Named a Best Book of the Month by NYLON, Bustle, Alta, and Pittsburgh City Paper “Each line is a little heartbeat hurling down the abyss.” —Patricia Lockwood Featuring a new introduction from the author, Superdoom: Selected Poems brings together the best of Broder’s three cult out-of-print poetry collections—When You Say One Thing but Mean Your Mother, Meat Heart, and Scarecrone—as well as the best of her fourth collection, Last Sext. Embracing the sacred and the profane, often simultaneously, Broder gazes into the abyss and at the human body, with humor and heartbreak, lust and terror. Broder’s language is entirely her own, marked both by brutal strangeness and raw intimacy. At turns essayistic and surreal, bouncing between the grotesque and the transcendent, Superdoom is a must-have for longtime fans and the perfect introduction to one of our most brilliant and original poets.

In her electric fourth collection, Melissa Broder penetrates the itch of existence and explores numberless deaths: the annihilation of self, the bereavement of love, the destruction of fantasy, the transmutation, even, of our ideas of dying. One of the New Yorker's Books We Loved in 2016 What emerges is an infinite series of false endings—each a trap door containing the possibility for alchemy, rebirth, and renewal. Part elegy, part confessional, part battle cry, Last Sext confronts both eternal longing and the mystery of mortality, with language hot, primal, and dark, as Broder’s fans have come to love.

Poetry. "Don't believe Melissa Broder when she writes, 'I'm afraid / to say anything with heart.' This book is not afraid, as she proves right away and on every page, and that's why we needed her to make it. A little dark, a little damaged, a little deranged, but definitely not afraid--and never short on the titular organ, which also acts as mouth and mind. The whole book pumps, and I swear some of what's coming in and out are flashes of light that you can read it by."--Mark Bibbins "The speaker in MEAT HEART is either an old-world witch or a contemporary warlock. That is to say, this speaker-being gallops through time making thrilling observations. There is a focus on meat, blood and food. The poems tear through the reader with a reassuring giggle, yet remain ominous. Broder writes, 'I find a thighbone in his mattress / and think of friends gone missing.' She also writes 'G-d loves my hair,' so we are reminded not to be overly frightened. To read MEAT HEART is to consume, perish, murder, glitter, and prophesize. To say that Broder is fearless is not saying enough."--Natalie Lyalin "With her hallmark wit and brilliance, Melissa Broder has followed up her heralded WHEN YOU SAY ONE THING BUT MEAN YOUR MOTHER with MEAT HEART, a book of poems that is at once apocalyptic, full of sorrow, and packed with images crystalline in their beauty and truth. In these poems, Broder takes us through a world that is both alien and familiar to the world that we already know, a wild landscape where there is 'ash fish / and elemental octopi,' where 'cornhusk filaments / Still jacket tongues,' and where in a place with '200 flavors of panic / the worst is seeing with no eyes.' All of these freakish things to help us confront the bald fact that we are all just a series of meat hearts ourselves. It is here that Broder shows her generosity as a poet, because she makes us a new world in these poems where we go beyond meat--a world where Broder tells us, 'Somewhere I stopped looking for magic.' I guess she found all she needed; this book is full of magic."--Dorothea Lasky

Collecting the best of the underground blog Weird Sister, these unapologetic and insightful essays link contemporary feminism to literature and pop culture. Launched in 2014, Weird Sister proudly staked out a corner of the internet where feminist writers could engage with the literary and popular culture that excited or enraged them. The blog made space amid book websites dominated by white male editors and contributors, and also committed to covering literary topics in-depth when larger feminist outlets rarely could. Throughout its decade-long run, Weird Sister served as an early platform for some of contemporary literature’s most striking voices, naming itself a website that “speaks its mind and snaps its gum and doesn’t apologize.” Edited by founder Marisa Crawford, The Weird Sister Collection brings together the work of longtime contributors such as Morgan Parker, Christopher Soto, Soleil Ho, Julián Delgado Lopera, Virgie Tovar, Jennif(f)er Tamayo, and more, alongside new original essays. Offering nuanced insight into contemporary and historical literature, in conversation with real-life and timely social issues, these pieces mark a transitional and transformative moment in online and feminist writing.

Obsessive friendships lead to tragedy in this early-twentieth-century novel about a charismatic schoolmistress, a naïve new teacher, and an impressionable student—with an afterword by Melissa Broder, author of Milk Fed and The Pisces. Clare Hartill is a brilliant, commanding educator at a private all-girls boarding school: the undisputed queen of her own small kingdom. But her tightly controlled world is disrupted when she meets Alwynne Durand, a nineteen-year-old teacher with no formal training. Alwynne's innocence and openness endear her to the secretive Clare. Alwynne is drawn to Clare's intelligence and sophistication. The two women fall headlong into an all-consuming friendship and begin planning a life together. But their relationship is tested when an exceptionally gifted student named Louise enters their orbit. Louise will do anything to win Clare's approval. Meanwhile, Clare's jealous and manipulative nature slowly pulls Alwynne away from her friends, her students, and her family—anyone, in fact, who is not Clare Hartill. Written in the early twentieth century by Winifred Ashton (under the pseudonym Clemence Dane), Regiment of Women is a complex tale of love and power that asks: How well do we truly see the people we love? And what are we willing to sacrifice for them? The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

Named a Best Book of 2023 by The New York Times ("incandescent...hilarious...a triumph"), Oprah Daily ("surreal, absurd, lucid, and wise"), Vanity Fair ("Broder [is] a genius and a sorceress"), and more! From the visionary author of Milk Fed and The Pisces, a darkly funny novel about grief and a “magical tale of survival” (Publishers Weekly, starred review). In Melissa Broder’s astonishingly profound new novel, a woman arrives alone at a Best Western seeking respite from an emptiness that plagues her. She has fled to the California high desert to escape a cloud of sorrow—for both her father in the ICU and a husband whose illness is worsening. What the motel provides, however, is not peace but a path discovered on a nearby hike. Out along the sun-scorched trail, the narrator encounters a towering cactus whose size and shape mean it should not exist in California. Yet the cactus is there, with a gash through its side that beckons like a familiar door. So she enters it. What awaits her inside this mystical succulent sets her on a journey at once desolate and rich, hilarious, and poignant. Death Valley is Melissa Broder at her most imaginative, most universal, and finest, and is “a journey unlike any you’ve read before” (Nana Kwame Adjei-Brenyah, author of Friday Black).

Named a Best Book of the Year by Entertainment Weekly, Vogue, Time, Esquire, BookPage, and more This darkly hilarious and “delicious new novel that ravishes with sex and food” (The Boston Globe) from the acclaimed author of The Pisces and So Sad Today is a “precise blend of desire, discomfort, spirituality, and existential ache” (BuzzFeed). Rachel is twenty-four, a lapsed Jew who has made calorie restriction her religion. By day, she maintains an illusion of existential control, through obsessive food rituals, while working as an underling at a Los Angeles talent management agency. At night, she pedals nowhere on the elliptical machine. Rachel is content to carry on subsisting—until her therapist encourages her to take a ninety-day communication detox from her mother, who raised her in the tradition of calorie counting. Rachel soon meets Miriam, a zaftig young Orthodox Jewish woman who works at her favorite frozen yogurt shop and is intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam—by her sundaes and her body, her faith and her family—and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk, and honey. “A ruthless, laugh-out-loud examination of life under the tyranny of diet culture” (Glamour) Broder tells a tale of appetites: physical hunger, sexual desire, spiritual longing, and the ways that we compartmentalize these so often interdependent instincts. Milk Fed is “riotously funny and perfectly profane” (Refinery 29) from “a wild, wicked mind” (Los Angeles Times).