There are tales among the slaves on the Lowndes plantation of a woman known as Moses leading folks to safety and freedom. When she begins showing up at their meetings sharing the message of "Be ready. Freedom is at hand," some are curious to know more, while others think it's safer to keep a distance from her. Can she be trusted? Ben knows a dangerous secret and must decide whether to share what he knows with this mysterious stranger.

ONE WOMAN’S TRASH . . . Sarah Winston’s garage sale business has a new client: the daughter of a couple who recently died in a tragic accident while away on a trip to Africa. Their house is full of exotic items from around the world that need to be sold off. When Sarah learns that the deceased were retired CIA agents, the job becomes more intriguing—but when an intruder breaks in and a hidden camera is found, it also becomes more dangerous. And Sarah has enough on her plate right now since she’s investigating a murder on the side at the nearby Air Force base, where her status as a former military spouse gives her a special kind of access. . . . IS ANOTHER WOMAN’S TROUBLE With so much work piling up, Sarah decides to hire some help. But her assistant, Harriet—a former FBI hostage negotiator—has a rare talent for salesmanship. Which is good, because Sarah may have to haggle for her life with Harriet’s assistance . . . Praise for the Sarah Winston Garage Sale Mysteries “There’s a lot going on in this charming mystery, and it all works . . . Well written and executed, this is a definite winner.” —RT Book Reviews, 4 Stars on All Murders Final! “Full of garage-sale tips...amusing. A solid choice for fans of Jane K. Cleland’s Josie Prescott Antique Mystery series.” —Library Journal on Tagged for Death “A slam dunk for those who love antiques and garage sales . . .surprising twists and turns.” —Kirkus Reviews on A Good Day to Buy

A biography of the famous abolitionist, follows her begginings as a slave in Maryland to her death in Auborn, New York.

Before the 1969 Stonewall Riots, LGBTQ life was dominated by the negative image of "the closet"--the metaphorical space where that which was deemed "queer" was hidden from a hostile public view. Literary studies of queer themes and characters in crime fiction have tended to focus on the more positive and explicit representations since the riots, while pre-Stonewall works are thought to reference queer only negatively or obliquely. This collection of new essays questions that view with an investigation of queer aspects in crime fiction published over eight decades, from the corseted Victorian era to the unbuttoned 1960s.

A powerfully written memoir by a black woman artist in search of meaning and "grace" in her family, work, and spiritual lives.