A light-hearted cookbook that reflects the historical and culinary heritage of the Hudson Valley.

The Pleasures of Autumn is another hot-hot-hot tale of romantic obsession and explosive sexual chemistry from bestelling erotica author Evie Hunter, a novel that fans of Sylvia Day, Kitty French and E.L. James will love and devour. When museum curator Sinead O'Sullivan is charged with stealing the Fire of Autumn, a dazzling ruby with a history of violence and treachery, bail is set at one million Swiss francs. Investigator Niall Moore is hired to stop her fleeing and to find the jewel. Their sexual chemistry is electric but logic says to ignore it. Desperate as she is to convince Niall of her innocence, Sinead cannot reveal everything she knows. And the feisty red-head's improbable tale tells him that she is not to be trusted. Yet it's impossible to ignore the carnal heat between them. Niall, an expert interrogator, uses every trick of the trade - and every weapon in his erotic armoury - to get at the truth. Sinead, a fast learner, counters his every move with one of her own. Thief and thief-taker fight for dominance and there can be only one winner. But what happens in their red-hot game of cat-and-mouse when criminals chasing the precious jewel come after Sinead ... and the stakes become deadly? If you're new to Evie, well you're in for a delicious treat . . . __________ PRAISE FOR EVIE HUNTER: 'A BDSM MASTERPIECE' Sunday World 'A MUST-READ IF YOU ENJOYED FIFTY SHADES OF GREY' Daily Star 'Better written than E.L. James and a more exciting read than any of Sylvia Day's books' Irish Independent

The Pleasures of Memory in Shakespeare's Sonnets uses Shakespeare's poetry as a case study for the mutually formative relationship between desire and recollection. Through a series of close readings that are both historically situated and informed by recent theory, it traces how the speaker of the poems strives for a more agential relationship to his own memory by treating recollection as a form of narrative. Drawing together insights from cognitive science, the early modern memory arts, and psychoanalysis, John S. Garrison connects the Sonnets to the larger Renaissance project of conceiving memory as a faculty to be developed and managed through self-discipline and rhetoric. In doing so, he reveals how early modern thought presaged many theories that have emerged in contemporary neuroscientific and psychoanalytic understandings of the self and its longing for pleasure. The Sonnets emerge as a collection that contemplates the affective dimensions and conceptual overlaps that bind anticipation to retrospection in the fraught pursuit of erotic pleasure. Indispensable for students and scholars working on Shakespeare's poetry, this study appeals also to a broader audience of readers interested in affect, memory, and sexuality studies. Shakespeare's most beloved sonnets are discussed, as well as less familiar ones, alongside contemporary adaptations of the poems. Garrison brings the Sonnets further into the present by comparing them with treatments of pleasure and memory by modern authors such as C.P. Cavafy, Toni Morrison, William Faulkner, and Michael Ondaatje.

Summers at the Vauxhall pleasure garden in London brought diverse entertainments to a diverse public. Picturesque walks and arbors offered a pastoral retreat from the city, while at the same time the garden's attractions indulged distinctly urban tastes for fashion, novelty, and sociability. High- and low-born alike were free to walk the paths; the proximity to strangers and the danger of dark walks were as thrilling to visitors as the fountains and fireworks. Vauxhall was the venue that made the careers of composers, inspired novelists, and showcased the work of artists. Scoundrels, sudden downpours, and extortionate ham prices notwithstanding, Vauxhall became a must-see destination for both Londoners and tourists. Before long, there were Vauxhalls across Britain and America, from York to New York, Norwich to New Orleans. This edited volume provides the first book-length study of the attractions and interactions of the pleasure garden, from the opening of Vauxhall in the seventeenth century to the amusement parks of the early twentieth. Nine essays explore the mutual influences of human behavior and design: landscape, painting, sculpture, and even transient elements such as lighting and music tacitly informed visitors how to move within the space, what to wear, how to behave, and where they might transgress. The Pleasure Garden, from Vauxhall to Coney Island draws together the work of musicologists, art historians, and scholars of urban studies and landscape design to unfold a cultural history of pleasure gardens, from the entertainments they offered to the anxieties of social difference they provoked.