This is not a manifesto against men in general. Nor is it a manifesto against Arab men in particular. It is, however, a howl in the face of a particular species of men: the macho species, Supermen, as they like to envision themselves. But Superman is a lie. In this explosive sequel to I Killed Scheherazade, Joumana Haddad examines the patriarchal system that continues to dominate in the Arab world and beyond. From monotheist religions and the concept of marriage to institutionalised machismo and widespread double standards, Haddad reflects upon the vital need for a new masculinity in these times of revolution and change in the Middle East. 'The revolution and its backlash are not just being fought in the streets, squares and elections across the Middle East, but also on the faces and bodies of millions of Arab women and their sisters across the world. Haddad speaks for all of us. It's time to listen.' Bidisha 'One of the most intelligent, talented and courageous young Arab poets and intellectuals today' Mahmoud Darwish 'The Germain Greer of Lebanon' Independent.

In a very special flashback tale, follow Krypto the Super-Dog as he goes looking for his masters following the death of Superboy post-INFINITE CRISIS. 'Grounded' part 10.

Fiery and candid; a provocative and courageous exploration of what it means to be an Arab woman today.

The roster of Muslim superheroes in the comic book medium has grown over the years, as has the complexity of their depictions. Muslim Superheroes tracks the initial absence, reluctant inclusion, tokenistic employment, and then nuanced scripting of Islamic protagonists in the American superhero comic book market and beyond. This scholarly anthology investigates the ways in which Muslim superhero characters fulfill, counter, or complicate Western stereotypes and navigate popular audience expectations globally, under the looming threat of Islamophobia. The contributors consider assumptions buried in the very notion of a character who is both a superhero and a Muslim with an interdisciplinary and international focus characteristic of both Islamic studies and comics studies scholarship. Muslim Superheroes investigates both intranational American racial formation and international American geopolitics, juxtaposed with social developments outside U.S. borders. Providing unprecedented depth to the study of Muslim superheroes, this collection analyzes, through a series of close readings and comparative studies, how Muslim and non-Muslim comics creators and critics have produced, reproduced, and represented different conceptions of Islam and Muslimness embodied in the genre characters.

The amazing creative team of writer Grant Morrison (Batman: Arkham Asylum) and artist Frank Quitely (WE3) join forces to take Superman back to basics and create a new vision of the World's First Super-Hero. Witness the Man of Steel in exciting new adventures featuring Lex Luthor, Jimmy Olsen, Lois Lane, Bizarro, and more.

In 2011, Arab youth took to the streets in their thousands to demand their freedom. Although it is too early to speculate on the ultimate outcome of the uprisings, one auspicious feature stands out: they reveal the genesis of a new generation sparked by the desire for civil liberties, advocacy for human rights, and participatory democracy. This unique volume explores some of the antecedents of the upheavals and anticipates alternative venues of resistance that marginalized youth - from Lebanon, Syria and Palestine to Saudi Arabia, Morocco and Iran - can mobilize to realize their emancipatory expectations. Themes covered include the forging of meaningful collective identities in times of risk and uncertainty; youth militancy, neighborhood violence and youth gangs; the surge of youthful activism; and youths' expressive outlets through popular arts and street music.

A devastating critique of the Arab world's political stagnation by one of its most revered thinkers. The 1967 War - which led to the defeat of Syria, Jordan and Egypt by Israel - felt like an unprecedented and unimaginable disaster for the Arab world at the time. For many, the easiest solution was to shift the blame and to ignore some of the glaring defects of Arab society. Syrian philosopher Sadik al-Azm was one of the few to challenge such a view in his seminal Self-Criticism after the Defeat. Exposing the political and cultural faults that led to the defeat, he argued that the Arabs could only progress by embracing secularism, gender equality, democracy, and science. Available in English for the first time, Self-Criticism after the Defeat is a milestone in modern Arab intellectual history. It marked a turning point in Arab discourse about society and politi on publication in 1968, and spawned other intellectual ventures into Arab self-criticism.