Every winter, 8,000 feet above sea level in the Utah snow, the hopes and dreams of young moviemakers are put on display at the Sundance Film Festival--the haven for independent films where you can show up a kid and go home a star. In barely twenty years of existence, the festival--now overseen by Robert Redford's Sundance Institute--has assumed tremendous importance for today's film culture: during the annual ten-day event, tiny Park City is so overrun by agents, publicists, studio executives, and other Hollywood types that in 1988 they blew out the town's cell-phone relay system.

A powerful story of one man's redemption through the Lakota Sun Dance ceremony. • Written by the only white man to be confirmed as a Sundance Chief by traditional Lakota elders. • Includes forewords by prominent Lakota spiritual leaders Leonard Crow Dog, Charles Chipps, Mary Thunder, and Jamie Sams. The Sun Dance is the largest and most important ceremony in the Lakota spiritual tradition, the one that ensures the life of the people for another year. In 1988 Michael Hull was extended an invitation to join in a Sun Dance by Lakota elder Leonard Crow Dog-- a controversial action because Hull is white. This was the beginning of a spiritual journey that increasingly interwove the life of the author with the people, process, and elements of Lakota spirituality. On this journey on the Red Road, Michael Hull confronted firsthand the transformational power of Lakota spiritual practice and the deep ambivalence many Indians had about opening their ceremonies to a white man. Sun Dancing presents a profound look at the elements of traditional Lakota ceremonial practice and the ways in which ceremony is regarded as life-giving by the Lakota. Through his commitment to following the Red Road, Michael Hull gradually won acceptance in a community that has rejected other attempts by white America to absorb its spiritual practices, leading to the extraordinary step of his confirmation as a Sun Dance Chief by Leonard Crow Dog and other Lakota spiritual leaders.

A fictionalized history of fourth-century Irish monks describes their spirituality and their influence on other areas of the world.

To the Plains Indians, the Sun Dance has traditionally been a profound religious ceremony, the highest form of worship of the Most Holy One. Thomas E. Mails was invited to attend and record in detail the Sioux Sun Dances at Rosebud and Pine Ridge. This was a singular honor no white man has been accorded before or since. The result is this groundbreaking work, illustrated with rare photographs and stunning four-color paintings.

After riding his horse Spirit all day to the small border town of Fresh Whiskey, Sundance is looking for sanctuary for him and his horse. His final destination is Mexico. Unsure of what the future will bring except freedom, he leaves his current life behind in search of his dreams. As he leaves the Whiskey Town saloon, Sundance accidentally slams the door on a young woman named Ayira. This will signal the moment when fate steps in between him and his plans. Sundance stays in Whiskey Town longer than he expected to because he falls in love with Ayira. As time moves on, the two of them will experience a relationship that could have never been foreseen by either of them. Eventually, their relationship together will lead them directly into a whirlwind of change, adventure, and romance--which will ultimately change both their lives forever.

He gained renown as the sidekick of Butch Cassidy, but the Sundance Kid—whose real name was Harry Alonzo Longabaugh—led a fuller life than history or Hollywood has allowed. A relative of Longabaugh through marriage, Donna B. Ernst has spent more than a quarter century researching his life. She now brings to print the most thorough account ever of one of the West’s most infamous outlaws, tracing his life from his childhood in Pennsylvania to his involvement with the Wild Bunch and, in 1908, to his reputed death by gunshot in Bolivia. Combining genealogical research, access to family records, and explorations in historical archives, Ernst details the Sundance Kid’s movements to paint a complete picture of the man. She recounts his homesteading days in Colorado, offers new information on his years as a cowboy in Wyoming and Canada, and cites newly uncovered records that substantiate both his outlaw activities and his attempts at self-reform. While taking readers on the wild chase that became Longabaugh’s life, outracing posses and Pinkertons, Ernst corrects inaccuracies in the historical record. She demonstrates that he could not have participated in the Belle Fourche bank heist or the Tipton train robbery and refutes speculations that Butch and Sundance managed to escape their fate in Bolivia. The Sundance Kid is enlivened by more than three dozen photographs, including family photos never before seen.