We all have reasons for doing the things we do. We all have our own realities. It is my blessing to have more than one. — Hilary Jamron When Hilary died, part of her soul refused to come back. That part of her higher self chose to remain where peace and simplicity reign. From that time forward, life would reveal itself in front of her, and she would simply step into her future. Decisions would be made without fear or hesitation by an unconscious multidimensional consensus, and she would survive. She would travel through death and paralysis without self-pity or delay. The truth is that each of us is as limitless as space and time, having no boundaries, beginnings, or endings. Limits are illusions, delusions, like pebbles that we casually kick out of our way as we move forward. Illness, pain, heartbreak, and life circumstances are all pebbles. There's no point in looking back when we've already kicked our earthly problems off to the side of the road. The kicking is a gentle toss of the foot done in perfect synchronicity to the drumbeat of lessons learned. After that, the only direction is forward.

"A 'wonder cabinet' of a book that brings to vivid life again the ephemeral pleasures of flanerie in Paris. Walz is a marvelous guide to the pulp fiction, newspaper sensationalism, and 'disreputable, ' fast-disappearing neighborhoods of Paris that the surrealists not only loved but drew on for inspiration in their revolutionary effort to reconfigure human consciousness in early twentieth-century France." Richard Abel, author of "The Cine Goes to Town: French Cinema, 1896-1914" and "The Red Rooster Scare: Making Cinema American, 1900-1910 " "Robin Walz's "Pulp Surrealism" represents an original and creative approach to the cultural history of the French interwar avant-garde. He shifts our focus away from surrealist texts themselves to the conditions of their production and in the process illuminates in fascinating ways the relationship between surrealism and popular culture." Carolyn Dean, author of "The Frail Social Body: Pornography, Homosexuality, and Other Fantasies in Interwar France" "Pulp Surrealism is the vibrant story of the interplay between avant-garde intellectuals and emerging mass culture in the early years of the twentieth century. In this stimulating history Robin Walz lays bare the many contradictory connections between high and popular culture, and in the process restores to life the brilliant effrontery and joy of the surrealist movement." Tyler Stovall, author of "The Rise of the Paris Red Belt" and "Paris Noir: African Americans in the City of Light"

The book you are about to read attempts to explain and, to a degree, put an order to existence. You might reasonably ask, “What is the purpose?” The purpose is very simply this: In order for you now to be able to function in a world of responsibilities well beyond your own physical life, you need to be able to understand the functionality of creation and the confidence you need to have in simply emerging from seemingly nothing. “Nothing” is not really zero. Nothing is a matrix available to create something. It will always be that, and it has always been that. This book will explain, with some wide variety of points of view at times, those points, and over the next few hundred years, you can consider them as you blend with your total being, creating and re-creating what is now, in order to bring it to a more benevolent state of being. — Ssjoooo September 18, 2015 Chapters Include The Thirteen Envision the Worlds Within Worlds The Loop of Time An Unending Parade of Existence Disentanglement Disentangling Cords of Discomfort All Creation Responds to Need Every Action Has a Reaction: It’s Mother Nature’s Plan Love and Care for Others to Embrace the Totality Feel Heat to Learn Oneness You Planned Your Journey The Reservoir of Being Take Your Journey You Must Qualify for PhysicalityBeyond The Constant Motion of Totality

Tracing the movement from its origins in the 1920s to its decline in the 1950s and 1960s, Durozoi tells the history of Surrealism through its activities, publications, and reviews, demonstrating its close ties to some of the most explosive political, as well as creative, debates of the twentieth century. Unlike other histories, which focus mainly on the pre-World War II years of the movement in Paris, Durozoi covers both a wider chronological and geographic range, treating in detail the postwar years and Surrealism's colonization of Latin America, the United States, Japan, Czechoslovakia, Belgium, Italy, and North Africa. Drawing on documentary and visual evidence--including 1,000 photos, many of them in color--he illuminates all the intellectual and artistic aspects of the movement, from literature and philosophy to painting, photography, and film. All the Surrealist stars and their most important works are here--Aragon, Borges, Breton, Buñuel, Cocteau, Crevel, Dalí, Desnos, Ernst, Man Ray, Soupault, and many more--for all of whom Durozoi has provided brief biographical notes in addition to featuring them in the main text.

The first book to look at the relationship either between Surrealism and Science Fiction or between Surrealism and comics.

Magazine. Poetry. Fiction. Literary Nonfiction. Art. Translation. "This second issue of HYDROLITH is a continuation of what the first volume started, which was and is to assemble a stimulating selection of exclusively recent work by groups and individuals of the international Surrealist movement, to facilitate intellectual exchange and collaboration, enabling us to concentrate the echoes of our commonalities as well as the shadows of our differences. In so doing, this volume aspires to reduce all manner of distances that exist between us. All works in this book are in English, while many of them are translations from the Dutch, French, Greek, Portuguese, Romanian, Spanish and Turkish languages."--from the Preface