The developing role of graphics in the struggle for women's liberation.

The true story of the Gilded Age's "political twins" who brought women's suffrage and political reform to the city of Pittsburgh. Sometimes troublemakers emerge from the most unlikely of places. This true story follows the lives of two daughters of the Gilded Age--Lucy and Eliza Kennedy--who were educated at Vassar College and became leaders of the suffrage movement. Then, after the Nineteenth Amendment was passed in 1920, they spent the next forty years fighting corruption in politics and government. Tenacious, smart, and witty, they captivated crowds, disarmed their opponents, and instilled particular dread among the corrupt politicians who were the unfortunate targets of their nonpartisan crusade. Their entry across the threshold of Pittsburgh's City-County Building would reportedly invoke a flurry of hushed warnings through the halls: "The She Devils are at the door!" Together, Lucy and Eliza fought for the vote, empowered women to use it wisely, forced a mayor out of office in disgrace, took control of the city budget, exposed a series of scandals, spearheaded police reform, and launched a campaign that would eventually clear Pittsburgh of its smoky veil. Featuring the true story of two powerful women, this book comes at a propitious time, reminding us how far women have come and how vigilant we must remain.

DIVA visual history about how feminist artists have appropriated and incorporated the signification of the pin-up genre within their own work./div

Social discontent and political protest have been expressed visually as well as verbally throughout the ages. Graffiti scribbles on a wall, pictures scattered in the street during marches, posters spread through the environment: all have played their part. For such agitational images represent a power strugg≤ a rebellion against an established order and a call to arms, or a passionate cry of concern for a cause. The book begins in the 16th century with the Reformation, when images could be produced in multiples. It then travels through decades and centuries of graphics: protesting against the miseries of war; satirising the foibles of royalty, politicians, religions, and society in general; calling for an end to racial discrimination and apartheid; demanding freedom from tyranny and dictatorships; struggling for LGBTQ+ rights; and, finally, attending to 21st-century concerns and Trumpisms. Each chronological chapter opens with a short introduction offering historical and artistic context to the period, followed by a copious and wide-ranging display of powerful protest graphics, grouped together by event or movement. Encompassing an astounding breadth of emotion--from hilarious satire to utter horror--Protest! is a tribute to the liberating concept of hard-won 'freedom of speech' throughout history, and which still has agency in current times.

Popular music grew out of ragtime, vaudeville and the blues to become global mass entertainment. Women like Ma Rainey and Bessie Smith were the original pop divas, yet eighty years after they blazed a trail, have their successors achieved the recognition and affirmation they deserve? Or has the only way to success been to slot into saleable images of the cute baby or sexy chanteuse? This is the story of women as creators and innovators, aiming to provide a history of women in rock, pop and soul - on stage, on camera and working behind the scenes in a male-dominated industry. This edition contains an extra chapter and interviews covering trends such as Girlpower.

While historians have long recognized the importance of memorabilia to the Woman Suffrage movement, the subject has not been explored apart from a few restricted, albeit excellent, studies. Part of the problem is that such objects are scattered about in various collections and museums and can be difficult to access. Another is that most scholars do not have ready knowledge 1of the general nature and history of the type of objects (postcards, badges, sashes, toys, ceramics, sheet music, etc.) that suffragists produced. Then-new techniques in both printing and manufacturing created numerous possibilities for supporters to develop campaigns of "visual rhetoric." This work analyzes 70 different categories of suffrage memorabilia, while providing numerous images of relevant objects along the way and discussing these innovative production methods. Most important, this study looks at period accounts, often fascinating, of how, why when, and where the memorabilia were used in both America and England.