Swords, combat, ransom, siege, battle, rape, starvation, revenge, bloodshed, justice, honour and death. The life of the famous El Cid as he wages medieval warfare to seize Valencia. A thousand years ago the Christian Knights of the Kings of Leon fight the ruling Muslim Moors and the dreaded Almoravids of the Sahara for the right to rule Spain.

The year is 1502, and the Eldar Gods are furious! They seek a doorway into this world, but Catherine of Aragon and Fymurip Azat have other plans. On a mission for the Hanseatic League and hot off their adventures in The Cross of Saint Boniface, they enter Spain seeking to steal Tizona, the fabled sword of Rodrigo Diaz de Vivar, aka El Cid, one of the finest Medieval warriors of Spain. Their way is fraught with dangers incalculable: spirit bulls, treacherous goblins, relentless wolfmen, and cherub swarms, and when the Spanish Inquisition sniffs out their trail, their mission grows even deadlier. But the most dangerous foe they face may be Catherine’s parents, King Ferdinand and Queen Isabella. They have secured Spain under one banner, but are they true rulers of the Christian God, or are their personal alliances suspect at best? Catherine faces the ultimate decision: honor the mission, or honor her familial obligations. Death and madness may lay in both directions, and on the very borders of Europe, the Mamluks of Egypt and the Ottomans of Turkey, lay in wait for any opportunity to strike.

Mythological Swords provides a collection of curated articles detailing mythological swords.

Like England's Arthur and France's Charlemagne, the Cid is Spain's national hero, and for centuries he has served as an ideal model of citizenship. All Spaniards are familiar with the story of the Cid and the multifarious ways in which he is visualized. From illuminations in medieval manuscripts to illustrations in twenty-first-century editions, depictions of the Cid vary widely, revealing just how much Spain's national identity has transformed throughout the centuries. Uncovering the racial, gendered, and political impacts of one of Spain's most legendary heroes, Illustrating El Cid, 1498 to Today traces the development of more than five centuries of illustrations and problematizes their reception and circulation in Spain and abroad. By documenting the evolution of visual representations of the Cid, their artists, and their targeted readerships, Lauren Beck also uncovers how his legend became a national projection of Spanish identity, one that was shaped by foreign hands and even manipulated into propaganda by the country's most recent dictator, Francisco Franco. Through detailed analysis, Beck unsettles the presumption that chivalric masculinity dominated the Cid's visualization, and points to how women were represented with increasing modesty as readerships became younger in modern times. An unprecedented exploration of Spanish visual history, Illustrating El Cid, 1498 to Today yields thought-provoking insights about the powerful ways in which illustration shapes representations of gender, identity, and ethnicity.

El Cid is the best soldier in Castile. When he is unfairly banished from court, the Spanish hero sets off on a campaign against the Moorish invaders of Southern Spain to win back favour. After many battles and conquests, El Cid is forgiven. But he comes home to face one last terrible battle and, ultimately, his death.

This volume offers a literary and cultural history of the idea of crusading over the last millennium.

Rodrigo Díaz, the legendary warrior-knight of eleventh-century Castile known as El Cid, is still honored in Spain as a national hero for liberating the fatherland from the occupying Moors. Yet, as this book reveals, there are many contradictions between eleventh-century reality and the mythology that developed later. By placing El Cid in a fresh, historical context, Fletcher shows us an adventurous soldier of fortune who was of a type, one of a number of "cids," or "bosses," who flourished in eleventh-century Spain. But the El Cid of legend--the national hero -- was unique in stature even in his lifetime. Before his death El Cid was already celebrated in a poem; posthumously he was immortalized in the great epic Poema de Mío Cid. When he died in Valencia in 1099, he was ruler of an independent principality he had carved for himself in Eastern Spain. Rather than the zealous Christian leader many believe him to have been, Rodrigo emerges in Fletcher's study as a mercenary equally at home in the feudal kingdoms of northern Spain and the exotic Moorish lands of the south, selling his martial skills to Christian and Muslim alike. Indeed, his very title derives from the Arabic word sayyid, meaning 'lord' or 'master.' And as there was little if any sense of Spanish nationhood in the eleventh century, he can hardly be credited for uniting a medieval Spanish nation. This ground-breaking inquiry into the life and times of El Cid disentangles fact from myth to create a striking portrait of an extraordinary man, clearly showing how and why legend transformed him into something he was not during his lifetime.--From publisher description.