Melbourne, 1971: radical counterculture, hippies, opposition to the Vietnam War and consumerism. The birth of Oz blues rock. Influenced by American blues after Robert Johnson, parallel to developments with Paul Butterfield, the Bluesbreakers and Canned Heat, Chain's music also developed in distinct ways, taking on a style later referred to as Oz blues, or Oz indigo. The emergence of prog rock and the consolidation of blues rock globally made for interesting times. Rock shifted beyond the basics, in the direction of new musical forms and prefigurative politics. In this moment, Chain, four regional white boys with jazz cred and blues licks, recorded the classic Oz blues single Black and Blue and its bedrock LP, Toward the Blues. 50 years later, it remains a monument in Australian rock history. Based on interviews with guitarist and singer Phil Manning, scholarly research and memoirs, this book tells the story of the album's creation and its cultural impact on the Melbourne music scene in a time of significant social change, seeking to capture the magic of that moment.

A beautifully translated selection of poems by one of the greatest Italian poets of the twentieth century Umberto Saba's reputation in Italy and Europe has steadily grown since his death in 1957, and today he is positioned alongside Eugenio Montale and Giuseppe Ungaretti as one of the three most important Italian poets of the first half of the twentieth century. Until now, however, English-language readers have had access to only a few examples of this poet's work. This bilingual volume at last brings an extensive and exquisitely translated collection of Saba's poems to English-speaking readers. Both faithful and lyrical, George Hochfield's and Leonard Nathan's translations do justice to Saba's rigorous personal honesty and his profound awareness of the suffering that was for him coincident with life. An introductory essay, a translation of Saba's early manifesto, "What Remains for Poets to Do," and a chronology of his life situate his poetics within the larger context of twentieth-century letters. With its publication, this volume provides the English-speaking world with a momentous occasion to rethink not just Italian poetry but also the larger European modernist project.

Made in Australia and Aotearoa/New Zealand: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century popular music of Australia and Aotearoa/New Zealand. The volume consists of chapters by leading scholars of Australian and Aotearoan/New Zealand music, and covers the major figures, styles, and social contexts of pop music in Australia and Aotearoa/New Zealand. Each chapter provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Australian or Aotearoan/New Zealand popular music. The book first presents a general description of the history and background of popular music in these countries, followed by chapters that are organized into thematic sections: Place-Making and Music-Making; Rethinking the Musical Event; Musical Transformations: Decline and Renewal; and Global Sounds, Local Identity.

Clinton Walker's biography of Bon Scott is the definitive account of the life of the iconic rocker, tracing his musical apprenticeship in bubblegum pop band the Valentines and blues-rockers Fraternity through to joining up with Angus and Malcolm Young in AC/DC, where his racy lyrics, unique vocal style, and sheer charisma helped define a new, highly influential brand of rock and roll. Drawing on many first-person interviews and featuring a gallery of rare images, Clinton Walker traces AC/DC's career through the life of their original front man, from the Scottish roots he shared with the Youngs to small-time gigs to recording studios and international success, right up to Scott's shocking death in 1980, just as the band were getting the worldwide recognition they'd worked for so tirelessly. Wild speculation about how Scott died has surfaced periodically in the intervening years and flared up again recently. For this edition, Clinton Walker re-examines the evidence surrounding Scott’s death, investigates these recurring claims, and concludes that such conspiracy theories have no basis in fact. The result underlines Highway to Hell’s status as the authoritative version of the life—and untimely death—of one of rock’s greatest characters.

These are the songs that we have listened to, laughed to, loved to and laboured to, as well as downed tools and danced to. Covering the last seven decades, Stuart Maconie looks at the songs that have sound tracked our changing times, and – just sometimes – changed the way we feel. Beginning with Vera Lynn’s ‘We’ll Meet Again’, a song that reassured a nation parted from their loved ones by the turmoil of war, and culminating with the manic energy of ‘Bonkers’, Dizzee Rascal’s anthem for the push and rush of the 21st century inner city, The People’s Songs takes a tour of our island’s pop music, and asks what it means to us. This is not a rock critique about the 50 greatest tracks ever recorded. Rather, it is a celebration of songs that tell us something about a changing Britain during the dramatic and kaleidoscopic period from the Second World War to the present day. Here are songs about work, war, class, leisure, race, family, drugs, sex, patriotism and more, recorded in times of prosperity or poverty. This is the music that inspired haircuts and dance crazes, but also protest and social change. The companion to Stuart Maconie’s landmark Radio 2 series, The People’s Songs shows us the power of ‘cheap’ pop music, one of Britain’s greatest exports. These are the songs we worked to and partied to, and grown up and grown old to – from ‘A Whiter Shade of Pale’ to ‘Rehab', ‘She Loves You’ to ‘Star Man’, ‘Dedicated Follower of Fashion’ to ‘Radio Ga Ga’.

Over 130 Old Time, Traditional, Newgrass, Gospel and Novelty Bluegrass tunes presented in a new tablature for guitar or banjo, plus special tips on singing from Bill Monroe, Ralph Stanley, Lester Flatt, Jesse McReynolds, Charlie Waller and other bluegrass greats.