A thought-provoking combination of visually powerful imagery and comment

Perhaps no concept has become dominant in so many fields as rapidly as the Anthropocene. Meaning "The Age of Humans," the Anthropocene is the proposed name for our current geological epoch, beginning when human activities started to have a noticeable impact on Earth’s geology and ecosystems. Long embraced by the natural sciences, the Anthropocene has now become commonplace in the humanities and social sciences, where it has taken firm enough hold to engender a thoroughgoing assessment and critique. Why and how has the geological concept of the Anthropocene become important to the humanities? What new approaches and insights do the humanities offer? What narratives and critiques of the Anthropocene do the humanities produce? What does it mean to study literature of the Anthropocene? These are the central questions that this collection explores. Each chapter takes a decidedly different humanist approach to the Anthropocene, from environmental humanities to queer theory to race, illuminating the important contributions of the humanities to the myriad discourses on the Anthropocene. This volume is designed to provide concise overviews of particular approaches and texts, as well as compelling and original interventions in the study of the Anthropocene. Written in an accessible style free from disciplinary-specific jargon, many chapters focus on well-known authors and texts, making this collection especially useful to teachers developing a course on the Anthropocene and students undertaking introductory research. This collection provides truly innovative arguments regarding how and why the Anthropocene concept is important to literature and the humanities.

Moving beyond existing scholarship, this book connects photography, archives, ecology and historical change and critically applies the Anthropocene as framework to the in-depth study of artists’ projects. It discards single modes of seeing environmental transformations in favour of a multiple and de-centred environmental imagination. Bergit Arends uses multidisciplinary perspectives to view localized environmental, social and political issues through research-based artistic practices. The book not only makes available original research into newly and recently discovered archives of ecological and historical change but also shows how this research is manifest in exhibition formats. This book presents international, transhistorical projects by contemporary visual artists who use archives together with photography as documentary and performative media for the comparative study of environments and places. A wide array of artists from diverse backgrounds working primarily in Europe and North America from the 1970s to the present day are discussed and set in relation to Anthropocene narratives. Case studies include environmental archive-based work by Nguyen the Thuc, Christiane Eisler, Chrystel Lebas, Mark Dion, Joy Gregory and Philip Miller. The book will be of interest to scholars working in photography, archive studies, art history, visual culture, environmental humanities and ecocriticism.

The Anthropocene has fundamentally changed the way we think about our relation to nonhuman life and to the planet. This book is the first to critically survey how the Anthropocene is enriching the study of literature and inspiring contemporary poetry and fiction. Engaging with topics such as genre, life, extinction, memory, infrastructure, energy, and the future, the book makes a compelling case for literature’s unique contribution to contemporary environmental thought. It pays attention to literature’s imaginative and narrative resources, and also to its appeal to the emotions and its relation to the material world. As the Anthropocene enjoins us to read the signals the planet is sending and to ponder the traces we leave on the Earth, it is also, this book argues, a literary problem. Literature and the Anthropocene maps key debates and introduces the often difficult vocabulary for capturing the entanglement of human and nonhuman lives in an insightful way. Alternating between accessible discussions of prominent theories and concise readings of major works of Anthropocene literature, the book serves as an indispensable guide to this exciting new subfield for academics and students of literature and the environmental humanities.

Science tells us that a new and dangerous stage in planetary evolution has begun—the Anthropocene, a time of rising temperatures, extreme weather, rising oceans, and mass species extinctions. Humanity faces not just more pollution or warmer weather, but a crisis of the Earth System. If business as usual continues, this century will be marked by rapid deterioration of our physical, social, and economic environment. Large parts of Earth will become uninhabitable, and civilization itself will be threatened. Facing the Anthropocene shows what has caused this planetary emergency, and what we must do to meet the challenge. Bridging the gap between Earth System science and ecological Marxism, Ian Angus examines not only the latest scientific findings about the physical causes and consequences of the Anthropocene transition, but also the social and economic trends that underlie the crisis. Cogent and compellingly written, Facing the Anthropocene offers a unique synthesis of natural and social science that illustrates how capitalism's inexorable drive for growth, powered by the rapid burning of fossil fuels that took millions of years to form, has driven our world to the brink of disaster. Survival in the Anthropocene, Angus argues, requires radical social change, replacing fossil capitalism with a new, ecosocialist civilization.

Humankind has pervasively influenced the Earth’s atmosphere, biosphere, geosphere, hydrosphere and cryosphere, arguably to the point of fashioning a new geological epoch, the Anthropocene. To constrain the Anthropocene as a potential formal unit within the Geological Time Scale, a spectrum of indicators of anthropogenically-induced environmental change is considered, and shown as stratigraphical signals that may be used to characterize an Anthropocene unit, and to recognize its base. This volume describes a range of evidence that may help to define this potential new time unit and details key signatures that could be used in its definition. These signatures include lithostratigraphical (novel deposits, minerals and mineral magnetism), biostratigraphical (macro- and micro-palaeontological successions and human-induced trace fossils) and chemostratigraphical (organic, inorganic and radiogenic signatures in deposits, speleothems and ice and volcanic eruptions). We include, finally, the suggestion that humans have created a further sphere, the technosphere, that drives global change.

Environmental Narratives in the Huainanzi and the Anthropocene analyzes the contemporary discourse of the Anthropocene using the Huainanzi 淮南子, an eastern Eurasian text from the second century BCE. Written to preserve and strengthen the Han Empire (202 BCE–220 CE), the Huainanzi describes a mode of rulership premised on periodizing the present as the end of history that domesticates humans and non-humans. Matthew James Hamm provides a contextualized reading of the Huainanzi’s argument and uses it as a theoretical lens to read Anthropocene scholarship in the sciences, social sciences, and humanities. Hamm argues that—irrespective of the name or historical narrative used to describe it—the idea of the Anthropocene as a new epoch not only lacks empirical evidence, but also empowers the existing periodization of modernity to provide ideological support for environmentally destructive neoliberal structures rooted in Western European imperial orders. By doing so, the Anthropocene framework actively inhibits the transformative social change needed to address global environmental crises such as climate change and mass extinction. Consequently, this book rejects periodization as a conceptual framework for addressing those issues and advocates for greater scholarly engagement with environmental theories outside the European and Anglo-American traditions, such as the Huainanzi.