Most contemporary interpretations of the biblical book of Lamentations focus on the figure of the "suffering man" as a role model for submission in the face of God's punishment for sin. Yet such a model offers small consolation to survivors of the Holocaust or other mass atrocities and also ignores chapters 1 and 2 of Lamentations, in which the personification of Zion laments her sufferings and demands a response on behalf of her dying children. In Surviving Lamentations, Tod Linafelt offers an alternative reading of Lamentations in light of the "literature of survival" (works written by survivors of catastrophe) as well as literary and philosophical reflections on "the survival of literature." He refocuses attention on the figure of Zion as a manifestation of a basic need to give voice to suffering, and traces the afterlife of Lamentations in Jewish literature, in which text after text attempts to provide the response to Zion's lament that is lacking in Lamentations itself. Seen through Linafelt's eyes, Lamentations emerges as uncannily relevant to contemporary discourse on survival.

This study takes Lamentations as an integrated unity of form and content and considers the mini-acrostic in Lam 5:19-20 as crucial for the interpretation of the whole book. It applies a holistic approach and a dialogic interpretation to the book of Lamentations. Examining first the extent to which an intrinsic connection exists between the acrostic structure and the content of the book, Rong reads Lamentations as a whole from the angle of the mini-acrostic in Lam 5:19-20. She explores whether and how this mini-acrostic underlines the main themes running through the book. Moreover, Rong explores the dialogic interaction among the voices within Lamentations and between Lamentations and other related communal laments in the Hebrew Bible on the subjects of mood change and the admission of guilt. Finally, this book examines the significance of Lamentations for contemporary suffering--individuals and communities.

This volume is a study of how Targum Lamentations (TgLam) interpreted and responded to the theologically challenging message of the Book of Lamentations. Through various exegetical techniques the targumist has transformed Lamentations into a rabbinic program for the synagogue. The first section examines how the targumist demonstrated that Israel herself is responsible for the destruction of Jerusalem and thus absolves God of all culpability. Yet the targumist continues to assert that God is the ultimate source of all history. The second section examines how the targumist depicts God as orchestrating events through his action and abstention. Finally, the targum argues that reconciliation with God can only come about through repentance and rabbinic worship. A new translation and a transcription of TgLam from Codex Urbinas Hebr. 1 is included.

A Wall Street Journal Best Book of 2018 In the tradition of Patrick Leigh Fermor and Geoff Dyer, a Grammy-winning producer discovers a powerful and ancient folk music tradition. In a gramophone shop in Istanbul, renowned record collector Christopher C. King uncovered some of the strangest—and most hypnotic—sounds he had ever heard. The 78s were immensely moving, seeming to tap into a primal well of emotion inaccessible through contemporary music. The songs, King learned, were from Epirus, an area straddling southern Albania and northwestern Greece and boasting a folk tradition extending back to the pre-Homeric era. To hear this music is to hear the past. Lament from Epirus is an unforgettable journey into a musical obsession, which traces a unique genre back to the roots of song itself. As King hunts for two long-lost virtuosos—one of whom may have committed a murder—he also tells the story of the Roma people who pioneered Epirotic folk music and their descendants who continue the tradition today. King discovers clues to his most profound questions about the function of music in the history of humanity: What is the relationship between music and language? Why do we organize sound as music? Is music superfluous, a mere form of entertainment, or could it be a tool for survival? King’s journey becomes an investigation into song and dance’s role as a means of spiritual healing—and what that may reveal about music’s evolutionary origins.

Personal tragedy and communal catastrophe up to the present day are universal human experiences that call forth lament. Lament singers--from the most ancient civilizations to traditional oral poets to the biblical psalmists and poets of Lamentations to popular singers across the globe--have always raised the cry of human suffering, giving voice to the voiceless, illuminating injustice, or pleading for divine help. This volume gathers an international collection of essays on biblical lament and Lamentations, illuminating their genres, artistry, purposes, and significant place in the history and theologies of ancient Israel. It also explores lament across cultures, both those influenced by biblical traditions and those not, as the practices of composition, performance, and interpretation of life's suffering continue to shed light on our knowledge of biblical lament. --From publisher's description.

The book of Lamentations is one of the most vivid representations of grief and trauma in the Hebrew Bible. Written in the wake of the fall of Jerusalem to the Babylonian Empire, it is comprised of five poems of twenty-two stanzas each, in a manner of tight formal unity unparalleled by any other work in the Scriptures. In this volume, widely respected Old Testament scholar John Goldingay analyzes these and other aspects of Lamentations while keeping a constant eye on the book’s meaning and use as Christian Scripture. After a thorough introduction that explores matters of background, composition, and theology, Goldingay provides an original translation of the book from the Masoretic text along with verse-by-verse commentary.

This book challenges Christian communities to engage in lament--a mode of existence characterized by impassioned expression, witnessing, and personal or social protest in the face of evil and injustice, reflecting a profound yearning for God's saving presence. Divine lament responds to, and expresses solidarity with, human suffering, unveiling multiple facets of God's image and demonstrating a profound sense of divine compassion. Drawing on the Book of Lamentations, Korean concepts related to suffering (han and hanpuri), the Paschal Triduum narratives, and recent homiletic discourses on suffering, the author investigates how complex issues related to grief and hope can be addressed in preaching without diminishing the harsh reality of affliction. Designed to assist preachers, this book encourages a more intentional approach to addressing suffering, specifically by advocating for lament as a transitional space between affliction and hope. Furthermore, readers are invited to contemplate the significance of the church, which, within a world in decline, embodies the body of Christ, manifesting both the demise and resurrection of God.