Consciously learn the hand action of the golf swing then unconsciously apply this hand action within the structure of turning shoulders and hips during the golf swing. This book is written from the perspective that correct hand action is crucial to developing a well coordinated, fault-free golf swing. Moe Norman and me share the opinion that proper hand action is missing from many golf swings. In short, this book teaches the hand action of the golf swing and how to coordinate your shoulder turn with this hand action. The lessons on the hand action of the golf swing consist of four chapters: The Golf Grip, Addressing the Ball, the Hand Action, and Adding the Shoulder Turn. These chapters are written with detailed step-by-step instructions accompanied by color photographs illustrating many of the steps. Book Reviews The Feathered Quill by Deb Fowler ... This amazing golf instructional will be of use to everyone from the novice to the seasoned amateur who wants to tweak his or her game. This golf instructional was one of the best I've seen in some time, one that anyone wanting to improve their game should definitely add to their list! Kirkus Reviews ... When the author discusses hands, he covers everything from the waggle--those tiny adjustments that help fine-tune the "sweet spot"--through hand pivot and rotation, foot position, shoulder alignment, establishing target lines and the legendary golfer Paul Runyan's chipping technique. The lessons here are complicated--there are no gimmes--but they're also winningly commonsensical. A vital book that fills a gap in the golf instruction literature.

How America invented swing, how swing energized America. It was for stage bands, for dancing, and for a jiving mood of letting go. Throughout the nation swing resounded with the spirit of good times. The swing era was America's segue into modernity. But this pop genre, for a decade America's favorite, arose during the worst of times, the Great Depression. From its peak in the 1930s until bebop, rhythm and blues, and country swamped it after World War II, swing defined an American generation and measured America's musical heartbeat. In its heyday swing reached a mass audience of very disparate individuals and united them. They perceived in the tempers and tempos of swing the very definition of modernity. What fed the music? And, in turn, what did the music feed? What social structures encouraged swing's creation, acceptance, and popularity? This book analyzes the cultural and historical significance of swing and tells how and why swing achieved its audience, unified its fans, defined its generation, and, after World War II, fell into decline. As it examines the role of race, class, and gender in the creation of this music, this book tells how the genre came to symbolize the modernist revolution taking place in America. The author was associate professor of history at Kent State University, Trumbull Campus, in Warren, Ohio, and the author of "All of This Music Belongs to the Nation: The WPA's Federal Music Project and American Society, 1935-1939."

"This book vividly captures vital and imaginative lessons from one of the most influential and joyous traditions of contemporary actor training. Any actor or teacher, who is devoted to the transformational power of the theatre, will want to return to these pages again and again, finding in them not only the work to be done, but also the inspiration to do it." James Bundy - Dean, Yale School of Drama; Artistic Director, Yale Repertory Theatre Movement training techniques allow actors to acquire the physical body language and non-verbal skills to clearly express the ideas and emotions of their characters. The techniques contained in this book help actors to develop awareness of their own natural posture, walk and rhythm, release the physical imagination and transform into the characters they are portraying, on stage, in film or on television. Movement Training for Actors provides a practical workbook approach to the core fundamentals of movement, fusing together the work of the key practitioners: Sigurd Leeder, Kurt Jooss, Rudolf Laban, Trish Arnold, Litz Pisk, F. M. Alexander, Moshé Feldenkrais, Jerzy Growtowski, Jacques Lecoq and Belinda Quirey. Chapters include Games, Pure Movement, Historical Dance, Acrobatics and Animal Study. The book is illustrated with photographs throughout and contains a DVD featuring over an hour of movement exercises further demonstrating the techniques. Movement Training for Actors is a masterclass on movement written by experienced coach, Jackie Snow and a culmination of her many years of teaching and coaching professionals. The highly practical approach will suit actors of all abilities as well as serving as an inspirational teaching guide.