A post-apocalyptic tale with weird western vibes from urban fantasy author Thea Atkinson She beat back the threat once. But now it isn't coming for her. It's coming for everyone. Skye spent years on her own in the dangers of New Earth because she couldn't trust anyone. Now that the residents of New Denver have elected her their leader, she needs to find a way to navigate the treacherous landscape of faith. She has Excalibur. She has a sort-of magician named Marlin. And she has a budding romance with the blacksmith. But safety is not assured. And legends have a way of ending badly. When a sudden fire threatens the entire town, gathers the troops to bring it under control, using the powers of her magician’s allies to contain it. But it’s no ordinary fire. Hunter Wolfe has returned, and now he has an ally himself. One more powerful than she’s ever seen. He has declared war and he intends to win. Now Skye must find a way to gather those who agreed to follow her into an army that can defeat their foe for good. But it might cost her that budding romance and tax her magician too much. Plus, she’s not sure anymore if she can maintain her composure without losing her entire sense of humanity...

Richard struggles to find his missing wife Kahlan in spite of the bizarre fact that no one else seems to believe she actually exists or that he is married to her.

This book illuminates the racialized nature of twenty-first century Western popular culture by exploring how discourses of race circulate in the Fantasy genre. It examines not only major texts in the genre, but also the impact of franchises, industry, editorial and authorial practices, and fan engagements on race and representation. Approaching Fantasy as a significant element of popular culture, it visits the struggles over race, racism, and white privilege that are enacted within creative works across media and the communities which revolve around them. While scholars of Science Fiction have explored the genre’s racialized constructs of possible futures, this book is the first examination of Fantasy to take up the topic of race in depth. The book’s interdisciplinary approach, drawing on Literary, Cultural, Fan, and Whiteness Studies, offers a cultural history of the anxieties which haunt Western popular culture in a century eager to declare itself post-race. The beginnings of the Fantasy genre’s habits of whiteness in the twentieth century are examined, with an exploration of the continuing impact of older problematic works through franchising, adaptation, and imitation. Young also discusses the major twenty-first century sub-genres which both re-use and subvert Fantasy conventions. The final chapter explores debates and anti-racist praxis in authorial and fan communities. With its multi-pronged approach and innovative methodology, this book is an important and original contribution to studies of race, Fantasy, and twenty-first century popular culture.

"The King of Kings in the Post-Apocalyptic Era" ---This is an unprecedented classic Unlocking the long-held memories of life ---You will know who you are? Why do you come? The purpose of the creation of the Three Realms? The true history of human civilization! ---A great collection of prophecies about the birth of the saints of the East and the West

This book focuses on religiously driven oppositional violence through the ages. Beginning with the 1st-century Sicari, it examines the commonalities that link apocalypticism, revolution, and terrorism occurring in Judaism, Christianity, and Islam past and present. It is divided into two sections, 'This was Then' and 'This is Now', which together examine the cultural and religious history of oppositional violence from the time of Jesus to the aftermath of the 2016 American election. The historical focus centers on how the movements, leaders and revolutionaries from earlier times are interpreted today through the lenses of historical memory and popular culture. The radical right is the primary but not exclusive focus of the second part of the book. At the same time, the work is intensely personal, in that it incorporates the author's experiences in the worlds of communist Eastern Europe, in the Iranian Revolution, and in the uprisings and wars in the Middle East and East Africa. This book will be of much interest to students of religious and political violence, religious studies, history, and security studies.

Embark on a revealing philosophical journey through the universe of The Witcher “If I'm to choose between one evil and another, I'd rather not choose at all,” growls the mutant “witcher,” Geralt of Rivia. Andrzej Sapkowski's Witcher books lay bare the adventures of monster hunters like Geralt, who seek to avoid humanity's conflicts and live only for the next kill and the coin that comes with it. But Geralt's destiny is complicated by his relationship with a powerful sorceress, Yennefer of Vengerberg. When he connects with a displaced princess, Ciri, Geralt lands right in the middle of the political conflicts of the Continent, which is endangered by Nilfgaard, a domineering southern kingdom that threatens to conquer the world. Part of the Blackwell Philosophy and Pop Culture series, The Witcher and Philosophy brings on twenty-seven philosophers to test their mettle against werewolves, the bruxa, strigas, vodyanoi, and kikimora; their work addresses the phenomenally popular books, three standalone Witcher video games, and the hit Netflix streaming show. These authors pass on their fascination with all manner of horror and sorcery: the mutations that make Geralt and others witchers, the commonalities between the Continent and post-apocalyptic settings, the intricacies of political power and scandal in the world of The Witcher, and reflections of our own world's changing views on race and gender that might offer hope—or portend a grim future. Engaging and accessible, The Witcher and Philosophy considers key themes and questions such as: Who is human, and who is a monster? Can Geralt afford to stay neutral? What kind of politics do sorceresses engage in? How many universes converge on the Continent? If we stare long enough into the abyss, does it stare back into us? Silver or steel? “Destiny is just the embodiment of the soul's desire to grow,” says Jaskier the bard, proving himself to be a natural philosopher. The tales of The Witcher remind us that our lives are a play written by both choice and destiny. And it is your destiny to read and be inspired by The Witcher and Philosophy.

In a world of djinn, elf, yakshini, and troll, one woman has only her sword. Jenny rides hard, fights hard, drinks hard, and lusts hard. A motorcycling Knight of the Steel Clan, she is sworn to protect the autonomous township of Go No More. But trouble stalks the land, carrying the stench of rotting corpses left for crows. After the Great Reckoning, the sideways realms grew closer. Magic returned to the human world. In this time of magic, Jenny has none. Her comrades say they trust her, but does Jenny trust herself? Anandita wants only to raise her child, gather her herbs, and help those in need. Still mourning her disappeared partner, she avoids Jenny's heated gaze and goes about her work, tending to the township's bodies and hearts. But who will tend hers? Jenny and Aanandita are challenged to rise beyond their fear and sorrow. The Knights must ride. They ride for Go No More. Xena, Warrior Princess meets Sons of Anarchy in this post-apocalyptic epic fantasy adventure!