"Drawing on Habermas and Freud as well as historians of the family, Daniels takes up the case of three women novelists each writing at a key moment in the parallel development of the novel genre and the modern family. She demonstrates that these writers - confronted with ever more reified exclusion from public life, and relegated to narrowly defined domestic roles - intervened in and subverted the process in their novels. Daniels shows that women writers used the novel first to imagine different social rules that might define alternative kinship systems (Graffigny), and later to find - and create - loopholes within a firmly entrenched system of official and unofficial law (Charriere and Sand)." "Spanning a crucial period in the emergence of modernity, this interdisciplinary study addresses problems in French literary and social history, gender studies, and the history of mentalites."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"Shine[s] with a beautiful, blooming sense of wonder.”—New York Times Book Review A 2023 LAMBDA LITERARY AWARD WINNER! One of... Entertainment Weekly's 10 Best LGBTQ+ Romance Novels of the Last Five Years Essence's New Books We Can’t Wait To Read In 2022 Oprah Daily’s Most Anticipated Romance Novels of 2022 Buzzfeed’s Highly Anticipated LGBTQ Romance Novels in 2022 Popsugar's New Romance Novels That Will Make You Fall in Love With 2022 BookRiot’s Most Anticipated New Adult Romance Reads For Spring 2022 E! News and LifeSavvy’s February Books to Fall in Love With Bustle’s Most Anticipated Books of February Betches’ Books You Need to Read in 2022 A chance to rewrite their ending is worth the risk in this swoony romantic comedy from Kosoko Jackson. It’s been months since aspiring journalist Kian Andrews has heard from his ex-boyfriend, Hudson Rivers, but an urgent text has them meeting at a café. Maybe Hudson wants to profusely apologize for the breakup. Or confess his undying love. . . But no, Hudson has a favor to ask—he wants Kian to pretend to be his boyfriend while his parents are in town, and Kian reluctantly agrees. The dinner doesn’t go exactly as planned, and suddenly Kian is Hudson’s plus one to Georgia’s wedding of the season. Hudson comes from a wealthy family where reputation is everything, and he really can’t afford another mistake. If Kian goes, he’ll help Hudson preserve appearances and get the opportunity to rub shoulders with some of the biggest names in media. This could be the big career break Kian needs. But their fake relationship is starting to feel like it might be more than a means to an end, and it’s time for both men to fact-check their feelings.

In the 1990s, a boom in autobiographical novels and memoirs about incest emerged, making incest one of the hottest topics to connect daytime TV talk shows, the self-help industry, and the literary publishing circuit. In Everybody's Family Romance, Gillian Harkins places this proliferation of incest literature at the center of transformations in the political and economic climate of the late twentieth century. Harkins's interdisciplinary approach reveals how women's narratives about incest were co-opted by-and yet retained resistant strains against-the cultural logics of the neoliberal state. Across chapters examining legal cases on recovered memory, popular journalism, and novels and memoirs by Dorothy Allison, Carolivia Herron, Kathryn Harrison, and Sapphire, Harkins demonstrates that incest narratives look backward into the past. In these accounts, images of incest forge links between U.S. chattel slavery and the distributive impasses of the welfare state and between decades-distant childhoods and emergent memories of the present. In contrast to recent claims that incest narratives eclipse broader frameworks of political and economic power, Harkins argues that their emergence exposes changing structural relations between the family and the nation and, in doing so, transforms the analyses of American familial sexual violence.

For fans of What Belongs to You by Garth Greenwell and The Futures by Anna Pitoniak, a soul-piercing debut that explores the intertwining of past and present, queerness, and coming of age in uncertain times. Willa's darkness enters Hesper's light late one night in Brooklyn. Theirs is a whirlwind romance until Willa starts to know Hesper too well, to crawl into her hidden spaces, and Hesper shuts her out. She runs, following her fractured family back to her grandfather's hometown of Tbilisi, Georgia, looking for the origin story that he is no longer able to tell. But once in Tbilisi, cracks appear in her grandfather's history-and a massive flood is heading toward Georgia, threatening any hope for repair. Meanwhile, heartbroken Willa is so desperate to leave New York that she joins a group trip for Jewish twentysomethings to visit Holocaust sites in Germany and Poland, hoping to override her emotional state. When it proves to be more fraught than home, she must come to terms with her past-the ancestral past, her romantic past, and the past that can lead her forward. Told from alternating perspectives, and ending in the shadow of Trump's presidency, WILLA & HESPER is a deeply moving, cerebral, and timely debut

“A shining debut, with a heady admixture of explosive plot and taut, burnished prose. This is a book that loves its wounded characters and troubled places, and in so deeply loving, it finds a terrible truth and beauty where other writers wouldn't have found the courage to look . . . Mesha Maren writes like a force of nature.” —Lauren Groff, author of Fates and Furies On the far side the view was nothing but ridgelines, the craggy silhouettes rising up against the night sky like the body of some dormant god. Jodi felt her breath go tight in her chest. This road went only one way, it seemed, in under the mountains until you were circled. In 1989, Jodi McCarty is seventeen years old when she’s sentenced to life in prison for manslaughter. She’s released eighteen years later and finds herself at a Greyhound bus stop, reeling from the shock of unexpected freedom. Not yet able to return to her lost home in the Appalachian mountains, she goes searching for someone she left behind, but on the way, she meets and falls in love with Miranda, a troubled young mother. Together, they try to make a fresh start, but is that even possible in a town that refuses to change? Set within the charged insularity of rural West Virginia, Sugar Run is a searing and gritty debut about making a run for another life.

IT IS THE YEAR 2064, and Washington, D.C., is divided into the Rich and the Poor. The Rich bathe in their luxuries and chastise those that they believe are below them. And the Poor have been forced to endure their morbid lives ever since the end of the nationwide war, with no light seeming to peer at the end of the tunnel. As quiet and respectful as they are, they also resent every nook and cranny of D.C., of the haughty Rich, and of the self-imposed President Remington, who is willing to do whatever it takes to bring the country out of its everlasting economic despair. And as much as they want to rebel and fight for a better life, they know they will be shot and killed if they dared to do so. Blaire Cohen is a nineteen-year-old Poor woman who despises how the Poor are treated daily. She and her family labor for the government, mining from the crack of dawn to dusk. Everyday she dreams of escaping the atrocious city with her family, willing to give them the life they deserve. But that is until she gets kidnapped by a mystifying organization determined to destroy the treacherous government . . . and determined for her to join, too. Blaire begins to embark on a life oozing with the unknown. Dangerous decisions are present at every corner she encounters, and she must choose wisely, for the wrong one will lead to imminent consequences. Perfect for fans of Suzanne Collins and Veronica Roth, book one of this heart-pounding dystopian series will have you at the edge of your seat until the very last page. Disclaimer: This novel includes intense action, violence, and language that may be sensitive to some readers. Please read with caution.

"... innovative and important thinking about the various relations between feminist theory, queer theory, and lesbian theory, as well as the possibility that liberation can be mutual rather than mutually exclusive." -- Lambda Book Report "Challenging and interesting." -- Just Out A collection of fifteen interdisciplinary essays examining the history, current condition, and evolving shape of lesbian alliances with U.S. feminists. Contributors explore the social and aesthetic significance of the terms "lesbian" and "feminist" with the interest of reforming and strengthening them.