This lively and comprehensive text combines an overview of the historical development of policing in the UK, with discussion of current debates and practice. It provides a global and comparative context, in order to shed light on contemporary issues. The book equips students with an in-depth understanding of the challenges and complexities of modern policing, including: " the relationship between the police and other criminal justice agencies " styles and approaches in practice " how to police political violence " diversity and the police " police accountability Featuring chapter summaries, case studies, study questions, an expansive glossary and a date chart listing significant events, the book is easy to use and helps students to reflect upon key themes. It is essential reading for criminology, criminal justice and policing undergraduates.

The detective is a familiar figure in British history. This work looks at famous cases such as the Ripper murders and the beginnings of the Special Branch and Detective Branch of Scotland Yard. This history covers various aspects of crime history, including the career of Jim 'the Penman' Saward, a notorious forger, and more.

This is an omnibus edition of two books about how the police force works. In the first, Morton unravels the tangled history of key players, including Bertie Smalls, the original supergrass, and his successor, "King Squealer" Maurice O'Mahony. The second is a study of police corruption in the UK.

This book offers a comprehensive and engaging introduction to the criminal justice system of England and Wales. Starting with an overview of the main theories of the causes of crime, this book explores and discusses the operation of the main criminal justice agencies including the police, probation and prison services and the legal and youth justice systems. The fourth edition has been revised, updated, expanded and features a new expert co-author. This book offers a lively and critical discussion of some of the main themes in criminal justice, from policy-making and crime control, to diversity and discrimination, to the global dimensions of criminal justice, including organised crime and the role performed by transnational policing organisations to combat it. Key updates to this new edition include: increased discussion of the measurement, prevention and detection of crime; a revised chapter on the police which discusses the principle of policing by consent, police methods, power and governance, and the abuse of power; further discussion of pressing contemporary issues in criminal justice, such as privatisation, multi-agency working, community-based criminal justice policy and the impact of the Covid-19 pandemic on the delivery of criminal justice policy; a revised chapter that deals in detail with new and emerging forms of criminality and the response of the UK and global criminal justice system to these developments. This accessible text is essential reading for students taking introductory courses in criminology and criminal justice. A wide range of useful features include review questions, lists of further reading, timelines of key events and a glossary of key terms.

Ever since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth's 1905 short Rescued by Rover, was a fast-paced, quick-edited tale of abduction and kidnap, and the first British sound film, Alfred Hitchcock's Blackmail (1930), centered on murder and criminal guilt. For a genre seemingly so important to the British cinematic character, there is little direct theoretical or historical work focused on it. The Britain of British cinema is often written about in terms of national history, ethnic diversity, or cultural tradition, yet very rarely in terms of its criminal tendencies and dark underbelly. This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath. For every Brief Encounter (1945) there is a Brighton Rock (2010), for every Notting Hill (1999) there is a Long Good Friday (1980).

Tracing back to the earliest years of the police force in Britain, this book shows how opportunities for corruption have always existed, whether the temptation be money, the fabrication of evidence or the maltreatment of suspects. Controversial cases in recent years, such as the Guildford Four, the Birmingham Six and Broadwater Farm, have tarnished the force's reputation and resulted in the reluctance of juries to convict on police evidence alone. This survey of corruption, in particular within the Metropolitan Police, provides an assessment of the opportunities open to officers, and discusses the role played by some lawyers, magistrates and judges. James Morton, who for 25 years was a solicitor involved primarily in defence work, was a co-author of Nipper , the story of the man who brought the Krays to justice, and also wrote Gangland , a study of London's underworld.