Infrequently published chronicle of the exploits and photographs of the world famous alternative model cult known as the SuicideGirls.

"SuicideGirls" explores the SuicideGirl phenomenon from their start in 2001 to their Web sites that attract more than one million visitors per week. This title shines a light on a new female aesthetic--a look reminiscent of vintage Betty Page and Bunny Yeager, but with a decisively 21st-century edge.

The SuicideGirls are a collection of more than 2,500 pin-up girls devoted to changing your idea about what makes a woman beautiful ... and they are naked. Started in Portland, Oregon, by Missy Suicide and her friends in 2001, the SuicideGirls broke conventional notions of beauty and the pin-up girl ideal as defined by men's and women's magazines and the culture at large. In addition to the millions of visitors that frequent the SG Website, this book will appeal to both men and women (their membership is split nearly equally) who thought the shy, artsy chick with the black eyeliner and nose ring was the sexiest girl in high school (every guy in Silverlake, Williamsburg, and beyond).

Ntozake Shange’s classic, award-winning play encompassing the wide-ranging experiences of Black women, now with introductions by two-time National Book Award winner Jesmyn Ward and Broadway director Camille A. Brown. From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

The SuicideGirls are a collection of more than 2,500 pin-up girls devoted to changing your idea about what makes a woman beautiful ... and they are naked. Started in Portland, Oregon, by Missy Suicide and her friends in 2001, the SuicideGirls broke conventional notions of beauty and the pin-up girl ideal as defined by men's and women's magazines and the culture at large. This time around "SuicideGirls isn't redefining what it means to be beautiful or what it means to be a geek. They're celebrating the fact [they've] always been here, [they've] always been geeks, and [they've] always been beautiful." "SuicideGirls: Geekology" casts the spotlight on the self-proclaimed geeks of the SuicideGirls population--the video-game players, the comic-book readers, the Trekkies, and many other shining examples of the culture they're celebrating. There's something really wonderful about this book. There's something beautiful around the idea of showcasing girl geeks in all their glory: to go beyond the photos and find out that, to us, each piece of the picture means something. To find out how many hours we put into designing our cosplay and how attentive we are to the homages we create. We're not just playing dress up in a world we know nothing about. We were right there with it, helping to build popularity from the ground up: first in line, issue number one. Once a subculture of a subculture, women are now a full force in the geek community.

What if you killed yourself and discovered that the "Afterlife"might actually suck? Pogue Eldridge is a woman who does just that, and she starts to realize that this Afterlife stuff isn't at all what she expected. First, she's required to stay on a specific floor at the Sterling Hotel until renovations in Hell and Heaven are completed. That's the rules. Second, she can't go up to the nice floors where all the rich people are. More rules. And third, the food isn't that great, and there's nothing to do. Death imitating life? Pogue thinks so, and along with 15-year-old Katina, who died of a drug overdose (another form of suicide), they decide to go exploring, and bring along some of the others they've met. But because of the rules, they can only go down in the hotel elevator. And once they're in Hell, they can't leave unless "Lucy" decides they can. Join Pogue and her companions on a seriously twisted, often funny, and macabre trip through the Afterlife, where a Goth Lucifer suffers from depression, Jesus plays video games and smokes way too much pot, and Hell truly is a crappy place to be. "Ranalli is one of those rare authors who can seamlessly combine horror with the hilariously bizarre, all with a sly little smile and wink. With Ranalli's unique turns of phrase and descriptions, Suicide Girls in the Afterlife pokes fun at life, death, and the absurdity of being human. A strange, entertaining, and thought-provoking read." --Andi Marquette, author of several novels including Friends in High Places and the award-winning Land of Entrapment

First published in 1993, The Virgin Suicides announced the arrival of a major new American novelist. In a quiet suburb of Detroit, the five Lisbon sisters—beautiful, eccentric, and obsessively watched by the neighborhood boys—commit suicide one by one over the course of a single year. As the boys observe them from afar, transfixed, they piece together the mystery of the family’s fatal melancholy, in this hypnotic and unforgettable novel of adolescent love, disquiet, and death. Jeffrey Eugenides evokes the emotions of youth with haunting sensitivity and dark humor and creates a coming-of-age story unlike any of our time. Adapted into a critically acclaimed film by Sofia Coppola, The Virgin Suicides is a modern classic, a lyrical and timeless tale of sex and suicide that transforms and mythologizes suburban middle-American life.