to him by the time they reached Plymouth. But when a French naval officer Monsieur de Bernis takes an interest in the young lady, a collision between the two men is inevitable...