New Authors and collections. Following the great success of our Gothic Fantasy, deluxe edition short story compilations, Ghosts, Horror, Science Fiction, Murder Mayhem and Crime & Mystery this latest title crawls with the dark fingers of terror, the chilling sensation of another presence sitting alongside you while you read the tales of horror laid out before you. Contains a fabulous mix of classic and brand new writing, with authors from the US, Canada, and the UK. New, contemporary and notable writers featured are: E.E.W. Christman, Morgan Elektra, Damien Angelica Walters, Michaël Wertenberg, Lucy A. Snyder, Stephen Kotowych, Kay Chronister, Michelle Muenzler, G.L. McDorman, Cody Schroeder, Jason L. Kawa, Daniele Bonfanti, Desmond Warzel, Carolyn Charron, Trisha J. Wooldridge, Mariah Southworth, Oliver Smith, Matthew Gorman, and Angela Sylvaine. These appear alongside classic stories by authors like E.F. Benson, F. Marion Crawford, Elizabeth Gaskell, M.R. James, Bram Stoker and more.

Legends of vampires, werewolves, and unruly spirits have been a feature of European folklore for centuries. The authors whose work is collected together in this volume range from early Gothic writers to modern pulp enthusiasts. English writers like John William Polidori (1795-1821), the physician who wrote The Vampyre, and William H. G. Kingston (1814-1880), were pioneers of supernatural fiction, while others chose to master the ghost story. E. F. Benson was a part time archaeologist and M. R. James, a medieval historian at King's College, Cambridge. James would read his ghost stories aloud to his friends and students at Christmas-time. With good reason, he has been described as 'the best ghost-story writer England has ever produced.' Classic literary writers such as Ambrose Bierce and Guy de Maupassant found an outlet for their imagination in their terrifying tales, and later writers like Clifford Ball and M. P. Shiel established supernatural fiction in the pulp magazines of the early 20th century. Together, these stories demonstrate a stunning mastery of atmosphere and show an unmatched ability to terrify readers to this day. This collection features several of the leading purveyors of supernatural horror. Authors include: Clifford Ball E. F. Benson Ambrose Bierce Francis Marion Crawford Charlotte Perkins Gilman M. R. James William H. G. Kingston Arthur Machen Guy de Maupassant John William Polidori M. P. Shiel Bram Stoker

Charles Dickens wrote a number of supernatural and horror stories, some of which were included in his longer works, while others were published in magazines. This collection gathers them together in one volume, providing an invaluable insight into the author’s storytelling apprenticeship and his steady growth towards excellence. As well as offering a further dimension to the world of his better-known masterpieces, these tales—from "A Madman’s Manuscript" to "The Story of the Goblins Who Stole a Sexton" to the celebrated "The Signalman"—illustrate Dickens’s well-known love of a spooky story told around a blazing fire, the pastime of a bygone age to be rediscovered for our own delight.

This book explores women’s short supernatural fiction between the emergence of first wave feminism and the post-suffrage period, arguing that while literary ghosts enabled an interrogation of women’s changing circumstances, ghosts could have both subversive and conservative implications. Haunted house narratives by Charlotte Riddell and Margaret Oliphant become troubled by uncanny reminders of the origins of middle-class wealth in domestic and foreign exploitation. Corpse-like revenants are deployed in Female Gothic tales by Mary Elizabeth Braddon and Edith Nesbit to interrogate masculine aestheticisation of female death. In the culturally-hybrid supernaturalism of Alice Perrin, the ‘Marriage Question’ migrates to colonial India, and psychoanalytically-informed stories by May Sinclair, Eleanor Scott and Violet Hunt explore just how far gender relations have really progressed in the post-First World War period. Study of the woman’s short story productively problematises literary histories about the “golden age” of the ghost story, and about the transition from Victorianism to modernism.

Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro American Supernatural Tales is the ultimate collection of weird and frightening American short fiction. As Stephen King will attest, the popularity of the occult in American literature has only grown since the days of Edgar Allan Poe. The book celebrates the richness of this tradition with chilling contributions from some of the nation's brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course—Stephen King. This volumes also includes "The Yellow Sign," the most horrific story from The King in Yellow, the classic horror collection by Robert W. Chambers featured on HBO's hit TV series True Detective. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good collection of stories. Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro’s favorites, from Mary Shelley’s Frankenstein and Ray Russell’s short story “Sardonicus,” considered by Stephen King to be “perhaps the finest example of the modern Gothic ever written,” to Shirley Jackson’s The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. Featuring original cover art by Penguin Art Director Paul Buckley, these stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere.

Charles Dickens is a much-loved author for his vast and important contributions to English literature. This collection brings together his supernatural short stories, some of which were included in his longer works, and others that originally featured in magazines, including ‘The Bagman’s Story’, ‘The Ghost in the Bride’s Chamber’ and ‘To Be Read at Dusk’, among others. They are all fantastically gripping stories from one of the greatest writers of all-time. Essential collaborations with his acolytes Wilkie Collins and Elizabeth Gaskell are also included.

Even now, at the dawn of the twenty-first century, when science has largely replaced superstition as our way of viewing the world, who among us does not hesitate, however briefly, before entering a darkened room? Who does not feel an involuntary shiver at the sound of footfalls somewhere back there? Who does not wonder, even fleetingly, if the spirits of the dead might still wander the earth? Who does not feel a jolt of primal fear at things that go bump in the night? For all these reasons and more, stories of ghosts, unexplained happenings, and the supernatural remain among the most popular and enduring tales in all of world literature. Now The Lyons Press presents CLASSIC GHOST STORIES, a chilling collection of some of the very best tales of mystery and imagination ever penned, by some of the finest writers the world has ever produced. So curl up in a comfortable chair, turn on a few more lights to chase away the shadows, and prepare to be scared silly. These are delightfully creepy tales that have stood the test of time, from such stellar authors as: Ambrose Bierce Edgar Allan Poe Edith Wharton E.F. Benson Guy de Maupassant William Fryer Harvey Charles Dickens Amelia B. Edwards M.R. James Algernon Blackwood Rudyard Kipling Edward Bulwer-Lytton Mary E. Wilkins ...and many more