The experience of Hong Kong’s innovative and creative industries and the challenges they face serves as an important case study for other Chinese and Asian cities that are actively developing their innovative and creative industries in the era of globalization. The return of sovereignty over Hong Kong back to China in 1997 has led to both collaboration and competition between the two places in innovative and creative sectors for the Greater China and Asian Regions. Hong Kong has remained unique in spite of the integration, but she has to strike a delicate balance between being simultaneously a Chinese and an international city. This book looks at different innovative and creative industries, such as international art and culture exhibition, innovative technology, digital entertainment, TV and movies, as well as government policy for innovative and creative industries, particularly the changing competitive landscape brought about by the latest Great Bay Area development. Drawing insights from cultural history, innovation economics, cultural policy studies, and cultural geography, this book explores the opportunities and challenges of Hong Kong's innovative and creative industries, in particular after the change of sovereignty in 1997. It demonstrates that the city’s legacy, and heavy government input in capital, do not guarantee their sustainable development. This is a book not only for policymakers or academics interested in innovative and creative industries but also to students contemplating a career in these areas in Hong Kong, the Greater China and the Asian Region.

This dissertation, "Clustering of Cultural and Creative Industry in Old Industrial Buildings in Hong Kong: a Case Study of Fo Tan" by Pak-him, Chiu, 趙柏謙, was obtained from The University of Hong Kong (Pokfulam, Hong Kong) and is being sold pursuant to Creative Commons: Attribution 3.0 Hong Kong License. The content of this dissertation has not been altered in any way. We have altered the formatting in order to facilitate the ease of printing and reading of the dissertation. All rights not granted by the above license are retained by the author. Abstract: Cultural and creative industries are often considered as one of the latest knowledge-based economy that prevailed around the world. Globalization makes the concept of cultural and creativity spread all over the world. The rise of the creative class, which has permanently transformed our economy and society, has rapidly transformed the world (Florida, 2002). Florida has suggested the creative classes have become more pronounced in recent decades and people around the world start to live differently, pursuing a new stage of lifestyles (Florida, 2002). In Hong Kong, cultural and creative industry has only been considered in the Policy Address in 2009, which has become as one of the six new pillars industry in Hong Kong. The transformation of the economic and industrial structure in Hong Kong has injected new value-added elements in economic development. How could Hong Kong react to this change? Currently, the territory does not even have policies that promoted cultural and creative industry. Cultural and creative industries are not greatly promoted. Different artists joined together and formed different artists organization in order to protect their own value and promote the concept of cultural and arts among citizens. In this dissertation, the clustering of cultural and creative industry in Hong Kong will be discussed. Different concepts and theories about the shaping of a cultural city will be analysed. Locational factors that lead to the clustering of cultural and creative industry in Hong Kong will be examined. A local case study - Fo Tan - will be examined by all the theories and concepts regarding to this clustering effect of cultural and creative industry. Fo Tan is one of the most significant industrial areas with most cultural and creative industries in Hong Kong. Different locational factors will be examined and see if they could be fitted into the local context. Moreover, the institutional setting of cultural and creative industry and urban planning system will be analysed and see if there are any deficiencies. With all the above mentioned, this dissertation hopes to see if government policies could help the development of cultural and creative industries and if different sectors in cultural and creative industries could co-exist in Fo Tan. Looking into the future, we would like to see what the Government or other private sector could do in order to help consolidate the cluster of cultural and creative industry in Fo Tan. DOI: 10.5353/th_b5128538 Subjects: Cultural industries - China - Hong Kong Industrial buildings - Remodeling for other use - China - Hong Kong

A number of large-scale infrastructural projects have been launched: the construction of the HK-Zhuhai-Macau Bridge will greatly improve the transportation conditions between the southwest and the east regions, as well as between the west part of the PRD and western Guangdong, accelerating the pace of economic development and facilitates the establishment of the economic spheres of the "Greater PR. [...] (2) Forming a number of influential cultural businesses in the province and the whole nation - the PRD produced a number of influential cultural businesses in the province and the whole nation which include the OCT group in Shenzhen, the Guangzhou Daily Group, the Guangdong Educational and Publishing Company, the Pearl River Film Company, the Nanfang Broadcast, Film and Television Group and their. [...] At the same time, as intermediary agents, the different industry associations of the CCIs in the PRD are also performing a positive and active role in the management, coordination, organization, supervision, research and development for the sectors, contributing to the self-regulation of the industries. [...] 6.2 The reasons for the CCIs of PRD to fall behind those of YRD since the latter part of the 1990s are due to the rise of Shanghai as the dragon-head of the YRD economy, which quickly brought along regional growth, while at the same time the economic growth of Hong Kong slowed down. [...] This study suggests the participants and stakeholders in building up this platform should include the organizations and the individuals from the government, the practitioners, the business, the academia and the Third-Sector.

The purpose of this volume is to broaden scholars' analytical perspective by placing the creative industries in frameworks that compare and contrast them with other kinds of entities, organizations, and social forms that mix creativity and production. In other words, this volume aims to set out an emerging agenda for the study of creativity in the cultural and media industries. Although this work focuses on the media and cultural industries, they are investigated in the context of other groups and organizations connecting forms of creativity with an explicit emphasis on turning ideas into concrete practices and products. The originality of this book lies in (1) presenting a comparative and interdisciplinary perspective that develops a new framework and analytical concepts to understand the notion of creativity in the media and cultural industries, and (2) providing a series of fresh empirically based studies of the process of creativity in fields such as advertising, fashion, animation, and pop culture. This comparative move is taken in order to generate new insights about the particular features of the creative industries and new questions for future analysis.