An engaging critique of Western misconceptions about the mysterious East. Alain Grosrichard's fascinating survey focuses particularly on portrayals of the Ottoman Empire by Western intellectuals and the supposedly enigmatic structure of the despot's court--the seraglio--with its viziers, janissaries, mutes, dwarfs, eunuchs, and countless wives.

A survey of Western accounts of "Oriental despotism" in the 17th and 18th centuries, focusing particularly on portrayals of the Ottoman empire and the supposedly enigmatic structure of the despot's court - the seraglio - with its viziers, dwarfs, mutes, eunuchs and countless wives.

Building on his award-winning research, Christian Mauder’s In the Sultan’s Salon constitutes the first detailed study of the intellectual, religious, and political culture of the court of the Mamluk Sultanate (1250–1517), one of the most important polities in Islamic history.

Page-turning mystery, grandly seductive romance and full historical immersion into Moroccan court history, this exquisitely depicted and intensely absorbing novel follows in the bestselling tradition of The Tenth Gift and The Salt Road. 1677, Morocco. Behind the magnificent walls and towering arches of the Palace of Meknes, captive chieftain's son and now a lowly scribe, Nus Nus is framed for murder. As he attempts to evade punishment for the bloody crime, Nus Nus finds himself trapped in a vicious plot, caught between the three most powerful figures in the court: the cruel and arbitrary sultan, Moulay Ismail, one of the most tyrannical rulers in history; his monstrous wife Zidana, famed for her use of poison and black magic; and the conniving Grand Vizier. Meanwhile, a young Englishwoman named Alys Swann has been taken prisoner by Barbary corsairs and brought to the court. She faces a simple choice: renounce her faith and join the Sultan's harem; or die. As they battle for survival, Alys and Nus Nus find themselves thrust into an unlikely alliance--an alliance that will become a deep and moving relationship in which these two outsiders will find sustenance and courage in the most perilous of circumstances. From the danger and majesty of Meknes to the stinking streets of London and the decadent court of Charles II, The Sultan's Wife brings to life some of the most remarkable characters of history through a captivating tale of intrigue, loyalty and desire.

Between the 14th and the 17th century, the Deccan plateau of south-central India was home to a series of important and highly cultured Muslim courts. Subtly blending elements from Iran, West Asia, southern India, and northern India, the arts produced under these sultanates are markedly different from those of the rest of India and especially from those produced under Mughal patronage. This publication, a result of a 2008 symposium held at The Metropolitan Museum of Art, investigates the arts of Deccan and the unique output in the fields of painting, literature, architecture, arms, textiles, and carpet.

The renowned Turkish author’s memoir of serving Sultan Mehmed V provides a rare look inside the palace politics of the late Ottoman Empire. Before he became one of Turkey’s most famous novelists, Halid Ziya Usakligil served as First Secretary to Sultan Mehmed V. His memoir of that time, between 1909 and 1912, provides first-hand insight into the personalities, intrigues, and inner workings of the Ottoman palace in its final decades. In post-Revolution Turkey, the palace no longer exercised political power. Instead, it negotiated the minefields between political factions, sought ways to unite the empire in the face of nationalist aspirations, and faced the opening salvos of the wars that would eventually overwhelm the country. Usakligil includes interviews with the Imperial family as well as descriptions of royal nuptials, the palaces and its visitors, and the crises that shook the court. He also delivers an insightful and moving portrait of Mehmed V, the man who reigned over the Ottoman Empire through both Balkan Wars and World War I.

By the fourteenth century the Islamic faith had spread via maritime trade routes to Southeast Asia where, over the next seven hundred years, it would have a continuing influence on political life, social customs, and the development of the arts. Sultans, Shamans, and Saints looks at Islam in Southeast Asia during four major eras: its arrival (to 1300), the first flowering of Islamic identity (1300–1800), the era of imperialism (1800–1945), and the era of independent nation-states (1945–2000). Ranging across the humanities and social sciences, this balanced and accessible work emphasizes the historical development of Southeast Asia’s accommodation of Islam and the creation of its distinctive regional character. Each chapter opens with a general background summary that places events in the greater Asian/Southeast Asian context, followed by an overview of prominent ethnic groups, political events, customs and cultures, religious factors, and art forms. Sultans, Shamans, and Saints will be of great value to students and researchers specializing in the study of Islam and the comparative study of Muslim societies and culture. It will also be useful to those with a world-systems approach to the study of history and globalization.