Just as fairy-tale magic can transform a loved one into a swan, the contributors to this book have transformed traditional fairy tales and legends into stories that are completely original, yet still tantalizingly familiar In the follow-up to A Wolf at the Door, thirteen renowned authors come together with a selection of new and surprising adaptations of the fairy tales we think we know so well. These fresh takes on classic tales will show you sides of each story you never dreamed of.

When eleven-year-old Gwen ventures into the forest beyond her castle home she comes across the magical island of Avalon and her life changes forever. The lady of the lake, Nineve, asks Gwen to embark on a quest to protect the enchanted island of Avalon from the evil sorceress Morgana la Fay. Morgana has imprisoned the eight Spell Sisters of Avalon throughout the kingdom and stolen their magical powers. It's up to Gwen, her best friend Flora and a very special horse named Moonlight to find the sisters and return them to Avalon before its magic is lost forever. The sixth adventure of the series, sees Gwen and her cousin Flora attempt to rescue Evie the sister who holds the magical control of birds.

Mother, the Verb is a collection of work by established and aspirant artists, mostly women, but a few alliies, who serve the idea of One Human Family in their work. Some, like Heather Spears who drew and reported about the children of the Intifada, and Yolonda Skelton, designer emmissary for North Coast Peoples, or lyricist and novelist Karen Lee White are activists who have challenged the status quo in meaningful ways. Some, like ballerina Andrea Robyn Bayne excel at beauty and strive to nuture their art in the next generation. Most are environmentalists, none more eloquent than Maria Luisa de Villa, whose work exalts the earth that gives her inspiration and natural artist materials. Photographers Çağdaş Dinç, Helene Cyr, Jack Adamson and Catherine Marcogliese, prove the yin yang balance as they move gracefully between genres, capturing the beauty and frustration of woman hood. The Swan Sisters are a diverse group and we believe diversity is our strength. Like the yellow sweater mothers who support BLM, we look to finding common cause. And we have met resistance. Central to the story I tell as editor is the failure of matriarchy following the Indian Act in Canada, a tragedy for one family that shines a light on the effort of church and state to collapse the integrity of First Cultures. Hopefully this book speaks in part for those who have been lost to this national tragedy. During Pandemic many in this book transformed their art to support the cure. Artists designed masks. Storytellers entertained and educated captive readers through book, visual art and film. Now we pause to celebrate and lift up the next generation.

When the swans fly over the church during the christening, grieving for their swan child, only sharp-eyed Ellen understands the terrible thing that has happened to her baby sister. But can she put right the harm that has been done? Suggested level: primary.

Sylvie and her older sister dance their way through make-believe adventures that include princesses, fairy queens, swans, and ducklings.

In a nightmarish, post-holocaust world, an ancient evil roams a devastated America, gathering the forces of human greed and madness, searching for a child named Swan who possesses the gift of life.

From the Golden Book archives comes a Hans Christian Andersen fairy tale, gloriously illustrated by Gordon Laite in the late 1960s but never published until now! Gordon Laite’s breathtaking artwork for a Little Golden Book edition of the Andersen fairy tale was found recently in the Golden Books archive. Planned for a 1970 release but never published, this Little Golden Book is finally making its debut for today’s fairy tale fans! And it couldn’t be a lovelier retelling of the story of a determined princess whose loyalty saves her brothers from being turned into swans by an evil queen.