Moving South? Feeling a little out of place? Craving pizza from home and faking a passion for sweet tea? Not generating much Southern hospitality? Wondering if you'll ever fit in? Well, honey, here's your complete guide to living in Dixie, providing migrating Yanks with tips on living, eating, greeting, driving, walking, talking, and what food to bring to a funeral. From his 'n' her Southern Hair Dos (and Don'ts) to The A to Z Dixie Dictionary, Suddenly Southern includes everything you need to know about living south of the Mason-Dixon Line, including: Recipes that range from mint juleps and hoppin' john to recipes for disaster "Know Your Bugs by Their Mugs," a handy identification chart 10 ways to say, "Now that's ugly" in Dixie How to walk from the store to the car without dying, a Fun-in-the-Sun Survival Kit 100 Southern Things Worth the Trip From Southern tailgate food (deviled eggs and cheese straws) to minding your BBQs, from pronouncing pecan to knowing when your cat's a true Southerner, from knowing when you're fittin' in to knowing when you're not, this is the ideal guide for anyone moving, planning a move, or just plain ol' interested in this fascinating American region. With this book on your shelf, they'll never be able to say "Yankee, go home" again.

The South is often perceived as a haunted place in its region's literature, one that is strange, deviant, or "queer." The peculiar, often sexually charged literary worlds of contemporary writers like Fannie Flagg, Monique Truong, and Randall Kenan speak to this connection between queerness and the South. Heidi Siegrist explores the boundaries of negotiating place and sexuality by using the concept of Southernness—a purposefully fluid idea of the South that extends beyond simple geography, eschewing familiar ideas of the Southern canon. When the connection between queerness and Southerness becomes apparent, Siegrist shows a Southern-branded queer deviance can not only change the way we think about literature but can also change Southern queer people's lived experiences. Siegrist gathers a bevy of undertheorized writers, from Kenan and Truong to Dorothy Allison and even George R. R. Martin, showing that there are many "queer Souths." Siegrist offers these multiverses as a way to appreciate a place that is often unfriendly, even deadly, to queer people. But as Siegrist argues, none of these Souths, from the terrestrial to the imaginary, would be what they are without the influence and power of queer literature.

This tongue-in-cheek dictionary of Southern words and phrases offers a hilarious spoof of the Southern accent. This book is dedicated to all Yankees* in the hope that it will teach them how to talk right. *Yankee: Anyone who is not from Kentucky, Virginia, Tennessee, North Carolina, South Carolina, Georgia, Florida, Mississippi, Alabama, Louisiana, Arkansas, Texas, and possibly Oklahoma and West-by-God-Virginia. A Yankee may become an honorary Southerner, but a Southerner cannot become a Yankee, assuming any Southerner wanted to.

In 1970, four racially moderate Democrats won governors' seats in the American South -- Dale Bumpers in Arkansas, Reubin Askew in Florida, John West in South Carolina, and Jimmy Carter in Georgia. In Mighty Peculiar Elections, Randy Sanders explores these campaigns and shows that while each reflected aspects of its state's unique history and political idiosyncrasies, taken together, they signaled changes in attitudes and the politics of race in the South as well as the nation as a whole. Most southerners by 1970 had come to realize the futility of overt opposition to federal civil rights policies and no longer wanted to hear political candidates singing the refrains of white supremacy. Bumpers won Arkansas's Democratic primary over former Governor Orval Faubus, who had symbolized southern intransigence since 1957, when he ordered the state militia to prevent school integration at Central High School in Little Rock. Askew defeated Florida's Republican incumbent governor, Claude Kirk, who seized a school district during the campaign in order to thwart a court-ordered school desegregation plan. Similarly, West ran against Republican Albert Watson, who spewed fiery anti-integration rhetoric, and Carter succeeded Lester Maddox, who had established and maintained his hard-line segregationist reputation by autographing ax handles, mementos of the weapon he used years earlier to prevent blacks from entering his restaurant. None of the victors in 1970 talked much about civil rights during their campaigns; they all downplayed, evaded, or finessed racial issues when those topics arose.Sanders describes how the successful candidates carefully shaped their campaigns, rejecting the rhetoric of resistance without uttering strong words in favor of desegregation. A shared campaign strategy of "new populism" emerged among these candidates -- a strategy that promoted the interests of common folk, but relied primarily on image and style rather than issues to attract support. The candidates also perceived the diminishing power of party loyalty, political machines, and power brokers that controlled large groups of voters, and began to appeal directly to the electorate through television, employing effective strategies that emphasized their best qualities. The cool images of reasoned calm played well on television and prevailed over the hot pictures of frenzied defiance. Using archival materials, media records, personal papers, and interviews, Sanders shows that although these elections did not mark a total transformation of southern politics, they did suggest a subtle shift in the balance of power away from those who continued to roar the rhetoric of racism and resistance towards those who espoused a more moderate position. By focusing on one moment in a period of great political change, Mighty Peculiar Elections shines a spotlight on the evolving racial attitudes of the New South.

At a public picnic in the South in the 1890s, a young man paid five cents for his first chance to hear the revolutionary Edison talking machine. He eagerly listened as the soundman placed the needle down, only to find that through the tubes he held to his ears came the chilling sounds of a lynching. In this story, with its blend of new technology and old hatreds, genteel picnics and mob violence, Edward Ayers captures the history of the South in the years between Reconstruction and the turn of the century. Ranging from the Georgia coast to the Tennessee mountains, from the power brokers to tenant farmers, Ayers depicts a land of startling contrasts. Ayers takes us from remote Southern towns, revolutionized by the spread of the railroads, to the statehouses where Democratic Redeemers swept away the legacy of Reconstruction; from the small farmers, trapped into growing nothing but cotton, to the new industries of Birmingham; from abuse and intimacy in the family to tumultuous public meetings of the prohibitionists. He explores every aspect of society, politics, and the economy, detailing the importance of each in the emerging New South. Central to the entire story is the role of race relations, from alliances and friendships between blacks and whites to the spread of Jim Crows laws and disfranchisement. The teeming nineteenth-century South comes to life in these pages. When this book first appeared in 1992, it won a broad array of prizes and was a finalist for both the National Book Award and the Pulitzer Prize. The citation for the National Book Award declared Promise of the New South a vivid and masterfully detailed picture of the evolution of a new society. The Atlantic called it "one of the broadest and most original interpretations of southern history of the past twenty years.

"Within the realm of U.S. culture and its construction of its citizenry, geography, and ideology, who are Southerners and who are queers, and what is the South and what is queerness? Queering the South on Screen addresses these questions by examining "the intersections of queerness, regionalism, and identity" depicted in film, television, and other visual media about the South during the twentieth century. From portrayals of slavery to gothic horror films, the contributors show that queer southerners have always expressed desires for distinctiveness in the making and consumption of visual media. Read together, the introduction and twelve chapters deconstruct premeditated labels of identity such as queer and southern. In doing so, they expose the reflexive nature of these labels to construct fantasies based on southerner's self-identification based on what they were not"--

Includes the decisions of the Supreme Courts of Alabama, Florida, Louisiana, and Mississippi, the Appellate Courts of Alabama and, Sept. 1928/Jan. 1929-Jan./Mar. 1941, the Courts of Appeal of Louisiana.