Kazim Ali is a poet, novelist, and essayist whose work explores themes of identity, migration, and the intersections of cultural and spiritual traditions. His poetry is known for its lyrical and expressive language, as well as its exploration of themes such as love, loss, and the search for meaning in a rapidly changing world. "Sukun" means serenity or calm, and a sukun is also a form of punctuation in Arabic orthography that denotes a pause over a consonant. This Sukun draws a generous selection from Kazim's six previous full-length collections, and includes 35 new poems. It allows us to trace Ali's passions and concerns, and take the measure of his art: the close attention to the spiritual and the visceral, and the deep language play that is both musical and plain spoken. [sample poem] The Fifth Planet Come, early summer in the mountains, and come, strawberry moon, and carry me softly in the silver canoe on wires to the summit, where in that way of late night useless talk, the bright dark asks me, "What is the thing you are most afraid of?" and I already know which lie I will tell. There were six of us huddled there in the cold, leaning on the rocks lingering in the dark where I do not like to linger, looking up at the sharp round pinnacle of light discussing what shapes we saw—rabbit, man, goddess—but that brightness for me was haunted by no thing, no shadow at all in the lumens. What am I, what am I, I kept throwing out to the hustling silence. No light comes from the moon, he's just got good positioning and I suppose that's the answer, that's what I'm most afraid of, that I'm a mirror, that I have no light of my own, that I hang in empty space in faithful orbit around a god or father neither of Whom will ever see me whole. I keep squinting to try to see Jupiter which the newspaper said would be found near the moon but it's nowhere, they must have lied. Or like god, there is too much reflection, headsplitting and profane, scraping up every shadow, too much light for anyone to see.

At the centre of this study is a shaman's chant performed during a three-week long feast in the eastern Himalayas. The book includes a translation of this 12-hour text chanted in Apatani, a Tibeto-Burman language, and a description of the events that surround it, especially ritual exchanges with ceremonial friends, in which fertility is celebrated. The shaman's social role, performance and ritual language are also described. Although complex feasts, like this one among Apatanis, have been described in northeast India and upland Southeast Asia for more than a century, this is the first book to present a full translation of the accompanying chant and to integrate it into the interpretation of the social significance of the total event.

The Historical Dictionary of Yukaghir has two main purposes. First, it is intended as a relatively complete source of information on the lexicon of Yukaghir. Tundra and Kolyma Yukaghir are closely related, highly endangered languages spoken in the extreme North-East of Siberia. No modern comprehensive lexicographic description of these languages is available for the international linguistic community. The dictionary presents all known varieties of Yukaghir in comparative format. Some of the materials included come from published sources, others were obtained by the author through fieldwork and are published for the first time. The dictionary also contains examples of now extinct early forms of Yukaghir, which began to be recorded in the late 17th century. Second, the dictionary provides a first reconstruction of the common ancestor of all known Yukaghir varieties. The proto-Yukaghir stems are established based on internal reconstruction, comparison between various Yukaghir idioms, and external data. Although the dictionary does not attempt to provide etymologies for all Yukaghir words, it includes possible cognates of some Yukaghir stems from other languages, mainly Uralic and Altaic. Since Yukaghir forms are not only cited in their modern shape but are reconstructed, the dictionary will provide a foundation for future etymological work and contribute to investigating the genetic affiliation of Yukaghir, usually classified as isolated. The book will also be useful for linguists interested in the distant genetic relations between language families and the reconstruction of the ethnic and linguistic situation in prehistoric northern Asia.

Strengthen reading skills with 180 Days of Reading, 2nd Edition, a workbook of effective and engaging daily practice activities. This easy-to-use third grade workbook is great for at-home learning or classroom instruction. Watch students learn to read and write more confidently with these standards-based learning activities. The 2nd Edition of this activity book incorporates thematic units and a combination of fiction, nonfiction, and nontraditional texts. The new edition also reinforces the connection between reading and writing by having students write about what they read. Parents appreciate the grade-appropriate reading passages and meaningful topics that children will love. The daily reading practice is ideal for homeschool, to reinforce learning at school, or to prevent learning loss over summer. Teachers rely on these workbooks to save them valuable time and address learning gaps.

Dhivehi, the language of the Maldives, has received little attention in the linguistic literature, and no other comprehensive grammar of the standard language has yet been published. This work describes the phonology, unique orthography, morphology, and syntax of standard Dhivehi. Plentiful examples with native orthography, Roman transliteration, and morpheme-by-morpheme glossing illustrate the various features of the language. This grammar will be of use both to linguists and to students of Dhivehi.