An accessible, irreverent guide to one of the most admired—and entertaining—novels of the past century: Rememberance of Things Past. There is no other guide like this; a user-friendly and enticing entry into the marvelously enjoyable world of Proust. At seven volumes, three thousand pages, and more than four hundred characters, as well as a towering reputation as a literary classic, Proust’s novel can seem daunting. But though begun a century ago, in 1909, it is in fact as engaging and relevant to our times as ever. Patrick Alexander is passionate about Proust’s genius and appeal—he calls the work “outrageously bawdy and extremely funny”—and in his guide he makes it more accessible to the general reader through detailed plot summaries, historical and cultural background, a guide to the fifty most important characters, maps, family trees, illustrations, and a brief biography of Proust. Essential for readers and book groups currently reading Proust and who want help keeping track of the huge cast and intricate plot, this Reader’s Guide is also a wonderful introduction for students and new readers and a memory-refresher for long-time fans.

From the French intellectual, novelist, essayist, critic, and one of the greatest writers of the twentieth century: the second two sections of his monumental achievement--The Guermantes Way and Cities of the Plain. Marcel Proust's masterpiece is one of the towering literary works of the twentieth century. Relating its narrator's experiences in Belle Epoque France as he grows up, falls in love, and lives through the First World War, it has mesmerized generations of readers with its profound reflections on art, time, and memory. C. K. Scott Moncrieff's original English translation was heralded as an artistic achievement in its own right; the later revisions to it by Terence Kilmartin were based on the definitive French Pleiade edition.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

An adaptation of the seven books of Proust's masterpiece in graphic novel format, which explores themes of love, art, sexuality, memory, and time in late nineteenth-century France.

The moving companion novel to Henry, Himself and a bittersweet vision of love, family, and aging from bestselling author Stewart O'Nan Once again making the ordinary and overlooked not merely visible but vital to understanding our own lives, Stewart O'Nan confirms his position as an American master with Emily, Alone. A sequel to the bestselling, much-beloved Wish You Were Here, O'Nan's intimate novel follows Emily Maxwell, a widow whose grown children have long departed. She dreams of visits from her grandchildren while mourning the turnover of her quiet Pittsburgh neighborhood. When her sister-in-law and sole companion, Arlene, faints at their favorite breakfast buffet, Emily's life changes in unexpected ways. As she grapples with her new independence, she discovers a hidden strength and realizes that life always offers new possibilities.

From the French novelist, essayist, critic, and one of the greatest writers of the twentieth century: the first volume of his monumental masterpiece, one of the most sensitive renderings of childhood in fiction and a brilliant meditation on the recreation of the past through art and memory. Swann’s Way is the most frequently read part of Proust’s epic novel, Remembrance of Things Past (also known as In Search of Lost Time). It introduces subjects that resonate throughout the entire work, including the narrator’s love for Swann’s daughter Gilberte, Swann’s jealous passion for Odette, and the rise of the nouveaux-riches Verdurins. Proust’s narrator vividly recalls his childhood in Paris and Combray, most famously in a fraught evocation of his mother’s good-night kiss and in the iconic scene where the taste of a madeleine dipped in tea brings back a flood of memory.

For a long time I used to go to bed early. Sometimes, when I had put out my candle, my eyes would close so quickly that I had not even time to say "I'm going to sleep." And half an hour later the thought that it was time to go to sleep would awaken me; I would try to put away the book which, I imagined, was still in my hands, and to blow out the light; I had been thinking all the time, while I was asleep, of what I had just been reading, but my thoughts had run into a channel of their own, until I myself seemed actually to have become the subject of my book: a church, a quartet, the rivalry between François I and Charles V. This impression would persist for some moments after I was awake; it did not disturb my mind, but it lay like scales upon my eyes and prevented them from registering the fact that the candle was no longer burning. Then it would begin to seem unintelligible, as the thoughts of a former existence must be to a reincarnate spirit; the subject of my book would separate itself from me, leaving me free to choose whether I would form part of it or no; and at the same time my sight would return and I would be astonished to find myself in a state of darkness, pleasant and restful enough for the eyes, and even more, perhaps, for my mind, to which it appeared incomprehensible, without a cause, a matter dark indeed...