“A master investigative stylist and one of the shrewdest commentators on religion’s underexplored realms.”—Michael Washburn, Washington Post In this gorgeous collection of essays that has drawn comparisons to the work of Joan Didion, John McPhee, and Norman Mailer, best-selling author Jeff Sharlet reports back from the far reaches of belief, whether in the clear mountain air of “Sweet Fuck All, Colorado” or in a midnight congregation of anarchists celebrating a victory over police. Like movements in a complex piece of music, Sharlet’s dispatches vibrate with all the madness and beauty, the melancholy and aspirations for transcendence, of American life.

J-Rod moves like a small tank on the court, his face mean, staring down his opponents. "I play just like my father," he says. "Before my father died, he was a problem on the court. I'm a problem." Playing basketball for him fuses past and present, conjuring his father's memory into a force that opponents can feel in each bone-snapping drive to the basket. On the street, every ballplayer has a story. Onaje X. O. Woodbine, a former streetball player who became an all-star Ivy Leaguer, brings the sights and sounds, hopes and dreams of street basketball to life. He shows that big games have a trickster figure and a master of black talk whose commentary interprets the game for audiences. The beats of hip-hop and reggae make up the soundtrack, and the ballplayers are half-men, half-heroes, defying the ghetto's limitations with their flights to the basket. Basketball is popular among young black American men but not because, as many claim, they are "pushed by poverty" or "pulled" by white institutions to play it. Black men choose to participate in basketball because of the transcendent experience of the game. Through interviews with and observations of urban basketball players, Onaje X. O. Woodbine composes a rare portrait of a passionate, committed, and resilient group of athletes who use the court to mine what urban life cannot corrupt. If people turn to religion to reimagine their place in the world, then black streetball players are indeed the hierophants of the asphalt.

Developing narrative nonfiction writers at any stage of their career Write Choices: Elements of Nonfiction Storytelling helps writers cultivate their nonfiction storytelling skills by exploring the universal decisions writers confront when crafting factual narratives. Rather than isolating various forms of narrative nonfiction into categories or genres, Sue Hertz focuses on examining the common choices all true storytellers encounter, whether they are writing memoir, literary journalism, personal essays, or travel stories. Write Choices also includes digital storytelling. No longer confined to paper, today′s narrative nonfiction writers must learn to write for electronic media, which may also demand photos, videos, and/or audio. Integrating not only her own insights and experience as a journalist, nonfiction book author, and writing instructor, but also those of other established nonfiction storytellers, both print and digital, Hertz aims to guide emerging writers through key decisions to tell the best story possible. Blending how-to instruction with illuminating examples and commentaries drawn from original interviews with master storytellers, Write Choices is a valuable resource for all nonfiction writers, from memoirists to essayists to literary journalists, at any stage of their career.

As spring and summer vacations beckon, this book invites and incites a whole new approach to travel. "Postmarks from a Political Traveler" is a series of travel recollections confronting the troubling topics of roots and racism, polar bears and climate change, anti-Americanism, and the war in Afghanistan. The book opens with the story of the author s experience growing up in the Jim Crow South, traveling in apartheid South Africa, and living in the post-apartheid South Africa of 2009 and 2010. It explores the not-so-dissimilar roots and racism of the United States and South Africa, as well as the cross-fertilization of ideas between the two countries. The next installment chronicles two trips to Churchill, Manitoba, where the planet s largest population of polar bears congregate each October. It recounts the dramatic changes that have occurred in both the human and the polar bear communities in just the last decade and shows how the bears have become an Arctic version of the proverbial canary in the coalmine. Then the book shifts to the author s journey back to the United States on a German freighter with a rabidly anti-American captain. Woven into this account of life aboard a long haul ship are threads of the author s travels and anti-American encounters over a decade of living in Africa and Asia. The book concludes with reflections on trips to Afghanistan in 2004 and in 2012, describing the effects of war and conflict zone politics on women, education, refugees, and aid workers. What ties these episodes together is the author s commitment to social justice and to changing the world through travel and writing that is, affirming travel as a political act."

From the author of the international bestseller Debt: The First 5,000 Years comes a revelatory account of the way bureaucracy rules our lives Where does the desire for endless rules, regulations, and bureaucracy come from? How did we come to spend so much of our time filling out forms? And is it really a cipher for state violence? To answer these questions, the anthropologist David Graeber—one of our most important and provocative thinkers—traces the peculiar and unexpected ways we relate to bureaucracy today, and reveals how it shapes our lives in ways we may not even notice…though he also suggests that there may be something perversely appealing—even romantic—about bureaucracy. Leaping from the ascendance of right-wing economics to the hidden meanings behind Sherlock Holmes and Batman, The Utopia of Rules is at once a powerful work of social theory in the tradition of Foucault and Marx, and an entertaining reckoning with popular culture that calls to mind Slavoj Zizek at his most accessible. An essential book for our times, The Utopia of Rules is sure to start a million conversations about the institutions that rule over us—and the better, freer world we should, perhaps, begin to imagine for ourselves.

How can genocide be witnessed through imaginative literature? How can the Holocaust affect readers who were not there? Reading the work of major figures such as Elie Wiesel, Paul Celan, Avrom Sutzkever, Ida Fink, Wladyslaw Szlengel, Itzhak Katzenelson, and Czeslaw Milosz, Poesis in Extremis poses fundamental questions about how prose and poetry are written under extreme conditions, either in real time or immediately after the Holocaust. Framed by discussion of literary testimony, with Wiesel's literary memoir Night as an entry point, this innovative study explores the blurred boundary of fact and fiction in Holocaust literature. It asks whether there is a poetics of the Holocaust and what might be the criteria for literary witnessing. Wartime writing in particular tests the limits of “poesis in extremis” when poets faced their own annihilation and wrote in the hope that their words, like a message in a bottle, would somehow reach readers. Through Poesis in Extremis, Daniel Feldman and Efraim Sicher probe the boundaries of Holocaust literature, as well as the limits of representation.