Feedsacks, flour sacks, and sugar sacks have been popular for creating quilts, garments and sewn household items from the 1800s through the 1960s. Made of strong, durable 200 thread count cotton, the sacks came in a variety of colors and patterns. Today, fabric manufacturers are offering reproduction fabrics true to vintage sack material designs. &break;&break;Sugar Sack Quilts contains a comprehensive overview of feed sacks produced between 1930 and 1960. Hailey also offers 12 modern designs for coordinating projects, from bed quilts to wall hangings. This book also contains a fascinating combination of historic information and quilting projects for a great value.

Feed sacks are the perfect example of a utilitarian product turned into something beautiful. Author Linzee Kull McCray explores the history of the humble feed sack, from a plain cotton sack to exuberantly patterned and colorful bags that were repurposed into frocks, aprons, and quilts by thrifty housewives in the first half of the twentieth century. Extensive imagery and at-scale reproductions of these fabrics create an inspiring sourcebook of pattern and color--and offer a welcome visit to the days of yesteryear. No patterns included

A quilt historian chronicles the fascinating yet untold story of feedsack quilts made in America during the Great Depression and WWII. Feedsacks weren’t meant for anything more than their name implies until hard times changed the way people looked at available resources. In the 1930s and 40s, quilters facing poverty and fabric shortages found that these cotton bags could be repurposed into something beautiful. Manufacturers capitalized on the trend by designing their bags with stylish patterns, like the iconic gingham. In Feedsack Secrets, quilt historian Gloria Nixon shares the story of the patterned feedsack with research culled from old farm periodicals, magazines and newspapers. Along the way, she reveals how women met for sack-and-snack-club fabric swaps; there were restrictions on jacket lengths, hem depths and the sweep of a skirt; and feedsack prints and bags played a part in political contests, even accurately predicting that Truman would win the 1948 presidential election.

Printed cotton sacks are currently fashionable aspects for material culture research, particularly in the costume and quilt history communities. In the second quarter of the twentieth century, these mass-produced sacks were relied upon by rural America as a valuable source of free fabric for clothing, quilts, and home d cor. This book is the catalog for the Museum of Texas Tech University's "Cotton and Thrift" exhibition, which showcases the Pat L. Nickols Cotton Sack Research Collection. The Nickols Collection includes white sacks, printed partial and whole cotton sacks, swatches of printed sacks, instructional booklets, garments, quilts, quilt tops and decorated white sacks. Combined with earlier and subsequent individual donations, the almost 6000 feed sack pieces held by the Museum of TTU make this the largest collection of feed sack materials to be assembled by an American university, and likely the largest such collection in public hands.

From poodle skirts of the 1950s to baby doll dresses of the 1990s, the fabrics of our everyday lives are featured in this handy reference guide to the materials of the last half century. A companion to Dating Fabrics: A Color Guide 1800-1960, this source is ideal for those studying fashion and clothing trends from the late twentieth century, as well as collectors of recent quilts. Today's quilts may have elements of more than one decade because many quilters collect a great deal of fabric, and may draw from one group of fabric over a long period of time. The recent proliferation of reproduction fabrics has caused concern for the ability to differentiate the old from the new in reproduction quilts and repairs. An informative section on these fabrics from the 1980-2000 era provides a blueprint for building confident conclusions as to the fabric's origins. For ease in identification, prints are shown actual size and specific fabric lines and styles are grouped and sorted by date, then color. Dating divisions coincide with turning points in history which influenced attitudes and styles, and are highlighted by a brief history of each era.

Discover the history behind more than 250 dolls, with photos, fabric panels, and ephemera that bring America’s past to life. Since the day a simple rag doll was carried off the Mayflower, dolls have captured our hearts, and thrifty Americans have always made dolls for their children. As the centuries progressed, early homemade dolls with painted faces gave way to commercial cut-and-sew versions. Then advertisers jumped in with dolls printed on flour sacks and fabric panels—which became precious possessions of little girls during the dark days of the Great Depression and World War II. In this book, you’ll find history and photographs of more than 250 dolls, fabric panels, and doll ephemera, many rarely seen items, careful collected and documented by historian Gloria Nixon.

This wide-ranging book shows how to create quilts with an authentic antique look, collect period textiles, while revealing the history of American fabrics. Learn the fascinating true story of fabrics in America and make your own period quilts with this comprehensive guide to fabrics and their influence on American quilts, from the machine age to the atomic age. From quilt historian Barbara Brackman, author of America's Printed Fabrics 1770–1890,Making History not only includes 9 quilt projects inspired by vintage quilt designs and fabrics, but is packed with historic photos, stories, and insights into the role of fabrics in everyday life.