In grouping together in a single study the work of Blake, Carlyle, Yeats, and D. H. Lawrence, one becomes aware of a common tradition in which they all participate, of certain shared principles, attitudes, and values, and, despite the individual inflexion of voice, a common language. No matter how distinct each author may be—and the intrinsic individuality of each should not be underestimated—that tradition is obviously Romantic and, more particularly, vitalist. Moreover, as one sees the continuation of that Romantic vitalism, often to varying degrees and taking different forms, in more contemporary writers—from Dylan Thomas, Richard Eberhart, the American Beat writers of the fifties, to Ted Hughes and, more recently, the Children of Albion—one recognizes also that Yeats's prediction, “We were the last romantics” was too gloomy in its finality.

This work offers a critical commentary on the range of John Banville's fiction, including the plays, and views that fiction in the contexts of contemporary critical theory, particularly those of postmodernism and feminism. It argues that Banville's work is deeply influenced by romantic and modernist mythologies of the creative imagination, especially those expressed by Coleridge and Wallace Stevens. Banville's interest in systems of knowledge and forms of representation is a major issue in the study, and McMinn investigates his use of paintings as metaphors.

"Painting is a Supreme Fiction presents the writings of artist and poet Jesse Murry (1948-1993), an original mind who sought to unite the histories of Romantic landscape painting with the realities of Black experience"--

Wallace Stevens is a major American poet and a central figure in modernist studies and twentieth-century poetry. This Companion introduces students to his work. An international team of distinguished contributors presents a unified picture of Stevens' poetic achievement. The Introduction explains why Stevens is among the world's great poets and offers specific guidance on how to read and appreciate his poetry. A brief biographical sketch anchors Stevens in the real world and illuminates important personal and intellectual influences. The essays following chart Stevens' poetic career and his affinities with both earlier and contemporary writers, artists, and philosophers. Other essays introduce students to the peculiarity and distinctiveness of Stevens' voice and style. They explain prominent themes in his work and explore the nuances of his aesthetic theory. With a detailed chronology and a guide to further reading, this Companion provides all the information a student or scholar of Stevens will need.

The Brethren is the first detailed behind-the-scenes account of the Supreme Court in action. Bob Woodward and Scott Armstrong have pierced its secrecy to give us an unprecedented view of the Chief and Associate Justices—maneuvering, arguing, politicking, compromising, and making decisions that affect every major area of American life.

Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible to scholars, students, researchers, and general readers. Rich with historical and cultural value, these works are published unaltered from the original University of Minnesota Press editions. The books offered through Minnesota Archive Editions are produced in limited quantities according to customer demand and are available through select distribution partners.