What is the relationship between phonetics and phonology? Are phonological features innate and universal, and do they have fixed phonetic correlates? These questions have received renewed prominence in theoretical debates, and this book explores them from a modular, substance-free perspective. This in-depth analysis of Breton serves not only to introduce important data from this endangered language into the theoretical landscape but also to demonstrate the viability of a modular phonological framework. The book introduces a minimalist system of phonological representations built up on a language-specific basis, and integrates it with a fully-fledged computational framework, showcasing the numerous empirical and conceptual advantages of a substance-free view of phonology. Presenting the first comprehensive analysis of the sound patterns of a Breton variety treated in a substance-free phonological framework, this book will enhance the understanding of Celtic phonology and offers a valuable reference for postgraduate students, academics and researchers working in phonological theory and Celtic studies.

This book brings together phonologists working in different areas to explore key questions relating to phonological primitives, the basic building blocks that are at the heart of phonological structure and over which phonological computations are carried out. Whether these units are referred to as features, elements, gestures, or something else entirely, the assumptions that are made about them are fundamental to modern phonological theory. Even so, there is limited consensus on the specifics of those assumptions. The chapters in this book present differing perspectives on phonological primitives and their implications, addressing some of the most pressing issues in the field such as how many features there are; whether those features are privative or binary; and whether segments need to be specified for all features. The studies cover a wide range of methodologies and domains, including experimental work, fieldwork, language acquisition, theory-internal concerns, and many more, and will be of interest to phoneticians and phonologists from all theoretical backgrounds.

The Routledge Handbook of Phonological Theory provides a comprehensive overview of the major contemporary approaches to phonology. Phonology is frequently defined as the systematic organisation of the sounds of human language. For some, this includes aspects of both the surface phonetics together with systematic structural properties of the sound system; for others, phonology is seen as distinct from, and autonomous from, phonetics. The Routledge Handbook of Phonological Theory surveys the differing ways in which phonology is viewed, with a focus on current approaches to phonology. Divided into two parts, this handbook: covers major conceptual frameworks within phonology, including: rule-based phonology; Optimality Theory; Government Phonology; Dependency Phonology; and connectionist approaches to generative phonology; explores the central issue of the relationship between phonetics and phonology; features 23 chapters written by leading academics from around the world. The Routledge Handbook of Phonological Theory is an authoritative survey of this key field in linguistics, and is essential reading for students studying phonology.

This handbook provides a detailed account of the phenomenon of vowel harmony, a pattern according to which all vowels within a word must agree for some phonological property or properties. Vowel harmony has been central in the development of phonological theories thanks to its cluster of remarkable properties, notably its typically 'unbounded' character and its non-locality, and because it forms part of the phonology of most world languages. The five parts of this volume cover all aspects of vowel harmony from a range of theoretical and methodological perspectives. Part I outlines the types of vowel harmony and some unusual cases, before Part II explores structural issues such as vowel inventories, the interaction of vowel harmony and morphological structure, and locality. The chapters in Part III provide an overview of the various theoretical accounts of the phenomenon, as well as bringing in insights from language acquisition and psycholinguistics, while Part IV focuses on the historical life cycle of vowel harmony, looking at topics such as phonetic factors and the effect of language contact. The final part contains 31 chapters that present data and analysis of vowel harmony across all major language families as well as several isolates, constituting the broadest coverage of the phenomenon to date.

In recent years, an increasing number of linguists have re-examined the question of whether markedness has explanatory power, or whether it is a phenomenon that begs explanation itself. This volume brings together a collection of articles with a broad range of critical viewpoints on the notion of markedness in phonological theory. The contributions span a variety of phonological frameworks and relate to morphosyntax, historical linguistics, neurolinguistics, biolinguistics, and language typology. This volume will be of particular interest to phonologists of both synchronic and diachronic persuasions and has strong implications for the architecture of grammar with respect to phonology and its interfaces with morphosyntax and phonetics.

What is the relationship between phonetics and phonology? Are phonological features innate and universal, and do they have fixed phonetic correlates? These questions have received renewed prominence in theoretical debates, and this book explores them from a modular, substance-free perspective. This in-depth analysis of Breton serves not only to introduce important data from this endangered language into the theoretical landscape but also to demonstrate the viability of a modular phonological framework. The book introduces a minimalist system of phonological representations built up on a language-specific basis, and integrates it with a fully-fledged computational framework, showcasing the numerous empirical and conceptual advantages of a substance-free view of phonology. Presenting the first comprehensive analysis of the sound patterns of a Breton variety treated in a substance-free phonological framework, this book will enhance the understanding of Celtic phonology and offers a valuable reference for postgraduate students, academics and researchers working in phonological theory and Celtic studies.

For decades, the voicing system of Polish has been at the center of a heated theoretical debate concerning laryngeal phonology as it features a number of phenomena that constitute the core of this debate, such as Final Obstruent Devoicing, Regressive Voice Assimilation, and Progressive Voice Assimilation. As research into laryngeal phonology progresses on various fronts, it becomes more obvious that a large portion of the phenomena in question have phonetic or implementational conditioning, thus limiting the role of phonology even further. The model presented here is one in which phonology, phonetic interpretation, and phonetics find their respective homes. Paradoxically, by separating these three levels of description, we wish to integrate the disparate threads of modern research of sound patterns into one sound system.