The Oxford Handbook of Global Modernisms expands the scope of modernism beyond its traditional focus on English and Irish literature to explore the contributions of artists from countries and regions like the US, Cuba, Spain, the Balkans, China, Japan, India, Vietnam, and Nigeria.

A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925 is the first publication to deal with the avant-garde in the Nordic countries at the start of the twentieth century. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, painting as well as photography, architecture and design, film, radio, and performing arts like music, theatre and dance. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective which includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field, but in a broader cultural context. It examines the social and cultural context of the avant-garde: its media, its locations, its reception and audiences, the transmissions between Scandinavia and Europe, and its cultural consequences. The essays trace the connections between the avant-garde and the cultural discourses of contemporary currents such as revolutionary socialism, radical nationalism and occultism, and discuss questions of gender, ideology and politics, geographical location and technological innovation. The cultural history thus focuses on the role of the avant-garde in shaping the ideas of cultural modernity in the Nordic countries.

...the chapters are lucidly composed, and consequently pleasant to read...The introduction by the editors is very fine indeed...I find something compellingly interesting everywhere in the text. The combination of theory, conception and fact is quite gracefully handled. No heavy-footed jargon here. Sheldon Rothblatt, University of California, Berkeley Within the growing attention to the diverse forms and trajectories of modern societies, the Nordic countries are now widely seen as a distinctive and instructive case. While discussions have centred on the 'Nordic model' of the welfare state and its record of adaptation to the changing global environment of the late twentieth century, this volume's focus goes beyond these themes. The guiding principle here is that a long-term historical-sociological perspective is needed to make sense of the Nordic paths to modernity; of their significant but not complete convergence in patterns, which for some time were perceived as aspects of a model to be emulated in other settings; and of the specific features that still set the five countries in question (Denmark, Sweden, Norway, Finland and Iceland) apart from one another. The contributors explore transformative processes, above all the change from an absolutist military state to a democratic one with its welfarist phase, as well as the crucial experiences that will have significant implications on future developments. Jóhann Páll Árnason is Emeritus Professor of Sociology at La Trobe University, Melbourne, and Visiting Professor at Charles University, Prague. His research interests focus on comparative historical sociology, with particular emphasis on the comparative sociology of civilizations. Recent publications include: Civilizations in Dispute: Historical Questions and Theoretical Traditions (Brill 2003); Axial Civilizations and World History (co-editor, Brill 2005); and The Roman Empire in Context: Historical and Comparative Perspectives (co-editor, Blackwell 2010). Björn Wittrock is Principal of the Swedish Collegium for Advanced Study (SCAS), Uppsala, and University Professor at Uppsala University. He has published extensively, currently eighteen books, in the fields of intellectual history, historical social science, social theory and civilizational analysis. Recent publications include: Frontiers of Sociology (co-editor, Brill 2009) and Eurasian Transformations, Tenth to Thirteenth Centuries: Crystallizations, Divergences, Renaissances (co-editor, Brill 2004).

Swedish Modernism provides an in-depth, multilayered account of the process of modernization; whilst also highlighting the difficulties found. The debate is enriched from a diverse range of contributors including architects, researchers and leading academics from across the globe. Following an introduction from Helena Mattsson and Sven-Olov Wallenstein, the book is divided thematically into three sections. The first section of the book explores the construction of the welfare state. The contributions in this section analyze the peculiar modalities of this development from the point of view of sociology and political science, providing a more nuanced view of 'modernization' that shows to what extent it must always be understood on the basis of local context. The second section delves into the importance of consumers and spectacles analyzed in relation to the wide range of 'state programmes' from housing to national marketing programmes. This section includes case studies highlighting the importance of consumption for the formation of subjectivity, both in the pre-and post-war period, and range from analyzes of exhibition architectures and debated on standardization to the Co-Op movement and the gendering of taste. One of the contributors looks, for example, at the exhibition Modern Leisure, 1936, and explores how exhibitions were highly instrumental in the formation of the Swedish welfare state. Another contributor looks at how strategies of consumption are formulated in the political and architectural debates of the 1930s. The third and final section of the book deals with the problem of historiography on a broad level. The section also includes contributions from Roger Jonsson and Sven-Olov Wallenstein, who draw on the work of Michel Foucault and delineate a genealogical model of analysis that focuses on how architecture can take part in the production of subjectivity. AUTHORS Reinhold Martin is an Associate Professor at the Graduate School of Architecture, Planning, and Preservation, Columbia University, and Director of the Temple Hoyne Buell Center for Study of American Architecture, Columbia University. He is also partner in the firm Martin/Baxi Architects, New York. Penny Sparke is a Pro Vice-Chancellor and Professor of Design History at Kingston University, London. UK Joan Ockman is Director of the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University's Graduate School of Architecture, Planning and Preservation. She lives in Elkins Park, Pennsylvania. Helena Mattsson is an architect and researcher. She is teaching at the School of Architecture/Royal Institute of Technology, Stockholm. She is a member of the architectural collaboration Testbedstudio Stockholm, as well as of the editorial board of Site magazine. Sven-Olov Wallenstein teaches philosophy at the University College of Södertörn, and architectural theory at the Royal Institute of Technology, both in Stockholm, and is the editor-in-chief of Site. ILLUSTRATIONS 173 colour & b/w illustrations

Migrants and Literature in Finland and Sweden presents new comparative perspectives on transnational literary studies. This collection provides a contribution to the production of new narratives of the nation. The focus of the contributions is contemporary fiction relating to experiences of migration. The volume discusses multicultural writing, emerging modes of writing and generic innovations. When people are in motion, it changes nations, cultures and peoples. The volume explores the ways in which transcultural connections have affected the national self-understanding in the Swedish and Finnish context. It also presents comparative aspects on the reception of literary works and explores the intersectional perspectives of identities including class, gender, ethnicity, ‘race’ and disability. Further, it also demonstrates the complexity of grouping literatures according to nation and ethnicity. The case-studies are divided into three chapters: II ‘Generational Shifts’, III ‘Reception and Multicultural Perspectives’ and IV ‘Writing Migrant Identities’. The migration of Finnish labourers to Sweden is reflected in Satu Gröndahl’s and Kukku Melkas’s contributions to this volume, the latter also discusses material related to the placing of Finnish war children (‘krigsbarn’) in Sweden during World War II. Migration between Russia and Finland is discussed by Marja Sorvari, while Johanna Domokos attempts at mapping the Finnish literary field and offering a model for literary analysis. Transformations of the Finnish literary field are also the focus of Hanna-Leena Nissilä’s article discussing the reception of novels by a selection of women authors with an im/migrant background. The African diaspora and the arrival of refugees to Europe from African countries due to wars and political conflicts in the 1970s is the backdrop of Anne Heith’s analysis of migration and literature, while Pirjo Ahokas deals with literature related to the experiences of a Korean adoptee in Sweden. Migration from Africa to Sweden also forms the setting of Eila Rantonen’s article about a novel by a successful, Swedish author with roots in Tunisia. Exile, gender and disability are central, intertwined themes of Marta Ronne’s article, which discusses the work of a Swedish-Latvian author who arrived in Sweden in connection to World War II. This collection is of particular interest to students and scholars in literary and Nordic studies as well as transnational and migration studies.