Irene Kelly is a reporter with a fierce integrity. Detective Frank Harriman is her lover and friend. Now they're both about to be plunged into political hellfire when a ruthless politician rocks a race for district attorney with a stunning allegation: his opponent's son is in the clutches of a satanic cult. The charge takes a fatal turn when a local woman is brutally murdered, and the grisly crime scene bears unholy implications. Tracking the clues takes Irene behind the closed doors of an isolated home for troubled youths, where obscuring the truth is only part of a stranger's diabolic game. To win it, Irene will have the devil to pay.

Irene Kelly is a reporter with a fierce integrity. Detective Frank Harriman is her lover and friend. Now they're both about to be plunged into political hellfire when a ruthless politician rocks a race for district attorney with a stunning allegation: his opponent's son is in the clutches of a satanic cult. The charge takes a fatal turn when a local woman is brutally murdered, and the grisly crime scene bears unholy implications. Tracking the clues takes Irene behind the closed doors of an isolated home for troubled youths, where obscuring the truth is only part of a stranger's diabolic game. To win it, Irene will have the devil to pay.

Three young rabbits spend a pleasant evening with their mother and then she tucks them into bed.

A serial killer leads authorities in Nevada to the graves of his women victims which he has secretly booby trapped. A grave explodes, killing several people and he escapes in the confusion, but reporter Irene Kelly survives and goes after him.

Irene Spencer did as she felt God commanded in marrying her brother-in-law Verlan LeBaron, becoming his second wife. When the government raided the fundamentalist, polygamous Mormon village of Short Creek, Arizona, Irene and her family fled to Verlan's brothers' Mexican ranch. They lived in squalor and desolate conditions in the Mexican desert with Verlan's six brothers, one sister, and numerous wives and children. Readers will be appalled and astonished, but most amazingly, greatly inspired. Irene's dramatic story reveals how far religion can be stretched and abused and how one woman and her children found their way out, into truth and redemption.

Comprehensive collection of Carol Lay's Irene strips from Good Girls comics (Fantagraphics), which originally appeared in 1980, including 23 pages which have never been published before. Irene is a satire of the women in romance comics who are constantly in a state of heartbreak and falling in love. However, Irene has a lip plate that constantly gets in her way.

By the early 1940s, when Ukrainian-born Irène Némirovsky began working on what would become Suite Française—the first two parts of a planned five-part novel—she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she’d begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky’s literary masterpiece The first part, “A Storm in June,” opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, “Dolce,” we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity. Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.