This revised edition offers college and university leaders an up-to-date analytical perspective for resolving basic academic issues. Brubacher reexamines, refines and extends earlier arguments and other key questions in response to significant new social, economic, legal and educational developments. He discusses the limits of autonomy, the exercise of academic freedom, the desirability of open admissions, prescribed curricula and collective bargaining. He also investigates such emerging new problems as accountability, corporate interests on campus, and the right to confidentiality; expands on ways to promote equal access and specialized education without undermining the criteria for admission.

The Sociolinguistics of Urbanization.

The fascinating and informative Dictionary of First Names covers over 6,000 names in common use in English, including the very newest names as well as traditional names. From Alice to Zanna and Adam to Zola this book will answer all your questions: it will tell you the age, origin, and meaningof the name, as well as how it has fared in terms of popularity, and who the famous fictional or historical bearers for the name have been. It covers alternative spellings, short forms and pet forms, and masculine and feminine forms, as well as help with pronunciation.The book includes extensive appendices covering names from languages including Scottish, Irish, French, German, Italian, Arabic, and Chinese names. Tables of the most popular names by year and by region are also included.This is the most comprehensive paperback first names dictionary available. From the traditional to the rare and unconventional, this book will tell you everything you need to know about names.

This collection of essays was the first published in North America that sought to describe the methodology and some results of a scholarly enterprise hailed in the preface to the volume as one of the most vibrant, innovative, and productive movements in medieval scholarship at the present time.Under the direction of Monique Bourin an international team of scholars has been considering onomastics from the perspective of history rather than that of linguistics or philology. By examining data on both the micro and macro levels, researchers are beginning to describe how medieval patterns of naming have implications for our understanding of family relationships, kinship, and larger social structures that were not fully realized by earlier scholars.

Cecily Clark (1926-1992) is familiar to medievalists as editor of the Peterborough Chronicle; others will know her work in Anglo-Saxon, Anglo-Norman and Middle English studies, in particular her extensive researches in medieval English onomastics. She lectured at the universities of London, Edinburgh and Aberdeen before settling in Cambridge as Research Fellow of, successively, Newnham College and Clare Hall. She was past joint editor of Nomina, a Council member of the English Place-Name Society, and a member of the International Committee of Onomastic Sciences.

In a large apartment house in central Rome, two crimes are committed within a matter of days: a burglary, in which a good deal of money and precious jewels are taken, and a murder, as a young woman whose husband is out of town is found with her throat cut. Called in to investigate, melancholy Detective Ciccio, a secret admirer of the murdered woman and a friend of her husband’s, discovers that almost everyone in the apartment building is somehow involved in the case, and with each new development the mystery only deepens and broadens. Gadda’s sublimely different detective story presents a scathing picture of fascist Italy while tracking the elusiveness of the truth, the impossibility of proof, and the infinite complexity of the workings of fate, showing how they come into conflict with the demands of justice and love. Italo Calvino, Pier Paolo Pasolini, and Alberto Moravia all considered That Awful Mess on the Via Merulana to be the great modern Italian novel. Unquestionably, it is a work of universal significance and protean genius: a rich social novel, a comic opera, an act of political resistance, a blazing feat of baroque wordplay, and a haunting story of life and death.