An account of the author's experiences in the Indian sub-continent, living through a period of partition and independence, with an introduction to political developments and a socio-economic scenario.

An important revisionist history that casts eighteenth-century British politics and imperial expansion in a new light In this bold debut work, historian James M. Vaughn challenges the scholarly consensus that British India and the Second Empire were founded in "a fit of absence of mind." He instead argues that the origins of the Raj and the largest empire of the modern world were rooted in political conflicts and movements in Britain. It was British conservatives who shaped the Second Empire into one of conquest and dominion, emphasizing the extraction of resources and the subjugation of colonial populations. Drawing on a wide array of sources, Vaughn shows how the East India Company was transformed from a corporation into an imperial power in the service of British political forces opposed to the rising radicalism of the period. The Company's dominion in Bengal, where it raised territorial revenue and maintained a large army, was an autocratic bulwark of Britain's established order. A major work of political and imperial history, this volume offers an important new understanding of the era and its global ramifications.

This book offers a more complex understanding of Indian writing in English by focusing its analysis on Indo-Pakistani Partition fiction and novels written by women. Featured authors include Salmon Rushdie, Amitav Ghosh, Anita Desai and Arundhati Roy.

A cross-cultural study that explores and redefines what philosophy, philosophizing, and philosophers are through the lens of literature. The academic discipline of philosophy may tell us, too rigidly, what a philosopher is or should be; but fictional narration often upholds the core conundrums of humankind in which philosophy germinates. This collection of essays explores whether a study of 'philosophers' at a planetary scale, or at least on a broad cross-cultural spectrum, can decouple philosophy from its academic aspect and lend it a more inclusive domain. Contributors to this volume play with three conceptual poles, making them interact with each other and get modified through this interaction: 'fiction', 'narrative' and 'philosopher'. How do these three terms get semantically modified and broadened in scope when we speak of the figures of philosophers in imaginative writing? How do these terms assume different connotations in different cultural contexts, interacting with the multiplicity of not just 'thought', but also the media and tools of 'thought'? Do we always think only rationally? Or do we also think with and through emotively powerful images, symbols and tropes? In the end, Finding Philosophers in Global Fiction insists on the need to 'de-elitize' and democratize the concept of a 'philosopher' by reflecting on the possibility of seeing a philosopher as one who sees things clearly, from any vantage point.