This book is the only full-length treatment of the relationship between aesthetic truths and psychoanalytic discoveries--of art, artists, and a new concept of sublimation. It provides a radical and unique study of the concept of sublimation and proposes a modest replacement for it. In the first third of the book the author reviews critically the psychoanalytic sources of the concept of sublimation. In the second third he shows how the concept developed from Freud's nineteenth-century notions of perception. In the last third he revises a concept of sublimation using a contemporary theory of perception. In the final chapter he examines four works of literature: short stories of John Cheever, a Japanese novel, portions of Hamlet, and sublimation and perversion in Orson Welles' Citizen Kane.

This book contains a overview of the sublimation process, the products available, sources, business aspects of a sublimation business and is intended to serve as a reference manual for anyone working with sublimation.

What is at stake in Freud’s enduring preoccupation with a process supposedly diverting sexuality into cultural activity? In this study, a leading scholar of psychoanalysis and literature re-opens the old question of sublimation in a critical reading that explores one of the last remaining puzzles of Freudian thought. Using the rigorous framework provided by Jean Laplanche, Luke Thurston resituates sublimation as an unfinished Freudian concept bound up with a much wider history of philosophical and literary reflection. Exploring the misunderstanding and reinvention of sublimation both in accounts of cultural history and in Lacan’s celebrated reading of Antigone, Thurston challenges some of the prevalent assumptions still seen in contemporary “theory.” Thurston links his critical investigation of psychoanalysis to modernist literature, discovering both parallels and alternatives to Freud’s idea of sublimation in little-known works by May Sinclair and David Jones. The study concludes by arguing that these modernist artists, both of whom were significantly affected by trauma during the First World War, produced work radically at odds with the established canons of representation, and that this “anti-hermeneutic” art can be linked to a “Copernican” sublimation, a process not controlled by the ego but vitalizing it and decentring its habitual structure.

Today, diversity of gender and sexuality is beginning to be recognized and celebrated, even while many religious denominations still resist these cultural changes. The Gift of Sublimation offers pastoral interpretations of these social shifts in thelight of psychological principles, and argues that there is, historically, not only one view of masculinity but multiple conceptions. This discussion covers topics as diverse as the moral disapproval of masturbation; the efforts of some churches to convince homosexual men to adopt a heterosexual orientation; the dynamics of male envy of female longevity; the homosexual tendencies of King James I of England and VI of Scotland; and biblical portraits of God's body, gender, and sexuality. Nathan Carlin and Donald Capps make special use of the psychoanalytic concept of sublimation: the redirection of sexual desires that are considered unacceptable or unworthy towards interests and aspirations that are considered acceptable and worthy. While the use of psychoanalytic hermeneutics here is likely to raise various red flags for potential religious readers, especially for those who have been informed that Sigmund Freud was hostile towards religion, this book presents a rather different view, focussing on religious sublimation.

This book integrates thinking about dilemmas faced in the context of the clinical practice of psychoanalysis today, with contemporary social and political concerns specific to the age of the global consumer marketplace. Beginning with an analysis of the fate of the concept of sublimation in Freud’s work, and its relationship to the elaboration of the concept of the superego in 1923, Jared Russell examines how these concepts provide a lever for integrating psychoanalytic thinking with topics of urgent social concern, beyond the critique of ideology. Taking up topics such as the experience of time, addiction to consumption, and the general consequences of the insinuation of digital technologies at increasingly earlier stages in human development—and thinking these through the lens of what the clinical practice of psychoanalysis teaches us about intimate human relatedness—the book addresses how a philosophically oriented approach to psychoanalysis can illuminate our response to the problems of everyday life under conditions of late capitalism. Drawing on a diverse range of authors such as Freud, Heidegger, Hans Loewald, Christopher Bollas, Lacan, Deleuze and Bernard Stiegler, it is argued that the concepts of sublimation and of the superego must be reinvented with regard to both clinical and critical discourse today if psychoanalysis is to remain relevant to the major issues we face, both individually and collectively, in the twenty-first century. Sublimation and Superego: Psychoanalysis Between Two Deaths stages a unique encounter between philosophy, critical theory and clinical practice that will be of interest to psychoanalysts, scholars of twentieth-century continental philosophy, critical social theorists and mental health practitioners.