The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated. Saidiya Hartman has been praised as “one of our most brilliant contemporary thinkers” (Claudia Rankine, New York Times Book Review) and “a lodestar for a generation of students and, increasingly, for politically engaged people outside the academy” (Alexis Okeowo, The New Yorker). In Scenes of Subjection—Hartman’s first book, now revised and expanded—her singular talents and analytical framework turn away from the “terrible spectacle” and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist depictions of enslavement. By attending to the withheld and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers. This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson.

The Subject of Women, which Mill wrote in 1861 but did not publish until 1869, is one of the seminal texts of feminism and aroused more antagonism than anything Mill ever wrote. Conservatives predicted it would do to the English family what socialism would do to England's economy. Liberals believed that women would vote conservative. Many prominent Englishwomen, such as Charlotte Brontë, Elizabeth Barrett Browning, Christina Rossetti, and George Eliot, opposed women's suffrage. Even such advanced thinkers as Sigmund Freud were hostile to the book. In The Subjection of Women Mill argues with lucidity, force and more than usual metaphorical eloquence that "the principle which regulates the existing social relations between the two sexes-the legal subordination of one sex to the other-is wrong in itself, and now one of the chief hindrances to human improvement; and that it ought to be replaced by a principle of perfect equality..." Mill does battle on two fronts, that of intrinsic justice and that of utility. He sees the subjection of women as not only inherently wrong, but intertwined with all the evils of existing society. In support of his central principle, Mill argues that there is no basis in nature for the inferior status of women. He likens the position of the Victorian wife to that of a domestic slave and discourses on the debasing nature of all master-slave relations. He provides historical evidence of what women are capable of achieving and he speculates upon the benefits that will accrue to society as well as individuals from female emancipation, most especially from equality in marriage, which Mill describes as the only remaining legal form of slavery. This new critical edition shows that Mill's classic work has lost none of its relevance. The cross-disciplinary approach of the book can be useful in literature, history, or sociology courses as well as womens studies.

In a world where intellect and achievement are valued above all else, a young man risks everything to save his brother from a life of slavery. Thrown into a harsh, unyielding world where slaves are treated as less than animals, Sascha struggles to come to terms with everything he knows being ripped away from him, but a life of success could never prepare him for his life as one of the Demoted. Sinking lower and lower, Sascha begins to lose hope, but the whim of a mysterious, wealthy man has the potential to change all that. Cashiel has a dark history that he guards carefully. Between family and business and politics, he rarely has time for a slave, much less a lover. But when he sees a young man who reminds him of the very history he is trying to escape, he makes an impulse decision that he's not sure whether to regret or not. The slave could expose everything, or he could be the most valuable asset that Cashiel has ever acquired. Cashiel and Sascha share desires, hopes, and a home. Each man is limited by status, hindered by history, and desperate to succeed. The question is, will that be enough? (M/M)

Helen Thompson's Ingenuous Subjection offers a new feminist history of the eighteenth-century domestic novel. By reading social contract theory alongside representations of the domestic sphere by authors such as Mary Astell, Mary Davys, Samuel Richardson, Eliza Haywood, and Frances Sheridan, Thompson shows how these writers confront women's paradoxical status as both contractual agents and naturally subject wives. Over the long eighteenth century, Thompson argues, domestic novelists appropriated the standard of political modernity advanced by John Locke and others as a citizen's free or "ingenuous" assent to the law. The domestic novel figures feminine political difference not as women's deviation from an abstract universal but rather as their failure freely or ingenuously to submit to the power retained by Enlightenment husbands. Ingenuous Subjection claims domestic novelists as vital participants in Enlightenment political discourse. By tracing the political, philosophical, and generic significance of feminine compliance, this book revises our literary historical account of the rise of the novel. Rather than imagining a realm of harmonious sentiment, domestic fiction represents the persistent arbitrariness of eighteenth-century men's conjugal power. Ingenuous Subjection revises feminist theory and historiography, locating the genealogy of feminism in a contractual model of ingenuous assent which challenges the legitimacy of masculine conjugal government. The first study to treat feminine compliance as something other than a passive, politically neutral exercise, Ingenuous Subjection recovers in this practice the domestic novel's critical engagement with the limits of Enlightenment modernity.

Racial Subjection Theory in Higher Education contributes to the “third wave” of college student development theory by drawing upon cultural studies, critical and postmodern theory, and Critical Race Theory. The theory offers a new approach for analyzing racial identities, interests, and inequities in higher education contexts.

The object of this essay is to explain as clearly as I am able, the grounds of an opinion which I have held from the very earliest period when I had formed any opinions at all on social or political matters, and which, instead of being weakened or modified, has been constantly growing stronger by the progress of reflection and the experience of life: That the principle which regulates the existing social relations between the two sexes- the legal subordination of one sex to the other- is wrong in itself, and now one of the chief hindrances to human improvement ; and that is ought to be replaced by a principle of perfect equality, admitting no power or privilege on the one side, nor disability on the other.

Leviathan invests the sovereign with nearly absolute power, and that vast sovereign has drawn the reader's eye for 350 years. Yet Hobbes has much to say about subjects as well, and he articulates a normative conception of a good subject.