When it was originally published this book broke new ground in presenting one continuous narrative of the history of Christians in Persia from the second century A.D to the 1970s. The material gathered here was previously only to be found in obscure books, manuscripts and foreign periodicals. Christians in Persia shows the intricate history of the period concerned; the personalities of the rulers and the ruled; the difficult task of the missionaries; their successes and failures and the consequences of their efforts. All this is related to the wider history of the country and to the expansion of Christianity in the East.

Literature Suppressed on Religious Grounds, Revised Edition profiles the censorship of many such essential works of literature. The entries new to this edition include extensive coverage of the Harry Potter series, which has been frequently banned in the United States on the grounds that it promotes witchcraft, as well as entries on two popular textbook series, The Witches by Roald Dahl, Women Without Men: A Novel of Modern Iran, and more. Also included are updates to such entries as The Satanic Verses by Salman Rushdie and On the Origin of Species by Charles Darwin.

Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative ‘entertainment’. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian ‘national' cinema, despite few Iranians having seen them. Film discourse, and even fan talk, have long attempted to marginalize the mainstream releases of the 1960s and 1970s with the moniker filmfarsi, ironically asserting that such popular favorites were culturally inauthentic. This book challenges the idea that filmfarsi is detached from the past and present of Iranians. Far from being escapist Hollywood fare merely translated into Persian, it claims that the better films of this supposed genre must be taken as both a subject of, and source for, modern Iranian history. It argues that they have an appeal that relies on their ability to rearticulate traditional courtly and religious ideas and forms to problematize in unexpectedly complex and sophisticated ways the modernist agenda that secular nationalist elites wished to impose on their viewers. Taken seriously, these films raise questions about standard treatments of Iran's modern history. By writing popular films into Iranian history, this book advocates both a fresh approach to the study of Iranian cinema, as well as a rethinking of the modernity/tradition binary that has organized the historiography of the recent past. It will appeal to those interested in Iranian cinema, Iranian history and culture, and, more broadly, readers dissatisfied with a dichotomous approach to modernity.

In August 1907 while Iran was in the throes of its Constitutional Revolution, Britain and Russia concluded a secret agreement to divide the country between themselves into zones of influence. In 1910 with the tacit support of the British, Tsarist Russia occupied northwest Iran and violently suppressed the constitutional movement in Tabriz, the northwestern city which was at the centre of the constitutional movement. The ferocity of the Russian occupation took leaders of the constitutionalists by surprise, and in desperation they cried out for help to democratic nations. Edward G Browne was a scholar and professor at Cambridge University who wrote "The Persian Revolution" and the four-volume "Literary History of Persia". He supported the constitutionalists in word and deed. Appalled by the British government's acquiescence of the Russian atrocities in Tabriz, he tried through letters to the editor, political lobbying, and the writing of pamphlets to mobilise public opinion to force the British government to intervene with Russia. "Letters from Tabriz" is the publication, prepared by Browne, of the letters sent to him by Iranian constitutionalist leaders describing, in rousing eyewitness accounts, the Russian atrocities in Tabriz. Its full publication was stifled because of the Anglo-Russian partnership prior to World War I, and it has never been published in English until now.

I.B.Tauris in association with the Iran Heritage Foundation

Persian literature is the jewel in the crown of Persian culture. It has profoundly influenced the literatures of Ottoman Turkey, Muslim India and Turkic Central Asia and been a source of inspiration for Goethe, Emerson, Matthew Arnold and Jorge Luis Borges among others. Yet Persian literature has never received the attention it truly deserves."A History of Persian Literature" answers this need and offers a new, comprehensive and detailed history of its subject. This 18-volume, authoritative survey reflects the stature and significance of Persian literature as the single most important accomplishment of the Iranian experience. It includes extensive, revealing examples with contributions by prominent scholars who bring a fresh critical approach to bear on this important topic.The first volume offers an indispensable entree to Persian literature's long and rich history, examining themes and subjects that are common to many fields of Persian literary study. This invaluable introduction to the subject heralds a definitive and ground-breaking new series.