This revisionist history explores how the tsar's power was transferred in Russia over three centuries, as cultural practices and customs evolved.

The first western account of the role of pretenders and impostors in early seventeenth-century Russia.

Research on the East Slavs in the medieval period has considerably changed since the collapse of the Soviet Union. The emergence of new states forced a rethinking of many aspects of the history and culture of the early East Slavs as the subject became increasingly disentangled from the umbrella of Byzantine studies and fruitful collaboration was fostered between scholars worldwide. This book, which brings together scholars from Russia, Ukraine, western Europe and North America, of several generations, presents a broad overview of the main results of the last three decades of research and mutual collaboration. This is important work, providing a much-needed counterbalance to studies of western Europe in the period, which has been the main focus of study, with the lands of the East Slavs relatively neglected.

The Tsar's Happy Occasion shows how the vast, ornate affairs that were royal weddings in early modern Russia were choreographed to broadcast powerful images of monarchy and dynasty. Processions and speeches emphasized dynastic continuity and legitimacy. Fertility rites blended Christian and pre-Christian symbols to assure the birth of heirs. Gift exchanges created and affirmed social solidarity among the elite. The bride performed rituals that integrated herself and her family into the inner circle of the court. Using an array of archival sources, Russell E. Martin demonstrates how royal weddings reflected and shaped court politics during a time of dramatic cultural and dynastic change. As Martin shows, the rites of passage in these ceremonies were dazzling displays of monarchical power unlike any other ritual at the Muscovite court. And as dynasties came and went and the political culture evolved, so too did wedding rituals. Martin relates how Peter the Great first mocked, then remade wedding rituals to symbolize and empower his efforts to westernize Russia. After Peter, the two branches of the Romanov dynasty used weddings to solidify their claims to the throne. The Tsar's Happy Occasion offers a sweeping, yet penetrating cultural history of the power of rituals and the rituals of power in early modern Russia.

This revisionist history of the transfer of the tsar's power in early modern Russia, from the Moscow princes of the fifteenth century to Peter the Great, overturns generations of scholarship to argue that legal primogeniture never existed: the monarch designated an heir that was usually the eldest son only by custom, not by law.

Winner of the 2023 Marc Raeff Book Prize; A 2023 REFORC Book Award Longlist TitleThis book highlights the main features and trends of Russian “political” thought in an era when sovereignty, state, and politics, as understood in Western Christendom, were non-existent in Russia, or were only beginning to be articulated. It concentrates on enigmatic authors and sources that shaped official perception of rulership, or marked certain changes of importance of this perception. Special emphasis is given to those written and visual sources that point towards depersonalization and secularization of rulership in Russia. A comparison with Western Christendom frames the argument throughout the book, both in terms of ideas and the practical aspects of state-building, allowing the reader to ponder Russia’s differentia specifica.

Accessible to students, tourists and general readers alike, this book provides a broad overview of Russian history since the ninth century. Paul Bushkovitch emphasizes the enormous changes in the understanding of Russian history resulting from the end of the Soviet Union in 1991. Since then, new material has come to light on the history of the Soviet era, providing new conceptions of Russia's pre-revolutionary past. The book traces not only the political history of Russia, but also developments in its literature, art and science. Bushkovitch describes well-known cultural figures, such as Chekhov, Tolstoy and Mendeleev, in their institutional and historical contexts. Though the 1917 revolution, the resulting Soviet system and the Cold War were a crucial part of Russian and world history, Bushkovitch presents earlier developments as more than just a prelude to Bolshevik power.