Please note: This is a companion version & not the original book. Sample Book Insights: #1 The East Side neighborhood of Beekman Place, just north of the United Nations, has not always been home to the rich. It was originally a stretch of stolid middle-class row houses, but it was redeveloped in the 1920s when it became a popular destination for wealthy artists, writers, and theatrical celebrities. #2 The area around Beekman Place was a mix of luxury towers and grimy tenements in the early 1930s. In 1935, the socially conscious crime drama Dead End opened on Broadway, and its setting was inspired by the area.

A riveting account of a gruesome triple-homicide at Beekman Place in Depression Era New York, with an intriguing cast of characters including the brilliant but mentally-disturbed sculptor, Robert Irwin.

In this cogent and well-researched book, Harold Schechter argues that, unlike the popular conception of the media inciting violence through displaying it, without these outlets of violence in the media a basic human need would not be met and would have to be acted out in much more destructive ways. Schechter demonstrates how violent images saturated the earliest newspaper, how art and disturbing images are not incompatible and how the demoaisation of comic books in the 1950s det up a pattern of equating testosterone fuelled entertainment with aggression.

Bestselling true-crime writer Harold Schechter, a leading authority on serial killers, and coauthor David Everitt offer a guided tour through the bizarre and blood-chilling world of serial murder. Through hundreds of detailed entries that span the entire spectrum -- the shocking crimes, the infamous perpetrators, and much more -- they examine all angles of a gruesome cultural phenomenon that grips our imagination. From Art (both by and about serial killers) to Zeitgeist (how killers past and present embody their times)...from Groupies (even the most sadistic killer can claim devoted fans) to Marriage (the perfect domestic disguise for demented killers)...from Homebodies (psychos who slay in the comfort of their homes) to Plumbing (how clogged drains have undone the most discreet killer), THE A TO Z ENCYCLOPEDIA OF SERIAL KILLERS is the ultimate reference for anyone compelled by the personalities and pathologies behind the most disturbing of crimes.

AMERICA’S MOST COLD-BLOODED! In the horrifying annals of American crime, the infamous names of brutal killers such as Bundy, Dahmer, Gacy, and Berkowitz are writ large in the imaginations of a public both horrified and hypnotized by their monstrous, murderous acts. But for every celebrity psychopath who’s gotten ink for spilling blood, there’s a bevy of all-but-forgotten homicidal fiends studding the bloody margins of U.S. history. The law gave them their just desserts, but now the hugely acclaimed author of The Serial Killer Files and The Whole Death Catalog gives them their dark due in this absolutely riveting true-crime treasury. Among America’s most cold-blooded you’ll meet • Robert Irwin, “The Mad Sculptor”: He longed to use his carving skills on the woman he loved—but had to settle for making short work of her mother and sister instead. • Peter Robinson, “The Tell-Tale Heart Killer”: It took two days and four tries for him to finish off his victim, but no time at all for keen-eyed cops to spot the fatal flaw in his floor plan. • Anton Probst, “The Monster in the Shape of a Man”: The ax-murdering immigrant’s systematic slaughter of all eight members of a Pennsylvania farm family matched the savagery of the Manson murders a century later. • Edward H. Ruloff, “The Man of Two Lives”: A genuine Jekyll and Hyde, his brilliant scholarship disguised his bloodthirsty brutality, and his oversized brain gave new meaning to “mastermind.” Spurred by profit, passion, paranoia, or perverse pleasure, these killers—the Witch of Staten Island, the Smutty Nose Butcher, the Bluebeard of Quiet Dell, and many others—span three centuries and a host of harrowing murder methods. Dramatized in the pages of penny dreadfuls, sensationalized in tabloid headlines, and immortalized in “murder ballads” and classic fiction by Edgar Allan Poe and Theodore Dreiser, the demonic denizens of Psycho USA may be long gone to the gallows—but this insidiously irresistible slice of gothic Americana will ensure that they’ll no longer be forgotten.

An in-the-room account of John Colt’s scandalous nineteenth-century murder trial from “America’s principal chronicler of its greatest psychopathic killers” (Boston Review). In this masterful account, renowned true-crime historian Harold Schechter takes you into the life and crimes of convicted murderer John Caldwell Colt, drawing parallels between John’s rise to notoriety and his brother Samuel Colt’s rise to fame as the inventor of the legendary revolver. With a killing that made headlines around the nation, John Colt became a cultural touchstone whose shocking villainy inspired and provoked such writers as Edgar Allan Poe, Walt Whitman, and Herman Melville. Unlike his brother, John lived a nomadic existence, bouncing from one job to another. His one distinction, writing a reference accounting book, would play a part in his fall from grace. For in New York City, on September 17, 1841, John murdered printer Samuel Adams with a hatchet during a heated argument over proceeds from book sales. A media circus ensued, galvanizing the penny press, which printed lurid headlines and gruesome woodcut illustrations. The standing-room-only trial created unforgettable moments in legal history, including such dramatic evidence as Samuel Adams’s decomposed head. The verdict and its aftermath would reverberate throughout the country and beyond, giving John Colt lasting infamy. “[Schechter] leads us through Colt’s trial with such precision that you can smell the cigar smoke in the courtroom. . . . Killer Colt succeeds in making us care about this story now by showing why it mattered to so many people then.” —HistoryNet

"The shocking true story of one of the twentieth century's most prolific female serial killers."--Book jacket.