In the year 2098, when a pact between the United States and Canada is put into motion, US Military protection is traded for the arranged trade of Canadian freshwater. Part of the trade pact was the dissolvement of the Canadian military under the grounds of redundancy. Two friends find their way through the cracks of the new collaboration, with the focal point of their lives being an off-the-grid compound they have built in northern Ontario. Clarke, a construction superintendent, and veteran of a second war in Iraq, balances his life between work and the compound. Ben, assistant minister of agriculture, tries to find why Canadian crop yields keep receding year after year-working with the country’s farmers to develop a solution. Clarke and Ben will be tested to their limits as the commodities of the future become the driver of politics and conflict.

Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called “low” culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly “high” modernists and avant-gardists looked at and represented the “low”. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures.

In Art and Agency, Alfred Gell formulates an anthropological theory of visual art that focuses on the social context of art production, circulation, and reception. As a theory of the nexus of social relations involving works of art, this work suggests that in certain contexts, art-objects substitute for persons and thus mediate social agency. Diversely illustrated and based on European, Polynesian, Melanesian, and Australian sources, Art and Agency was completed just before Gell's death at the age of fifty-one in January 1997. It embodies the intellectual bravura, lively wit, vigor, and erudition for which he was admired, and will stand as an enduring testament to one of the most gifted anthropologists of his generation.

At the heart of our ongoing interest in Walker, says Harrison, is the need to understand the ever-shifting ambitions and arguments that have driven American economic, military, and paramilitary ventures around the globe for the past 150 years.".

Although Emily Dickinson copied and bound her poems into manuscript notebooks, in the century since her death her poems have been read as single lyrics with little or no regard for the context she created for them in her fascicles. Choosing Not Choosing is the first book-length consideration of the poems in their manuscript context. Sharon Cameron demonstrates that to read the poems with attention to their placement in the fascicles is to observe scenes and subjects unfolding between and among poems rather than to think of them as isolated riddles, enigmatic in both syntax and reference. Thus Choosing Not Choosing illustrates that the contextual sense of Dickinson is not the canonical sense of Dickinson. Considering the poems in the context of the fascicles, Cameron argues that an essential refusal of choice pervades all aspects of Dickinson's poetry. Because Dickinson never chose whether she wanted her poems read as single lyrics or in sequence (nor is it clear where any fascicle text ends, or even how, in context, a poem is bounded), "not choosing" is a textual issue; it is also a formal issue because Dickinson refused to chose among poetic variants; it is a thematic issue; and, finally, it is a philosophical one, since what is produced by "not choosing" is a radical indifference to difference. Extending the readings of Dickinson offered in her earlier book Lyric Time, Cameron continues to enlarge our understanding of the work of this singular American poet.

The Transcended Chronicles follows Garran, a highly-trained, highly dysfunctional agent on a quest of justice, revenge, debauchery, and self-abuse. Some language and subject matter may not be suitable for all audiences. The Guild rules the kingdom through their puppet monarch, and Garran must race to save the last living heir to the throne before the powerful syndicate's assassins complete their extermination of anyone who could oppose them. Garran and Prince Adam Altena struggle to find allies in hopes of rescuing Adam's sister, who was forced to marry the usurper in order to prevent even the thought of rebellion, and raise an army capable of defeating The Guild. With The Guild now in control of Anatolia's powerful army as well as their legion of mercenaries, their future is grim. How can a disreputable agent and a deposed prince convince their neighboring rulers to oppose The Guild, an organization that has had them cowed for decades?