This Book By A Well-Known China Hand Looks Into The Cultural And Social Interface Between India And China From Ist To 7Th Century-The Golden Period Of Sino-Indian Relations. 7 Chapters-Chronology Of Sino-Indian Relations-Conclusion-Bibliography, Index. Maps And Photography.

This book aims to provide in one volume an up-to-date and accurate account of the principles of Mahayana Buddhism as they are found in both the Indo-Tibetan and East Asian forms of Mahayana.Originating in India, Mahayana Buddhism spread to Central Asia, Tibet, Mongolia, China, Japan and other countries of East Asia. In Tibet and East Asia, Mahayana eventually became the prevalent form of Buddhism. Western interest in Mahayana has increased considerably over the last twenty-five years, reflected both in the quantity of scholarly material produced and also in the attraction of Westerners towards Tibetan Buddhism and r aug. This book aims to provide in one volume an up-to-date and accurate account of the principles of Mahayana Buddhism as they are found in both the Indo-Tibetan and East Asian forms of Mahayana. It seeks to introduce and reflect some of the recent scholarly work in the field, and in particular the book is concerned to convey the diversity and richness of Mahayana Buddhism, a diversity which prevents any attempt at simple definition.

Zen Sanctuary of Purple Robes examines the affairs of Rinzai Zen's Tōkeiji Convent, founded in 1285 by nun Kakusan Shidō after the death of her husband, Hōjō Tokimune. It traces the convent's history through seven centuries, including the early nuns' Zen practice; Abbess Yōdō's imperial lineage with nuns in purple robes; Hideyori's seven-year-old daughter—later to become the convent's twentieth abbess, Tenshu—spared by Tokugawa Ieyasu at the Battle for Osaka Castle; Tōkeiji as "divorce temple" during the mid-Edo period and a favorite topic of senryu satirical verse; the convent's gradual decline as a functioning nunnery but its continued survival during the early Meiji persecution of Buddhism; and its current prosperity. The work includes translations, charts, illustrations, bibliographies, and indices. Beyond such historical details, the authors emphasize the convent's "inclusivist" Rinzai Zen practice in tandem with the nearby Engakuji Temple. The rationale for this "inclusivism" is the continuing acceptance of the doctrine of "Skillful Means" (hōben) as expressed in the Lotus Sutra—a notion repudiated or radically reinterpreted by most of the Kamakura reformers. In support of this contention, the authors include a complete translation of the Mirror for Women by Kakusan's contemporary, Mujū Ichien.

James B. Apple examines one of the formative subjects in traditional Buddhist studies, the Twenty Varieties of the Saṃgha. The Saṃgha (community) is one of the Three Jewels (Buddha, Dharma, Saṃgha) universally revered by all Buddhists. While the Saṃgha is generally understood as the community of Buddhist ordained monks and nuns, along with lay adherents, the Twenty Varieties of the Saṃgha concerns an exemplary community of the twenty types of Noble Beings (ārya-pudgala) who embody the Buddha's teachings. Focusing on the interpretation of the Saṃgha given by the fourteenth-century Tibetan scholar Tsong kha pa, Apple provides a comprehensive typology and analysis of the stages through which Noble Beings pass in their progress toward enlightenment through multiple lifetimes in various cosmological realms. He explains the cosmographic formations and complex structures of Buddhist spiritual cultivation, illustrating how Tibetan and Indian Buddhists conceptualize all possible states on the path to enlightenment.

Chan has a long tradition of the gongan, the direct and often humorous stories of the enlightened conversations between Buddhist practitioners. In Chan Heart, Chan Art, Venerable Master Hsing Yun retells one hundred classic gongans in approachable and lively prose. Each gongan is complimented by a striking painting done in the classical Chan style by the renowned husband and wife team of Gao Ertai and Pu Xiaoyu. Winner of Foreword Magazine's 2007 Book of the Year Award for Religious Fiction, this handsome volume is perfect for lovers of quiet solemnity and sublime beauty alike.