A dive into the authenticity of battle scenes in epic films set in the Greco-Roman world—from Stanley Kubrick’s Spartacus to Ridley Scott’s Gladiator. The battles and sieges of the Classical world have been a rich source of inspiration to film makers since the beginning of cinema and the sixties and seventies saw the golden age of the “swords and sandals” epic, with films such as Spartacus. Ridley Scott’s Gladiator led a modern revival that has continued with the release of films like 300, The Eagle and Centurion and HBO’s mini-series Rome. While Hollywood interpretations of Classical battle continue to spark interest in ancient warfare, to casual viewers and serious enthusiasts alike they also spark a host of questions about authenticity. What does Hollywood get right and wrong about weapons, organization, tactics and the experience of combat? Did the Spartans really fight clad only in their underpants and did the Persians have mysterious, silver-masked assassins in their armies? This original book discusses the merits of battle scenes in selected movies and along the way gives the reader an interesting overview of ancient battle. It should appeal to the serious student of ancient warfare, movie buffs and everyone in between. “Jeremiah McCall impresses us with detail on the motion pictures relevant to ancient history . . . an honest and informative style.” —UNRV.com “The author has managed to produce a readable, informative, and credible perspective. His work is entertaining and his conclusions have an authoritative feel to them. Enjoy.” —FIRE Project

Cinema of Swords is a history, guide, and love letter to over four hundred movies and television shows featuring swashbucklers: knights, pirates, samurai, Vikings, gladiators, outlaw heroes like Zorro and Robin Hood, and anyone else who lives by the blade and solves their problems with the point of a sword. Though swordplay thrives as a mainstay of current pop culture—whether Game of Thrones or Lord of the Rings or Star Wars—swashbuckling was if anything even more ubiquitous during Hollywood’s classic period, from its foundations in the Silent Era up through the savage bursts of fantasy films in the ‘80s. With this huge cinematic backlist of classics now available online and on-demand, Cinema of Swords traces the roots and branches of this unruly genre, highlighting classics of the form and pointing fans toward thrilling new gems they never knew existed. With wry summaries and criticism from swordplay expert Lawrence Ellsworth, this comprehensive guidebook is perfect as a reference work or as a dazzling Hollywood history to be read end-to-end.

Produced in Italy from the turn of the 20th century, "sword and sandal" or peplum films were well received in the silent era and attained great popularity in the 1960s following the release of Hercules (1959), starring Mr. Universe Steve Reeves. A global craze for Bronze Age fantasy-adventures ensued and the heroic exploits of Hercules, Maciste, Samson and Goliath were soon a mainstay of American drive-ins and second-run theaters (though mainly disparaged by critics). By 1965, the genre was eclipsed by the spaghetti western, yet the 1960s peplum canon continues to inspire Hollywood epics. This filmography provides credits, cast and comments for dozens of films from 1908 through 1990.

"Complete with the original 2002 foreword by Kinji Fukasaku"--Cover.

From Birth of a Nation to Cold Mountain, hundreds of directors, actors, and screenwriters have used the Civil War to create compelling cinema. However, each generation of moviemakers has resolved the tug of war between entertainment value and historical accuracy differently. Historian Brian Steel Wills takes readers on a journey through the portrayal of the war in film, exploring what Hollywood got right and wrong, how the films influenced each other, and, ultimately, how the movies reflect America's changing understandings of the conflict and of the nation.

Journey into the realm of VHS tapes and midnight showings where brawny barbarians rescue nubile virgins from evil wizards, giant snakes, and armies of the undead! Although originating in the era of the pulp magazines, sword and sorcery fiction enjoyed a cinematic boom in the 1980s; a decade that gave us Conan the Barbarian and The Beastmaster as well as more low-budget offerings like the Roger Corman-produced Deathstalker series and the Italian entries like Conquest and the Ator saga. Some of these movies are fondly remembered as cult classics today but many were released directly to VHS and lurked on the shelves of video rental stores before vanishing into obscurity. While some have long since lost their lustre, there are plenty of diamonds in the rough to be found. This book takes a comprehensive look at over 40 sword and sorcery movies from the 1980s, from the towering titans to the bargain basement sleaze-fests, unearthing them from their tombs and dusting them off so that they may shine once more.