“WHEN FIN-ADDICTS TAKE CONTROL!” Celebrating 10 years of the Savage FINcast podcast with an official fan tribute to everyone’s favorite Fin-Head! SAVAGE DRAGON fans unite to produce one of the wildest comics ever created! It’s crude! It’s rude! It’s hilarious! It’s the most offbeat, off-the-wall comic book ever committed to paper! SUPER FREAKS comes with our highest possible recommendation.

"A NEW FORCE TO BE RECKONED WITH!" Because you demanded it: SAVAGE DRAGON #259 reworked and reformatted to spotlight this all-new Canadian super-team! Letters pages and funnies have been replaced with bios for team members. The Canadian super-team North Force is looking to recruit a new member to their team: Malcolm Dragon.

Malcolm Dragon fulfills his destiny, and follows in his father's footsteps, joining the Chicago Police Force. Officer Malcolm Dragon's first adventures as he faces off against a host of new foes: Wrath! Rag Doll! Fountainhead! Devil Ray! Tantrum! And the birth of the next generation of Savage Dragon offspring! Collects SAVAGE DRAGON #206-211

Mike Sager is to drugs, porn, and crimes of desperate delusion what Dominic Dunne is to the society murder. In addition to his long-classic Rolling Stone story "The Devil and John Holmes" (which helped inspire the upcoming Val Kilmer film, Wonderland) and his groundbreaking GQ piece about murdered Irish investigative reporter Veronica Guerin (also the subject of a major film starring Cate Blanchett), Scary Monsters and Super Freaks is a wonderful rogue's gallery of up-close pieces about the most public failures of the American dream. From Rick James and his drug-fueled detour into white slavery to the life and suicide of porn starlet Savannah, from deep inside the beating of Rodney King and the Heaven's Gate cult suicides to Chuck Berry's sexual predilections, this book brings to high-profile true crime a highly identifiable voice and style. Currently Esquire's Writer-at-Large, Sager takes us along for the ride with a raft of other figures including the late NWA Rapper Easy E. Winner, the FBI agent who fell in love with his informant, and the highest ranking DEA agent to be busted for drug trafficking. This is a brilliant debut collection by one of America's most respected and stylish crime writers.

The ultimate compendium to everyone’s favorite participants in the eternal battle between good and evil! Profiles of more than 1,000 mythic superheroes, icons, and their place in popular culture. Superhuman strength. Virtual invulnerability. Motivated to defend the world from criminals and madmen. Possessing a secret identity. And they even have fashion sense—they look great in long underwear and catsuits. These are the traits that define the quintessential superhero. Their appeal and media presence has never been greater, but what makes them tick? their strengths? weaknesses? secret identities and arch-enemies? The Superhero Book: The Ultimate Encyclopedia of Comic-Book Icons and Hollywood Heroes is the comprehensive guide to all those characters whose impossible feats have graced the pages of comic books for the past one hundred years. From the Golden and Silver Ages to the Bronze and Modern Ages, the best-loved and most historically significant superheroes—mainstream and counterculture, famous and forgotten, best and worst—are all here: The Avengers Batman and Robin Captain America Superman Wonder Woman Captain Marvel Spider-Man The Incredibles The Green Lantern Iron Man Catwoman Wolverine Aquaman Hellboy Elektra Spawn The Punisher Teen Titans The Justice League The Fantastic Four and hundreds of others. Unique in bringing together characters from Marvel, DC, and Dark Horse, as well as smaller independent houses, The Superhero Book covers the best-loved and historically significant superheroes across all mediums and guises, from comic book, movie, television, and graphic novels. With many photos and illustrations this fun, fact-filled tome is richly illustrated. A bibliography and extensive index add to its usefulness. It is the ultimate A-to-Z compendium of everyone's favorite superheroes, anti-heroes and their sidekicks, villains, love interests, superpowers, and modus operandi.

Rick James played with Neil Young, self-produced his first album (later picked up by Motown), crossed rock and funk to come up with one of the best-selling albums of the 1980s, became one of the biggest pop stars of the era, turned a young white woman named Teena Marie into an R&B superstar, displayed an outrageously sex- and drug-filled lifestyle, was tried and found guilty of assaulting and imprisoning a young woman, went on to record new music that was compared to the Beatles' White Album, and ended his life as a punch line for Dave Chappelle. James attempted to tell his own story—in two different books—but left out many incidents that reflected badly on his character. Now, based on court records, newspaper archives, and extensive interviews with dozens of family members, band members, friends, and lovers, here is the definitive biography of Motown's most controversial superstar.

A fascinating written exploration of the superhero phenomenon, from its beginnings in the depths of Great Depression to the blockbuster movies of today. For over 90 years, superheroes have been interrogated, deconstructed, and reinvented. In this wide-ranging study, Robb looks at the diverse characters, their creators, and the ways in which their creations have been reinvented for successive generations. Inevitably, the focus is on the United States, but the context is international, including an examination of characters developed in India and Japan in reaction to the traditional American hero. Sections examine: the birth of the superhero, including Superman, in 1938; the DC family (Superman, Batman, Wonder Woman and The Justice Society/League of America), from the 1940s to the 1960s; the superheroes enlistment in the war effort in the 1940s and 50s; their neutering by the Comics Code; the challenge to DC from the Marvel family (The Fantastic Four, Spider-Man, and The X-Men), from the 1960s to the 1980s; the superhero as complex anti-hero; superheroes deconstructed in the 1980s (The Watchmen and Frank Miller’s Batman), and their politicization; independent comic book creators and new publishers in the 1980s and 90s; superheroes in retreat, and their rebirth at the movies in blockbusters from Batman to Spider-Man and The Avengers.