Graeme Davis draws upon the classic sources to retell the great myths and legends of Theseus, the founder-king of Athens, and backs this narrative with a factual examination of the myth, its variations, and its development over time. Replete with both classical and modern illustrations, this book is a concise exploration of one of the most enduring myths of Ancient Greece. Even before Theseus descended into the labyrinth to face the Minotaur, he was already a famous hero and a veteran of many battles. The son of a man, a woman, and the god Poseidon, he'd journey far across Ancient Greece, fighting numerous monsters including the Periphetes 'the clubber', the Crymmyon Sow, and the insane demigod, Procrustes 'the stretcher'. He also survived several assassination attempts, including one by Medea, the famous witch-wife of Jason. Despite these adventures, it was on Crete that Theseus faced his greatest challenge. Taking the place of a sacrificial tribute to the king of Crete, Theseus used his wits and charm to convince the princess Ariadne and the famous inventor Daedalus to help him defeat the dreaded Minotaur, a hideous combination of man and bull that lived in a labrythine dungeon.

Theseus was the mythical king and founder-hero of Athens. Like Perseus, Cadmus, or Heracles, Theseus battled and overcame foes that were identified with an archaic religious and social order. His role in history has been called "a major cultural transition, like the making of the new Olympia by Hercules".

Even before Theseus descended into the labyrinth to face the Minotaur, he was already a famous hero and a veteran of many battles. The son of a man, a woman, and the god Poseidon, he'd journey far across Ancient Greece, fighting numerous monsters including the Periphetes 'the clubber', the Crymmyon Sow, and the insane demigod, Procrustes 'the stretcher'. He also survived several assassination attempts, including one by Medea, the famous witch-wife of Jason. Despite these adventures, it was on Crete that Theseus faced his greatest challenge. Taking the place of a sacrificial tribute to the king of Crete, Theseus used his wits and charm to convince the princess Ariadne and the famous inventor Daedalus to help him defeat the dreaded Minotaur, a hideous combination of man and bull that lived in a labrythine dungeon. In this book, Graeme Davis draws upon the classic sources to retell the great myths and legends of Theseus, the founder-king of Athens, and backs this narrative with a factual examination of the myth, its variations, and its development over time. Replete with both classical and modern illustrations, this book is a concise exploration of one of the most enduring myths of Ancient Greece.

By the Roman age the traditional stories of Greek myth had long since ceased to reflect popular culture. Mythology had become instead a central element in elite culture. If one did not know the stories one would not understand most of the allusions in the poets and orators, classics and contemporaries alike; nor would one be able to identify the scenes represented on the mosaic floors and wall paintings in your cultivated friends' houses, or on the silverware on their tables at dinner. Mythology was no longer imbibed in the nursery; nor could it be simply picked up from the often oblique allusions in the classics. It had to be learned in school, as illustrated by the extraordinary amount of elementary mythological information in the many surviving ancient commentaries on the classics, notably Servius, who offers a mythical story for almost every person, place, and even plant Vergil mentions. Commentators used the classics as pegs on which to hang stories they thought their students should know. A surprisingly large number of mythographic treatises survive from the early empire, and many papyrus fragments from lost works prove that they were in common use. In addition, author Alan Cameron identifies a hitherto unrecognized type of aid to the reading of Greek and Latin classical and classicizing texts--what might be called mythographic companions to learned poets such as Aratus, Callimachus, Vergil, and Ovid, complete with source references. Much of this book is devoted to an analysis of the importance evidently attached to citing classical sources for mythical stories, the clearest proof that they were now a part of learned culture. So central were these source references that the more unscrupulous faked them, sometimes on the grand scale.

A mesmerizing debut novel for fans of Madeline Miller's Circe. Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice. When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur. But will Ariadne’s decision ensure her happy ending? And what of Phaedra, the beloved younger sister she leaves behind? Hypnotic, propulsive, and utterly transporting, Jennifer Saint's Ariadne forges a new epic, one that puts the forgotten women of Greek mythology back at the heart of the story, as they strive for a better world.